无声音的

In the light of these considerations we can say that, on the one hand, liberalism decidedly has a voice in the political situation of ourtime; on the otherhand, however, today the ideas of autonomous, immanent reason and of the autonomous subject of economics are scarcely alive and fruitful; thus, the classical liberalism of the secularist and bourgeois-capitalist stamp may be pronounced dead.

鉴于这些思考，我们可以说，一方面自由主义无疑是在我们这个时代的政治形势下的一种声音；但是另一方面，今天那种关于自主、内在的理性的观念，以及经济学主体自主的观念基本上已是奄奄一息，进展全无。因此，我们可以宣告以世俗主义和中产阶级—资本家为印记的古典自由主义的死亡。

"In the sudden silence as I finished playing, I looked up to a circle of grim, expressionless faces. Father Brown rose to his feet, and his somnolent voice echoed throughout the silent Temple Hall."......"Instead of the grateful joy that I expected, they were words of quiet rejection! Instead of praise, sullen dismissal. I watched in shock and horror as Father Brown ground my precious instrument to splinters beneath his feet..."

当我结束了弹奏，殿堂一阵宁静，周遭的阴森气息让我望闻生畏，布朗神父面无表情，举起他的脚，深沉的声音在沉寂的殿堂中回荡，看不见我所期待的喜悦只有沉默的回绝，不悦的打发取代了赞美，当我望著神父，将我心爱的乐器在他脚下被踩成了碎片，我一阵错愕与惊悚！

I saw in the sky in 2008 one day late at night ,The goddess of mercy is an extremely beautiful young Chinese female, Does not have this beautiful female in the world, She uses the Chinese feminine sound to say: I am the goddess of mercy ,You are my disciple.

2008年一天深夜我看到天空中观音菩萨是一位极美的年轻中国女性，在人间无此美的女性，她用中文女性声音说：我是观音菩萨，你是我的第子。

Focus on those vocals — the way Jackson counts it in with a boyish "one, two, three, four," the way he glides from verse to verse with breathless, effortless phrasing, the lean-yet-heavy falsetto, the hint of gravel is the verses, the soaring choruses — it's all there, untarnished by time or tabloids. And it's all wonderful.

请专注于他的发音----Jackson用孩子气的声音数"一，二，三，四"的方式，他毫不费力的无换气声息的滑动般诠释歌词的方式，那lean-yet-heavy的假音，the hint of gravel is the verses，那高扬的合声，----这所有的一切，没有因时间的流逝或花边新闻而失去光泽，都是那么无与伦比。

I am GOD'S CHILD kanashii oto wa senaka ni tsumeato wo tsukete I can't hang out this world konna omoi ja doko nimo ibasho nante nai fuyukai ni tsumetai kabe toka tsugi wa dore ni yowasa wo yurusu owari ni nado te wo nobasanaide anata nara sukuidashite watashi wo seijaku kara jikan wa itami wo kasoku saseteyuku I am GOD'S CHILD kono fuhai shita sekai ni otosareta How do I live on such a field konna mono no tame ni umaretanjanai I am GOD'S CHILD kanashii oto wa senaka ni tsumeato wo tsukete I can't hang out this world konna omoi ja doko nimo ibasho nante nai by Onitsuka Chihiro

I am GOD'S CHILD 悲伤的声音在背後留下爪痕 I can't hang out this world 这样的回忆到哪儿都无栖身之处令人不悦的冰冷墙壁等等接下来要对哪一个示弱呢别在最後伸出援手是你的话请将我拯救而出将我从寂静中救出时间让痛楚加速前去 I am GOD'S CHILD 堕落在这个已腐败的世界里

Join heart to heart that throughout the world, would resound the union of the millions in one voice; respond universally, and ecumenically, to my call to be consecrated to my Immaculate Heart and maternal embrace.

你们要前所未有地团结一致，心连著心，万众合一，普世便将回响著一个一致的声音，全人类，全世界，一起回应我的呼唤，我请你们奉献给我的无玷圣心，并投入我的慈怀内。

But as we sat on an empty fruit crate in the living-room, staring at the beloved walls with their unbleached rectangles where the pictures and mirrors had been, staring at the radiators whose first winter whisperings we will not hear this year, we knew that not even the stalwart movers could wrench loose something that was still there, invisible and in eradicable; we knew that people must inevitably leave something of themselves behind----something besides the mere residue of dust and bent paper clips and fallen coat hangers.

但是当我们坐在客厅一个空的水果箱上，凝望着镜子和画像在我们心爱的墙上留下的矩形痕迹时，当我们凝望着暖气片想到今年我们再也听不到它们运作时发出的如耳语般的声音时，我们才明白，即使是最强壮的搬运工，也无法移动那些注定留在那里的东西，它们无影无形却又无处不在，无从避免。我们懂得了每个人都有一些无法舍弃的东西，也许仅仅只是尘土的残余，弯曲的夹子，或者是那些落下的衣架。

Although it may not of course, be every players chosen style, if it's a sweet and lyrical sound you are after, the unlacquered has to be experienced to be believed.

尽管它不是每个演奏者必然选择型，假如它是一个你正在寻找的甜的，充满感情的声音，无漆萨克斯将成为你的好选择。

Blessed are the ears that catch the accents of divine whispering, and pay no heed to the murmurings of this world.

捕捉到神圣细语的声音，而对尘世的喧嚣无动於衷的耳朵是有福的。

Choking milk is abnormal performance, we must read the doctor's examination, to give timely and appropriate treatment, if the milk after the baby choked breathing very smooth, it would be best way to think, let him cry and then force you to watch for when to cry oxygen and expiratory movements, watch to detect any abnormalities such as a weak voice tone, breathing difficulties, severe chest concave, etc.

呛奶是异常的表现，一定要经过医生的检查，给予及时、适当的治疗，如果呛奶后孩子呼吸很顺畅，最好还是想办法、让他再用力哭一下，以观察哭时的吸氧及吐气动作，看有无任何异常(如声音变调微弱、吸气困难、严重凹胸等)，如有即送医院。

Cynanchum Lingtai apricot production in the average weight 65 grams, the brightly-colored fruit, juicy rich, sweet-sour taste, sweet from the nucleolus, when the late Qing Dynasty famous Shaanxi, Gansu provinces, the Qing imperial court Tongzhi tribute for years.

灵台生产的牛心杏平均单果重65克，果实色泽鲜艳，汁多味浓，甜酸适口，离核仁甜，清末时就驰名陕、甘两省，清同治年间曾为朝廷贡品。

Chenopodium album,Solanum nigrum, and Amaranthus retroflexus were very susceptible to the herbicides. Polygonum persicaria and Abutilon theophrasti were relatively less susceptible to the herbicides, and Lycopersicon esculentum was not susceptible to it. The relationship between reduction rates of weed biomass and PPM values of weed leaves 2,4, and 6 days after treatment was established.

供试的6种杂草对该混剂的敏感性存在显著差异：红心藜Chenopodium album、龙葵Solanum nigrum和反枝苋Amaranthus retroflexus对该混剂最敏感，ED90值分别为47.65、71.67和29.17g/hm2；春蓼Polygonum persicaria和苘麻Abutilon theophrasti敏感，ED90值分别为96.91、114.20g/hm2；而番茄不敏感。