歌剧

The next season Arne staged his afterpiece setting The Opera of Operas, or Tom Thumb the Great at the Little Theatre in the Haymarket.

下赛季阿尔上演他剧终余兴设置在小剧院，干草的歌剧，歌剧或汤姆拇指大。

The Bayreuth performances also produced an invitation to appear at the Metropolitan where she made her debut as Sieglinde in Die Walküre.

由于拜罗伊特的超精彩演出，于是便产生制作了一份来自美国歌剧胜地大都会歌剧院邀请她登台献演的邀请函，在那儿她也是以瓦格纳超级四联歌剧《尼柏隆根的魔指环》之二《女武神》中的首要女主角"齐格琳德"作为其大都会首演的登台曲目。

This thesis firstly makes an analysis of the duet in Carmen by means of the distribution of the duet and the development of the story, the unique management of the duet by Bizet, and the portray of the figure.

本文对歌剧《卡门》的重唱进行本体分析，即重唱在歌剧中的布局与剧情发展、比才在重唱创作上的特殊处理以及重唱对人物形象的塑造方面作了详细分析。

In my thesis, it outlines the background and process of the story, the style and feature of Merimee and the the script which abridged and developed contents and characters. The second aims at the musical analysis of the opera "Carmen" by Bizet, mainly according to the order of the opera and attaching the important music scores. The third is the character analysis of Carmen, the heroine of the opera, and Escamillo, the toreador which has been enriched and magnified by the author of the script. And the focus is the analysis, understanding and figure of the toreador which I have performed. In the last part of the thesis, it tells the scene of the opera and the relationship with the figures of the roles in the opera. And it also compares a variety of famous singers who has performed the toreador and puts on some of my points of view.

文中概述了小说产生的历史背景及经过、梅里美的风格特色及脚本对原作情节上、人物设置上的增删及发展等；其次为对出诸比才天才手笔的歌剧《卡门》音乐的分析，基本上按幕顺序论述并附重要的谱例；第三个重点是对剧中女主人公卡门及由脚本作者丰富、放大了的斗牛士埃斯卡米欧的人物性格分析，而把重点放在作者学习过的斗牛士形象的剖析、理解和塑造上；最后简要地阐述了歌剧场景与人物形象塑造的关系，前者对后者所可能产生的帮助，并对不同歌唱家所演绎的斗牛士形象作了比较和评价，提出了自己的看法。

Pierre Boulez later by the command of the Alban Berg opera "Lulu" at this premiere, but France still can not squeeze in the opera world's top ranks.

后来由布列兹指挥贝尔格的歌剧《璐璐》在此首演，但法国歌剧仍无法挤进世界顶尖行列。

Benjamin Britten is one of the most distinguished composers in the 20th century and the music renaissance leader in British. His opera in the history of opera in the United Kingdom has drawn greater attention.

本杰明·布里顿是二十世纪最杰出的作曲家之一，英国音乐复兴的领军人物，他创作的歌剧在英国歌剧史上倍受关注。

Years before de Brosses introduced the term to art criticism, an anonymous music critic called "baroque" the music of Rameau's Hippolyte et Aricie, first performed in 1733, which he found noisy, unmelodious, and capricious and extravagant in its modulations, repetitions and metrical changes.

多年以前，de Brosses引用这艺评的术语，佚名的乐评者称「巴洛克」，是指拉莫（Rameau，法国18世纪音乐家）的歌剧《Hippolyte et Aricie》在1733年首演，他发现这歌剧喧闹、无旋律，转调时过度铺陈，而且变来变去，一直反覆和改变拍子。

His compositions, particularly those of his later period, are notable for their contrapuntal texture, rich chromaticism, harmonies and orchestration, and elaborate use of leitmotifs: themes associated with specific characters, locales, or plot elements.

前面承接莫扎特，贝多芬的歌剧传统，后面开启了后浪漫主义歌剧作曲潮流，理查·施特劳斯紧随其后。同时，因为他在政治、宗教方面思想的复杂性，成为欧洲音乐史上最具争议的人物。

Rossini was also an innovator of opera, he enhanced the tenor and orchestra position in opera, focused on figural characteristic, emphasized consistency of drama, and confirmed the score of colorature part.

罗西尼也是歌剧的革新者，他提高了男高音和管弦乐队在歌剧音乐中的地位，将花腔部分乐谱固定，强调戏剧的连贯性，注重刻画人物性格。

With the inspiration of the great writter Shakespeare,Verdi composed the comic opera "falstaff" in 80 years old,also it's the Verdi last opera work.

晚年的威尔第借助莎士比亚作品的灵感，以轻快的笔触写下喜歌剧《法斯塔夫》，它是威尔第在80高龄时的杰作，也是威尔第的最后一部歌剧作品。

I am sure after a few weeks of adaptation and familiarization I will have no difficulty in functioning on a daily basis in an English speaking society or in participating fully in graduate studies.

在大学的三年的学习生活不仅给予我自身的充实，更重要的是磨练和培养了我较强的自觉能力和严谨，踏实的作风以及不怕困难的精神，对未来充满了信心！

As the first volcanoes erupted, one of the gases that bellowed out was steam.

在第一批火山喷发时，喷出的气体之一就是水蒸汽。