无风的

Results The tinnitus frequency, severity of subjective tinnitus, audiogram types and some items of function test above hearing threshold were significantly different in the five groups (P.05). Specific features of pure-tone test were found in the five groups: tinnitus frequency was low, whole- frequency hearing threshold high, audiogram even, short increment sensitivity index at 1 kHz high and tone decline at 4 kHz low in the syndrome of invasion of wind-heat; tinnitus frequency was high, high-frequency hearing loss common, audiogram abruptly descending, SISI and TD at 4 kHz high in the syndrome of liver-fire up-stirring; subjective tinnitus was loud, audiogram abruptly descending or gradually descending, SISI and 7W at 4 kHz low in the syndrome of stagnation of phlegm-fire; tinnitus frequency was high, subjective tinnitus low, audiogram markedly descending or hill-like, SISI and TD at 4 kHz high in the syndrome of kidney-essence deficiency; average hearing loss was less, audiogram irregular but abruptly descending or notched in most cases, SISI at 4 kHz low in the syndrome of weakness of spleen-stomach.

结果］耳鸣频率、自觉耳鸣程度、听力图类型及部分阈上功能测试指标在各证型间具有显著性差异(P.05)，这些指标在不同的证型中表现出不同的特点：风热侵袭型的耳鸣频率较低，全频听阈升高，听力图多为平坦型，短增量敏感指数得分在1kHz较高，而4kHz音衰值较低；肝火上扰型的耳鸣频率较高，听力损失以高频为主，听力图多为陡降型，4kHz SISI得分及TD值均较高；痰火郁结型的自觉耳鸣响度较大，听力图以陡降型或缓降型为主，4kHz SISI得分及TD值均较低；肾精亏损型的耳鸣频率较高，而自觉耳鸣响度较低，听力图以显降型或山型为主，4kHz SISI得分及TD值均较高；脾胃虚弱型的平均听力损失较小，听力图无一定规律性，但以陡降型或切迹型为主，4kHz SISI得分较低。

Careless winds, careless thoughts Charmless every way Here I go, lying low Wrapped in clouds of grey If I ever knew Just what love could do I'd rather hate, but it's too late and pain is the truth Please don't you read my feelings Please don't read my love 'cause the mirror lies and my disguise; your smiling face still recalls a breathing soul Rememberin' the angel of life Angel of life Peace is a wonderful feeling Please don't read my love 'cause the night I saw the pictures of your smiling face eye to eye to the past I stared at the angel of life Angel of life cursed pride moves inside Rememberin' the angel of life Angel of life cursed pride

不小心风，不小心思考无粲各种方式在这里，我去，躺在低裹在灰色云如果我知道究竟什么可以做的爱我宁愿恨，但为时已晚和疼痛是真理请不要你看我的感觉请不要看我的爱'使我的镜子谎言和伪装；你的笑脸还记得一个喘息的灵魂 Rememberin'生命的天使生命天使和平是一种美妙的感觉请不要看我的爱'事业的晚上，我看到了图片你的笑脸完全一致的过去我看着生命天使生命天使诅咒的骄傲动作里面 Rememberin'生命的天使生命天使诅咒的骄傲

Hereafter, the devil more and more did not pay attention to the young girl The final devil proposed bids good-bye, the young girl listens to reach this point the speech, her world bang collapsed down, dizzy, the young girl does not have the language Calmly leaves free the wind dissolutely to provoke own tears The young girl again closely examines the devil whether has liked own, even if is a little piece, the devil only is Leng Leng saying: Does not have, always also does not have Young girl's tear cannot stop in light of this, secretly pledged, certainly must recall own love Finally, the devil gave the young girl an opportunity to change oneself, she also gave the young girl month-long the time, however a month was young girl's birthday In this period of time, the devil to the young girl unusual indifference, is heartless The young girl always not helps sob, but in her heart is very clear, if own lose in this agreement, meant she will lose him!

