故事

As to the formation and evolution of the motives in classical fictions, our viewpoints are: the FuXi custom had engendered an extremely rich repertory of motives, such as JianDi pregnancy legend in the Shang Dynasty, which was the earliest form of the "Swan Maiden" type stories in the world. This type of the story later in the Jin Dynasty evolved into the Maiden-bird type story, which again involved into many other stories in which maidens took the shape of an egret, a swallow, a snail, a tigress, a fairy maiden or a girl in lotus leaves. The custom of HanShi or QingMing may be embodied in the stories about encountering with a girl reviving from a tomb. The dragon in classical fictions may be disguised into an ox or trees, whose fight on fifth of May was a counterevidence of DuanWu.

至于古小说母题的生成和演化方面，我们也许可以认识到：以上巳为主的祓禊风俗产生了最为丰富的小说故事母题，如殷商时期的简翟生子传说是世界上最早的"天鹅处女"型故事，它在晋代又演化为女鸟故事；而那些鹤女、鹄女、鹭女、燕女、螺女、虎女、荷衣女等故事，则在不同程度上是"天鹅处女"型故事的变型型式；在同异境女子遇合的故事中，郑交甫神遇江妃二女、世间男子巧遇仙境女子的故事都包藏着上巳习俗的内涵，而幽婚故事更多地带有寒食、清明风俗的痕迹；古代盛传的金牛故事、青牛故事不但可以归属龙类故事，而且在很大程度上与端午厌胜蛟龙的巫术有关，至于龙斗故事则明显地和端午习俗相联系，甚至可以由此反证端午驱龙的本意。

Exemplum说教故事: A tale, usually inserted into the text of a sermon that illustrates a moral principle.

劝喻故事：穿插在步道中间来阐述一种道德原则的故事。

Suppose that the five-point Story I could have been split into Story Y and Story Z.

假设我把一个5个故事点的用户故事分成3个故事点的用户故事Y和2个故事点的用户故事Z。

Raconteur是善於说故事的人.John is a first-class raconteur, so he is always welcome at parties.

John是一个十分善於说故事的人，所以总是受到大小派对的欢迎。

The second major part analyses narrative rules of the love plot, the narrators uphold the ideology of writing these love stories, formed a relatively fixed narrative rules, through the rules, ideology intervents and controls the whole narrative process of the love story. To a certain extent, these rules are undermined the authenticity of the historical love story, but these are not totally positive, these make the ideology of love narrative story into intervention and control the development of people convinced that the linear order so that the story has a real-life masks.

第二部分主要分析了情爱叙事的叙事成规，叙述者在秉承意识形态的意志书写这些情爱故事时，形成了较为固定的叙事成规，意识形态正是通过这些叙事成规干预和控制了情爱故事的整个叙述过程，这些成规固然在一定程度上破坏了情爱故事的历史真实性，但却也不是完全没有积极意义，它使意识形态对情爱叙事的干预和控制变成故事发展的让人信服的线性秩序，使故事具有了一幅真实生活的面具。

The famous story of ancient blacksmith couple, Gan-jiang and Mo-xie , has been reinterpreted and deduced since the dynasty of Eastern Han, with its literary value profoundly embodied. This paper aimed to:(1) analyze its heritage and development in each era, so as to c翠¤truct the vertical veining;(2) investigate its spreading through space and various forms, so at to expand its horizontal connection; and (3) observe human mind behind the cultural context with insights into the internal meaning of the storyline.

论文摘要：「干将莫邪故事」是众人熟知的铸剑故事，从东汉到近代，故事不断被重新诠释及演绎，体现可贵的文学生命价值，本文的撰写主旨即在：一、剖析故事在各时代的流传及演变，以建立其纵向发展脉络；二、探讨故事的空间传播及不同的表现形式，以拓展故事的横向联繫；三、藉故事的内在意义透视人类的文化心理。

But the Mongolian story is directly impacted with the story of the Dragon King's palace, and the Daur story is basically influenced by Han story. For this reason, the stories of two peoples each have their own national characteristics.

但蒙古族故事直接受到了印度龙宫故事的影响，而达斡尔族故事基本上受到了汉族故事的影响，因此两个民族的故事各有各的民族特点。

Imagine: A Vagabond Story 想象一下:一个流浪汉的故事 is a slice of time in Lingel's life and a familiar story for many perpetual travelers.

是在林格尔生活时间片和一个永恒的许多旅客熟悉的故事。

Moreover, most of them have already eliminated the scary part of image and only maintains the good wife one. Chapter five "genderal cultures in hetero-type marriage stores" discuss sources of those concepts and criticize them from feminine perspectives. This chapter emphasizes three aspects: rules for traditional wives in those stories, female images in those stories, and the communicative patter of the two sex in those stories. This chapter intends to find sexual cultures in the stories, explores discrimination in the patriarchic society and shows sympathy of it.

第五章〈异类婚恋故事所蕴藏的性别文化〉，采取综合讨论方式研究异类婚恋故事，一方面从社会背景追溯某些思想观念的渊源，另方面也参照当代女性主义思想加以批评，分就「异类婚恋故事中的妇职规范」、「异类婚恋故事的女性形象」以及「异类婚恋故事中的两性相处模式」三方面入手，主要是对异类婚恋故事做一统整，尝试找出故事里所反映的性别文化，以了解父权社会中的性别歧视、男性中心等现象，从而揭发女性在父权社会里的处境，并对其有著关怀与同情；另外，也关注故事里突破传统性别文化之处，因其提供了关於女性的新思维，让读者透过故事里不同既往的性别刻画，跳脱传统性别文化的拘囿，得以重新解读、认识女性的多元面貌。

Magic tale 魔术的故事-- Give cherished fables like Snow White and Thumbelina a new home in Magic Tale, a color-matching game with as much charm as the stories it tells!

让珍惜寓言一样，白雪公主和thumbelina一个新的家中神奇的故事，颜色匹配游戏，与高达的魅力，作为故事，它告诉！

This is not an ordinary box, which is used as a background picture of the dialog box, very pretty.

详细说明：这可不是一个一般的对话框，它是用图片作为背景的对话框，非常好看。

Conceal me what I am,and be my aid for such disguise as haply shall become the form of my intent.

遮掩我的身份，帮助我，我的面具将成为我的目的。