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Even for a mathematician or computer programmer, this evolved formula is a tar baby in the briar patch.

即使是对一个数学家或一个计算机程序设计员来说,这个进化出来的公式也是荆棘地上的柏油娃娃[1]。

Even for a mathematician or computer programmer, this evolved formula is a tar baby in the briar patch.

作者在此处用柏油娃娃比喻说明进化出来的公式一团糟,如果硬要去分析则会越陷越深最终不能自拔。

Her novel Tar Baby explores the double consciousness of American Blacks by employing an African legend as a metaphoric model.

她的小说《柏油娃》以非洲传说为隐喻模式探讨了美国黑人的双重身份和意识。

Through the study on her four novels, Song of Solomon (1977), Tar Baby (1981), Beloved (1987) and Jazz (1992), this thesis explores the African influence upon Morrison, who, as an American African, is influenced not only by American culture but also by African traditional culture.

本论文通过对其中四篇小说《所罗门之歌》(1977)、《柏油娃》(1981)、《宠儿》(1987)、《爵士乐》(1992)的分析,探讨了莫里森作为一名美国黑人女作家,不仅受到美国文化的影响,更受到非洲传统文化影响的一面。

This essay seeks to examine this struggle over issues of racial authenticity by examining Morrison's 1980 novel, Tar Baby, and two short stories by McPherson,"Why I Like Country Music" and "Elbow Room."

本文通过细读莫里森的小说《柏油娃》和麦克斐逊的两篇短篇小说,即&我为什么喜欢乡村音乐&和&活动空间&,探讨其中隐含的关于种族真实性问题的争论。

Published in 1981, Morrison's fourth novel Tar Baby tells the story of a love affair between the male and female protagonists.

莫里森的第四部作品《柏油孩子》发表于1981年。

Through this perspective, this thesis analyzes Morrison's early four works: the Bluest Eye, Sula, Song of Solomon and Tar Baby. Firstly, it analyzes the plight of African-American culture. Then, it discusses how Morrison, though her writing, ponders the construction of African-American culture, and tries to make the culture full of vitality.

本文通过这个视角分析莫里森的早期四部作品:《最蓝的眼睛》、《秀拉》、《所罗门之歌》和《柏油娃》,首先分析黑人文化的艰难处境,接着探讨莫里森如何通过她的创作思考美国黑人民族文化的构建、使民族文化具有生命力的。

Massive academic study has been done to her 7 novels(The Bluest Eye, Sula, Song of Solomon, Tar Baby, Beloved, Jazz and Paradise) before Love among literary critical circles from various perspectives at home and abroad.

国内外的文学评论界对她的前七部小说(《最蓝的眼睛》、《秀拉》、《所罗门之歌》、《柏油娃》、《宠儿》、《爵士乐》和《乐园》)从各个角度进行了广泛而深入的研究。

And just as her seven novels—The Bluest Eye, Sula, Song of Solomon, Tar Baby, Beloved, Jazz, and Paradise—have attracted intense critical scrutiny, Morrison, herself, has drawn great attention to her, and to black women literature as well.

正如她的七部作品《最蓝的眼睛》、《秀拉》、《所罗门之歌》、《柏油娃》、《宠儿》、《爵士乐》和《乐园》引起评论界的浓厚兴趣一样,莫里森本人和黑人文学也得到极大关注。

Toni Morrison, the only Nobel Prize winner among African-American women writers, has attracted a wide audience and ignited much criticism since publication of The Bluest Eyes, Sula, Song of Solomon, Tar Baby, Beloved, Jazz, Paradise and Love.

从发表处女作《最蓝的眼睛》到随后的《苏拉》﹑《所罗门之歌》﹑《柏油娃》﹑《宠儿》﹑《爵士乐》﹑《天堂》和《爱》,她的每部小说都紧密围绕黑人特别是黑人女性的内心世界和历史命运展开。

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然而,Internet固有的有线连接方式大大限制了人们对网络信息的访问和使用。

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