最终恶魔提出了分手，少女听到此话，她的世界轰的塌了下来，天旋地转，少女无语。静静地任由风放肆的拨弄自己的泪水。少女一而再的追问恶魔是否喜欢过自己，哪怕是一丁点儿，恶魔只是冷冷的说：没有，从来也没有。少女的泪就此止不住，暗暗发誓，一定要挽回自己的爱最后，恶魔给了少女一次机会改变自己，她也给少女一个月的时间，然而一个月后是少女的生日。在这段时间，恶魔对少女异常的冷漠，无情。少女总是无助的哭泣，但最后，恶魔给了少女一次机会改变自己，她也给少女一个月的时间，然而一个月后是少女的生日。。。是她心里很清楚，如果自己在这个约定输掉的话，意味着她将失去他！

A Little Boy How I never could be tired with roaming about that huge mansion, with its vast empty rooms, with their worn-out hangings, fluttering tapestry, and carved oaken panels, with the gilding almost rubbed out---sometimes in the spacious old-fashioned gardens, which I had almost to myself, unless when now and then a solitary gardening man would cross me---and how the nectarines and peaches hung upon the walls, without my ever offering to pluck them, because they were forbidden fruit, unless now and then,---and because I had more pleasure in strolling about among the old melancholy-looking yew-trees, or the firs, and picking up the red berries, and the fir-apples, which were good for nothing but to look at ---or in lying about upon the fresh grass, with all the fine garden smells around me---or basking in the orangery, till I could almost fancy myself ripening too along with the oranges and the limes in that grateful warmth-or in watching the dace that darted to and Fro in the fish-pond, at the bottom of the garden, with here and there a great sulky pike hanging midway down the water in silent state, as if it mocked at their impertinent friskiness,---I had more pleasure in these busy-idle diversions than in all the sweet flavors of peaches, nectarines, oranges, and such like common baits of children.

tapestry绣帷；挂毯 nectarine油桃 gilding镀金 pluck 采，摘，拔 fir-apples：枞树的一种圆锥形果实 dace鲦鱼 dart猛冲，飞奔 impertinent不切题的一个小男孩查尔斯·兰姆我在那所很大很大的宅院里满世界地跑，从来不知什么是疲倦：那里有许许多多又大又空的房间和破破烂烂的帷帐，墙上的幔子还随风飘动，橡木雕花嵌板上的金粉却已剥落了——我常常到那座古老的大花园里去玩，那花园简直叫我一个人独占了，偶尔才碰上一个孤零零的老园丁——那园子里，油桃和桃子垂在墙头上，我根本不去碰它，因为那是禁果，除非偶然一回两回——因为，我更高兴在那些带着忧郁神情的老水松树或者枞树之间跑来跑去，从地上捡那么几颗红浆果，几只枞果，而那些枞果只能看，不能吃——有时候，我随便躺在嫩草地上，让自己完全沉浸在满园子的芳香之中——要不然，我就在桔子园里晒太阳，晒得暖洋洋的，一边想象自己跟那些桔子、好些菩提树一同成熟起来——再不然，我就到花园深处，看那些鲦鱼在鱼池里穿梭般游来游去，不定在哪里还会发现一条很大的梭子鱼冷冷落落地停在深水之间，一动不动，好象对于那些小鱼们的轻狂样儿暗中表示鄙夷，——我喜欢的是诸如此类无事忙的消遣，而对于象桃子呀，油桃呀，桔子呀等等这些普通的小孩子们的诱饵，碰也不去碰它。

Some paper, the Pall Mall Gazette I think, describing the dress-rehearsal of one of my plays, spoke of you as following me about like my shadow: the memory of our friendship is the shadow that walks with me here: that seems never to leave me: that wakes me up at night to tell me the same story over and over till its wearisome iteration makes all sleep abandon me till dawn[34a]: at dawn it begins again: it follows me into the prison-yard and makes me talk to myself as I tramp round: each detail that accompanied each dreadful moment I am forced to recall: there is nothing that happened in those ill-starred years that I cannot recreate in that chamber of the brain which is set apart for grief or for despair: every strained note of your voice, every twitch and gesture of your nervous hands, every bitter word, every poisonous phrase[34b] comes back to me: I remember the street or river down which we passed, the wall or woodland that surrounded us, at what figure on the dial stood the hands of the clock, which way went the wings of the wind, the shape and colour of the moon.

有份报纸，我想是《泼尔穆尔报》吧，报道了我一出戏的彩排，说你像影子似的跟随着我：对你我友谊的回忆，就是在这里随我左右的影子，像是永不分离似的——深夜里唤我醒来，一遍又一遍地说着同一个故事，直磨得人睡意全无，醒到天明[34a]；天明时分又开始了，跟着我到牢房外的院子里，害得我一边步履沉重地走着一边喃喃自语——我被迫回想着每一个痛苦时刻的每一点细节，在那些个倒霉的年头里发生的事，没有哪一件我不能在那留给悲伤和绝望的脑室里再造重演：你每一点不自然的话音，每一个紧张兮兮的手势，每一句冷言恶语[34b]，都涌上了心头；我记着我们到过的街道和河流，四周的墙壁和树林，时钟的针正指着哪一点，风正吹向哪一面，月色月影又是什么模样。

First, the typhoon flow field is decomposed into two parts: the maximum asymmetric vortex and irrotational environmental flow field. Then the maximum asymmetric vortex is also decomposed into two parts: the maximum symmetric vortex and β-gyres. Finally, typhoon Pearl(2006) is simulated by WRF model(weather research and forcasting model), and flow fields at various times at 500hPa...

