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A review of Liang's creation course and an analysis of his literature psychology reveal that "the sense of homeliness" is,in fact,another important trait of his prose,which was formed gradually by Liang's using techniques of self-interpretation,simple wording and humorous language.

本文在回顾和分析了梁实秋散文的创作历程后发现,这些散文在外在的绅士风之中还有着浓浓的家常味,后者亦是梁的散文的重要品性,本文即对这个特性的形成以及三个特点--对周遭世相和内在心潮的自我解说、标举"简单"、"割爱"的原则及运用幽默手法--进行了简要地分析和讨论。

liang shiqiu,an important writer in modern chinese literature,has long been regarded as a gentlemanly writer,thus his prose has also got the characteristic of gentlementliness.a review of liang's creation course and an analysis of his literature psychology reveal that "the sense of homeliness" is,in fact,another important trait of his prose,which was formed gradually by liang's using techniques of self-interpretation,simple wording and humorous language.

本文在回顾和分析了梁实秋散文的创作历程后发现,这些散文在外在的绅士风之中还有着浓浓的家常味,后者亦是梁的散文的重要品性,本文即对这个特性的形成以及三个特点——对周遭世相和内在心潮的自我解说、标举"简单"、"割爱"的原则及运用幽默手法——进行了简要地分析和讨论。

There is a well known incident in one of Moliere's plays,where the author makes the hero express unbounded delight on being told that he had been talking prose 散文 during the whole of his life.

在莫里哀的一个剧本中有这样一个著名的插曲:作者让主人公得知他在整个一生中一直在说散文后,表现出无限的喜悦。

Women's Prose tide of the 1990s, social and cultural backgroundIn the 1990s, prose became popular literature;Women Prose has become a popular main creative prose.

二。女性散文潮涌90年代的社会文化背景20世纪90年代,散文替代小说一跃成为流行文学的主体,女性散文亦成为流行散文的主体。

Part three dwells on Zhou抯 Chinese modern theory抯 core parts, i.e. the inner stipulation and aesthetic tract, affirms that he plays an important role in the standardization of ontogenesis and the construction of aesthetic system.

第三部分对周作人散文理论的核心部分即现代散文的&内在规定性&和&审美特征&进行了细致分析,肯定了他对中国现代散文本体的规范及在中国现代散文审美体系建构中所起的重要作用。

This article draws up from following several aspects elaborates: One is in the prose fictionizing meaning as well as the prose the novel superiority utilization; Two is "hypothesized" in prose special esthetic effectiveness tracing; Three is in the prose and the novel the hypothesized similarities and differences; Four, fictionalizes with the reality in the balance point pursue; Five, innovation type prose social function and significance.

本文拟从以下几个方面论述:一是散文小说化的含义以及散文中小说优势的运用;二是&虚拟&在散文中的特殊审美效用追踪;三是散文与小说中虚拟的异同;四是虚构与真实中平衡点追求;五是创新式散文的社会功用及意义。

Based on prose texts and prose theories in the past one hundred years and on an analysis of some representative views on prose nature and category during the recent twenty years, this paper opines that prose can be defined as the writing in which the writer elaborates on various pertinent topics to expresses his or her subjective personality, emotions and opinions freely and artistically in a limited space.

论文以近百年的散文文本和散文理论为依据,尤其是对近二十年关于散文本质与类型的代表性观点进行辨析后,认为凡创作主体运用与自己相关的种种题材,直接将自我的个性、情怀、观点等,以散体文句在较短篇幅中自由而又艺术地表达出来,进行多重真实主体的情思互动,且试图传达或改变现实精神结构者,都是散文

Therefore, in this thesis the first part combes the female prose's development in the 20th century, analyses its breakthrough and inherit to the former female prose ;The second part mostly investigates the female prose's abundant experiences personally,the imperfection experiences personally, mystery experiences personally and the experiences personally to the spirit, which comes from tne angle of the " experiences personally", by the help of the western philosophic standpoint and combinative concrete text The third part regards five female writers-Zhang liqin, Zhao Mei , Hu Xiaomeng, Xiao Min and Ma Li-as the represents, saying with the viewpoints of expression and language, emphasizing to analyze the female prose's sentiment language and their respective language styles .

本论文第一部分首先梳理了二十世纪女性散文的发展脉络,分析了新时期女性散文对以往女性散文的突破与继承;第二部分从&体验&的角度,借助西方生命哲学的观点,结合具体的文本,重点考察新时期女性散文的丰富性体验、缺失性体验、神秘性体验和精神性体验;第三部分以张立勤、赵玫、胡晓梦、筱敏、马莉五位作家的作品为代表,从语言和言说的角度,着重分析了新时期女性散文的抒情话语,以及她们各异其趣的语言风格。

Based on careful reading and comparative analysis, two aspects are to be discussed in this thesis, namely, to present Virginia Woolf's contribution to the development of English essays according to the comparative analysis between her essays and works of British essayists since the 16th century, and to summarize the unique characteristics of Virginia Woolf's essays—visualization, narrativity and stream of consciousness.

在细读文本和比较分析的基础上,该论文主要从以下两方面展开:一是通过对伍尔夫散文与16世纪以来英国各散文大家的比较研究来看伍尔夫对英国散文家的继承和发展。二是归纳分析伍尔夫散文的个性化特征——形象化、叙事性和意识流技巧,探讨她对英国散文的发展所做的独特贡献。

In Chapter Two,we make more effort on portraying the revolution of prose literature style of the 90s.At the lay of genre,polyphonic prose,long prose and a lot of essays have appeared in the 90s' prose.Cross-style writing became the general tendency and tide in this period.

第二章,有重点地描述了90年代散文的文体变革。90年代的散文,在文类层面,出现了复调散文、长篇散文及大量的随笔,跨文体写作成为这一时期散文总的趋势和潮流。

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推荐网络例句

The physiology of the skin machine body for the sake of the environment in the maintenance stability, but eject a body metabolism creation of metabolism thing BE'grease', summer perspire many various skin disease light or good, autumn perspire little metabolism thing metabolism don't go out, various skin disease made, this be the skin machine body of various burning disease.

皮肤机体的生理为了维持内环境稳定,而排出身体代谢产生的代谢物是'油泥',夏天出汗多各种皮肤病就轻或好了,秋天出汗少代谢物代谢不出去,各种皮肤病就犯了,这就是皮肤机体的各种炎症。

If I had anything tender in me, I shot it dead.

如果我有什么招标的话,我枪死亡。

The argumentation way in which this literary grace using is based on color painting, setting out from two angles separately " color"、" ink and wash", making criticizition in texts of Chinese ancient drawing history; analyzing how "color" painting was on the way from ripe to losing; emphatically analyzing the reason of losing in color center, that is to say the reason of "the change of ink and wash ", and its reconstructional way of combination, development with "ink and wash" it was "replaced" by the afterward manner. In a word, the developing "replaced"by the afterward manner.

本文所采用的论述方式是:立足于色彩绘画,分别从&色彩&、&水墨&两个角度出发,先对它们在中国古代画史论著中作一考证;分析隋唐时期&色彩&绘画是如何从体制的成熟、完备而走上&失落&的道路;着重分析色彩绘画中心&失落&亦即&水墨之变&的原由;及其在被水墨&替代&后与&水墨&结合、衍变的重建之途。