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You bought audio cassette player in a store.

第四,尽量让你的讲话内容生动有趣味,独特,富于激情,吸引考官。

The tale was long, but brimful of interest

他的故事很长,可是极有趣味。

I understand that language is very important, and i always try to make my classes both entertaining and educational.

我明白,语言是非常重要的,我总是试图让我的课既有趣味又有教育意义。

Sand is a beautifully romantic restaurant on the beach. Etesian was lovely, intimate indoor dining with a great menu. Teppanyaki was great fun and the chefs are truly artistic.

Sand是个沙滩上的一个很浪漫的餐厅;Etesian很精致,提供私密的室内用餐,菜单上有很多菜可选;Teppanyaki很有趣味,而且主厨们都很有风度的。

He is just what a young man ought to be,'' said she, ''sensible, good humored, lively; and I never saw such happy manners!

"他真是一个典型的好青年,"她说,有见识,有趣味,人又活泼;我从来没有见过他那种讨人喜欢的举止!

"He is just what a young man ought to be," said she, sensible, good humoured, lively; and I never saw such happy manners!

"他真是一个典型的好青年,"她说,有见识,有趣味,人又活泼;我从来没有见过他那种讨人喜欢的举止!

"He is my.ssbbww.com what a young man ought to be," said she, sensible, good humoured, lively; I never saw such happy manners!

"他真是一个典型的好青年,"她说,有见识,有趣味,人又活泼;我从来没有见过他那种讨人喜欢的举止!

Marjorie: Looks like you stay busy and have fun--a good combination.

看起来你很忙碌有很有趣味--很好的组合。

Cihua Edition which is more interesting and attractive can be said and sung and is rhymed for the purpose of sermon.

词话本&文本是有说有唱、韵散杂糅的,其立意是以说教、有趣味、有吸引力为主的,总体风格是俗中带雅。&

This "importation" of the individual consciousness of the creator must however remain controlled. This is of the utmost importance, without constraints or measures we would fall either into the aesthetics of popular taste or into an escalation of elitist vocabulary that would weaken the language. If I myself no longer dare to use oil paints, to revisit or augment, it is due to its intrinsic overabundance of culture; having barely touched the palate, there is an immediate return to the domain of noble art. I would be too scared of creating some useless work while loosing the intensity afforded to a more direct language. Fluctuations in our cultural structure have resulted in vernacular embodying the new norm while I, in the domain of artistic language, have opted for the mode and techniques of traditional embroidery. A long while ago, during the time of the Yuan Ming Yuan artist village, I was convinced that I would run into problems if I applied myself to oil paint. I had produced next to nothing up until the day when, by coincidence, I noticed the many works of embroidery being sold at the entrance to the Summer Palace. I felt like I had finally found my mode of expression, my own personal artistic language. Due to the fact that embroidery belongs to the pre-industrial age, there is a "folkie" quality to it, rural and natural. This ill-defined modern world in which we live must also respond to the demands of "common people", the "lowly" and the "nouveau riche". In some sense, the re-appropriation of this folkloric technique was a necessity, much as it was during the time of the shift from "prose to spoken language" [1], an unavoidable consequence of social upheaval. It was not limited to a mere question of the stylistic signification of the semantic form. What embroidery embodies is a structural modification of society at its most basic level.

虽然它注入了艺术家的个人意识,但关键就是分寸感的把握,不然,或者伦为真的大众趣味,或者切入过多的经英语词汇,而使语言虚弱,就我而言,我不敢重操油画,或是改造扩充,就是由于它本身太文化了,一出手就高雅了,怕弄个不伦不类而失掉语言直接性的强度,文化结构的改变,艺术的俗语是一种趋势,从艺术语言上,我是用传统刺绣方式和手法的,早在圆明园画家村时,我几乎没有画出什么东西,油画肯定觉得使用起来有问题,在当时偶然在颐和园门前,看到很多刺绣的艺术品,一下子感到找到了方法,因为刺绣这种手段属于工业文明之前的东西,它有种土色和平民的感觉,这种也对应了时下的&平常人&、&小人物&、&暴发户&对现代化的消费趣味的追求,那种不伦不类的现代性,正好我的家乡唐山有一个很有名的刺绣厂,找师傅做作品可能更方便,有了这个想法之后,也得到朋友的鼓励,刺绣这一传统民间资源的再利用,在某种意义上说就像&白话文&始于当时社会巨大的转型出现的必然,它不单单是语言风格样式上的意义,它体现的是深层的社会文化结构改变的宣示。

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