首先，将台风的流场分解成最大的、不对称的涡旋流场和无旋流场；然后将不对称的涡旋流场分解成最大的对称涡旋和不对称的β涡旋对；最后，利用WRF(weather research and forcasting)模式(V2.1.2)模拟了200601号珍珠台风，并对各时次的500hPa风场用该方法进行分解，结果表明：该方法对台风的运动机理研究和实际的台风路径预测提供了有价值的信息。

I love this land it is just the poem of Ai qing if i am a bird i should sing with my hoarse throat to the land blowed by the storm the onrushing river with our indignation forever the non-stopping wind blows enrage the bland daybreak coming from woods than, i am dead.

我爱这土地》就是一首艾青写的诗假如我是一只鸟我也应该用嘶哑的喉咙歌唱者被暴风雨所打击着的土地这永远汹涌着我们的悲愤的河流者无止息地吹刮着的激怒的风和那来自林间的无比温柔的黎明——然后我死了，连羽毛也夫兰在土地里面。

Gucci (in 1921, Italy) recent years\' Gucci wielded nimbly the brand classics\' element arrives the acme, in piece of logo wind full outstanding, liked expending logo the Taiwan to have 70% sales commodity to have logo to add the body, this sold the travel bag, harness leather product brand most early primarily, in 1947 had the bamboo node handle bamboo node package to be published, the same time had GG logo from the foundation member Guccio Gucci name, in 1952 had the Moccasins shoes which the horse recompensed, in 1966 designed the flowers and plants design silk handkerchief for Moroccan Princess Ge Lisi Kelly, all was classics, until now sees here and there in the Gucci new productIn the detail, in 1990 designer Tom Ford joined, was the Gucci female attire pours into the brand-new spirit.

近年的 Gucci 把品牌经典的元素灵活挥洒到极致，在一片 logo 风中十足抢眼，喜好消费 logo 的台湾更有 7 成销售商品都有 logo 加身，这个最早以贩售旅行袋、马具为主的皮革制品品牌， 1947 年有竹节提把的竹节包问世，同时期从创办人 Guccio Gucci 的名字而有 GG logo ， 1952 年有马衔环的 Moccasins 鞋， 1966 年又为摩洛哥王妃葛丽丝凯莉设计花卉图案丝巾，无一不是经典，至今散见於 Gucci 新品的细节中， 1990 年设计师 Tom Ford 加入则为 Gucci 女装注入全新的精神。

A ghastly, heart-gnawing fear beat outward from the thing as it began to grow before Simon's terror-fixed eyes—bodiless and billowing, larger and larger until the empty, wind-snapping bulk of it loomed over all, a creature of howling air and glowing redness.

在Simon被恐怖引得无法移开的注视下，这没有躯体的、滚滚波动的形体，喷涌而出一声恐怖的、折磨人的吓人拍打声，它的体型不住地增大，直到它空无一物的、发出如风般的响声的巨大形体，高高笼罩着周遭的一切，它，有着怒吼的气流，有着红色的光芒。

With the warm spring wind is gathering flowers fairy paradise; summer flowers and green leaves, is worth two cents of their dance scene; of the fall harvest season and as warm as in spring, is the desire of God at a time when Enron; winter The cold is expected Qiao, Snow White is the time to travel the world ......

春天的风和曰丽，是百花仙子的聚会天堂；夏季的千红万绿，是百鸟舞仙的尽展舞台；秋天的春华秋实，是愿望之神的安然之时；冬天的春寒料俏，是白雪公主的人间旅行时光……无一不体现出人类社会生存环境中的绝品。

What are your goals and strategies for growth?

你的成长目标和策略是什么？

And unto the angel of the church in Sardis write; These things saith he that hath the seven irits of God, and the seven star I know thy works, that thou hast a name that thou livest, and art dead.

3：1 你要写信给撒狄教会的使者，说，那有神的七灵和七星的，说，我知道你的行为，按名你是活的，其实是死的。