摹仿

Yes," change " itself means " inherit", with statement of Marxist philosophy being to " develop what is useful and discard what is not", such tactics as the peculation , imitating , duplicating ,etc, is it possible " sublation " in art history too in authors view.

是的，"变化"本身就意味着"继承"，用马克思主义哲学的说法是"扬弃"，当前后现代艺术所普遍采用的挪用、摹仿、复制等手法，在作者看来也莫不是对艺术史的"扬弃"。

The second section mainly focuses on the initial stage of Chinese film, its imitation of foreign movies while showing distinctive inclination towards Chinese and Western styles. The early films by Commercial Press Film Studio, Shanghai Photoplay Company and Star Film Company will be discussed in this section.

第二部分《初始的模仿与选择》，讨论1920年代初期中国电影如何从仿制入手，开始了侦探片、爱情片和喜剧片的试验与探索，以《阎瑞生》、《红粉骷髅》、《海誓》和《劳工之爱情》等影片为例，探讨了中国试制电影与欧美影片的影响关系，在此部分还讨论了在"商务"、"上海影戏"和"明星"形成的竞拍态势中，初露端倪的"欧化"与"华式"两条发展路径，包括"商务"早期长片的国家意识和影像风格上"欧化"色彩；"上海影戏"对欧美儿童片的摹仿以及"明星"以《孤儿救祖记》为代表的比较民族化的创作方向。

Art aims to surpass the object and be creative, not merely imitation , thus students' self-active awareness should be trained.

艺术的目的不是摹仿而是超越对象并给予创造，应培养学生自我的主动的表现意识。

Visually, these paintings make us think of undercooked food difficult to swallow. They seem rough: the colors are harsh, the postures stereotyped, and the style suggests a semiconscious reference to early Chinese oil paintings.

从视觉上来讲，这些绘画可能会给人一种似食物半生不熟，难以下咽的生涩印象——生硬的色彩，呆板的人物姿态，以及在风格方面看似对早期土油画的有意无意地摹仿。

Hemingway' novels clearly moved away from the traditional theories of imitation and reflextion, and have nothing to do with the technique of typification.

海明威小说明显跳出了摹仿说、反映论的传统，并与典型化方法无缘。

In particular some quick pen movements executed at a relatively fast writing speed will, very often, exhibit unnaturalness and lack smoothness in pen wielding, and the strokes will be of uneven thickness.

这一切都说明，书写速度从连笔形式看很快，而实质上却是很慢，这种形快实慢的特点，是判断字迹乃对照摹仿书写的可靠依据。

It is unscholarly and derivative , and raises a lot of unanswered questions .

它不象学者所写而且是摹仿的，并且提出很多不能解答的问题。

Both dance and drama appeal to spectators' vision, but the movement of dance has the highly recapitulatory and general expressiveness of the subject, being good at emotion-expression and not expert at narration.

舞蹈是活动的雕塑，雕塑是舞蹈的&亮象&；舞蹈和戏剧都诉诸观众的视觉形象，但舞蹈的动作表演具有高度概括、宽泛的主观内在表现性，表现出长于抒情拙于叙事的特点；舞蹈的节奏感与韵律性与音乐有内在的联系，世界上有脱离舞蹈的音乐，却没有脱离音乐的舞蹈，由偏于客观，充满摹仿、再现因素，逐渐发展到借助形式美的程式化语汇，自由地表现主体内在的审美情感，是舞蹈艺术审美理想演化变迁的历史过程。

In contrast, trans-formationin the general sense tends to stick to the form of the original work, thus possibly failing in having not transformed itself from the latter and tendentiously confining itself within the form, to the result that it is to some extent represented in an imitation of the original.

而一般意义上的改编(来源：ABC论文e8网www.abclunwen.com)，则由于可能未及从原作之形&化&出，或过分拘泥于原文本的形式上的因素，或局限于小说的艺术特性，因而或许只能做到&转换&，即某种意义上的对原作形式上的摹仿。

First, to take ideology as a weapon was the starting point of the revolutionary drama-"the Left Drama"while to pay attention to human and the conflict between human and the society, which led to the probation of the connotation of the conflict consciously was the core of sub-current realism. Second, the main current realism had a strong revolutionary"proletariat"aim and political sense-objective sense while the sub-current realism focused on people and setting up characters. Third the main current realism laid too much emphasis on the sense of mission of its time which led to the tendency of formulizing and generalizing while the sub-current realism paid attention to the firm objectivity and to imitate life as their aesthetic ideal, and as a result the sub-current realism produced vigorous works. CHAPTER 4 Realistic Chinese modern drama experienced a hard and winding way of development. It was even worse after the People Republic of China was established.

本章还从三个基本方面入手，论述了主流的现实主义与非主流的现实主义内质的差异与不同的发展趋向，即作为一种武器的思想是主流的革命现实主义中&左翼戏剧&的出发点，与注重人与命运、人与现实的冲突，从而自觉追求冲突内涵的挖掘是非主流现实主义的核心；主流的革命现实主义中&普罗列塔利亚式&强烈的革命目的&目的意识论&与非主流现实主义的倾心于人物、注重人物塑造的审美原则；主流的革命现实主义所强调的时代使命感而产生的公式化、概念化倾向与非主流的现实主义所注重的客观性、以摹仿生活真实为审美理想而产生的具有生命力的话剧剧作。

Cynanchum Lingtai apricot production in the average weight 65 grams, the brightly-colored fruit, juicy rich, sweet-sour taste, sweet from the nucleolus, when the late Qing Dynasty famous Shaanxi, Gansu provinces, the Qing imperial court Tongzhi tribute for years.

灵台生产的牛心杏平均单果重65克，果实色泽鲜艳，汁多味浓，甜酸适口，离核仁甜，清末时就驰名陕、甘两省，清同治年间曾为朝廷贡品。

Chenopodium album,Solanum nigrum, and Amaranthus retroflexus were very susceptible to the herbicides. Polygonum persicaria and Abutilon theophrasti were relatively less susceptible to the herbicides, and Lycopersicon esculentum was not susceptible to it. The relationship between reduction rates of weed biomass and PPM values of weed leaves 2,4, and 6 days after treatment was established.

供试的6种杂草对该混剂的敏感性存在显著差异：红心藜Chenopodium album、龙葵Solanum nigrum和反枝苋Amaranthus retroflexus对该混剂最敏感，ED90值分别为47.65、71.67和29.17g/hm2；春蓼Polygonum persicaria和苘麻Abutilon theophrasti敏感，ED90值分别为96.91、114.20g/hm2；而番茄不敏感。