抽象论的

The form discussion studies Liang Zongdai and Ye Gongchao respectively introduced and spreaded the French imagism and British and American formalism. The Poem special issue in the literature and art supplement of Ta kung Pao Newspaper and New Poetry organized twice discussions in poetic forms. The pure poetry school introduced that the modernists introduced the western and ancient pure poetry theories: from Baudelaire, Mallarme, Vale'ry, H. Read, A. Bremond to J.M. Murray, and the basic idea and difference of pure poetry. Besides, a lot of modem poets became greatly interested in pursuit heat of the pure poetry in late Tang and Nan Song dynasties, studying the development and variation of pure poetry. Music theory argues that modernists make introduction and reform on the western and Chinese music theory. He Qifang and Bian Zhilin continue the topic to the contemporary time, and put forward the theoretical frames in Chinese poetry. Rhyme and rhythm theory make researches on the introduction and reform of French symbolism and British and American modernists' rhyme and rhythm theory, making studies on the Chinese new form poetry and its thyme and rhythm theory.

纯诗论是形式论的重心；对西方和古代的纯诗理论之引入，引进了从坡到波德莱尔、马拉美、瓦莱里、默里、里达、白瑞蒙的纯诗理论；纯诗理论的基本内涵与差异；诸多现代派诗人掀起了晚唐南宋纯诗热，对姜夔、严羽作了新的理解；对纯诗理论的发展和变异，含梁宗岱的现象学形式论，何其芳的唯美论与形式论，现代派诸人的诗本体论；梁宗岱对纯诗理论的中国化研究，含梁宗岱的超越性与形式性，"超验"与"妙悟"的比较研究与形态超脱性的比较研究；中西纯诗形态的超脱性等；现代派纯诗论是对初期白话诗理论的清算，对新月派、象征派探索的总结和发展，音乐论是对纯诗论的延伸和对格律论的发展；现代派引入研究了西方诗学音乐论理论，含坡、瓦莱里、里德的纯诗音乐论、抽象音乐论、各种具体的音乐论技术论点；引入了中国古代诗学中关于诗与音乐、音韵、音顿、音义、平仄双声叠韵等音乐的理论；进行了两次关于新诗音乐论的大讨论；在节奏、音顿、音韵三方面借鉴了西方的理论，同时改造了古代的格律理论，扬弃了平仄说，何其芳、卞之琳把新诗音乐论命题延续到当代，提出了汉诗音乐论的理论框架。

Kant's critique of the traditional abstract-theory had far-reaching meaning to the following development of philosophy,which firstly abtained the actual effects in epistemology of Fichte.

康德对抽象论的批判具有深远的意义，对后世哲学产生了深远影响，首先在费希特的知识学中取得了实际效应。

Again, what is known now as group theory? was an abstract and inapplicable mathematical theory.

又比如，现在被称为"群论"的理论一度是一项抽象而没有实用性的数学理论。

But as most of the researchers haven't, by penetrating critiques of and reflections upon the traditional intellectualist methodology in the Western,come up to their high level of consciousness of the methodology used by themselves,this essay emphasizes that,only by the radical transforming this intellectualist methodology,which is constituted by the basic inclinations embodied by the theory of preformation,thinking modes,and research patterns in the Western intellectualism,and by sublating this kind of methodology by the methodology of the Social Individual Growing-up Theory,can the researches of philosophy of action go more smoothly and get numerous significant achievements.

不过，由于绝大多数研究者都没有通过对惟理智主义研究方法论的深刻批判反思而达到方法论的自觉，所以，只有真正实现了对由基本倾向、思维方式和研究模式构成的研究方法论的彻底变革，这样的突破才是可能的；本文认为，以社会个体生成论彻底扬弃和取代基于抽象个体的预成论，是实现这种变革的富有建设性意义的学术理路。客观决定性，意志自由，预成论，第一人称哲学，社会个体生成论

However, most of the researchers failed in producing penetrating critiques of and reflections upon the traditional intellectualist methodology in the Western world and moving to a higher plane of consciousness of the methodology. This essay emphasizes that only through the radical transforming of this intellectualist methodology, which is constituted by the basic inclinations embodied by the theory of performation, thinking modes and research patterns in the Western intellectualism, and through sublating this kind of methodology by the methodology of the social individual growing-up theory can the researches of philosophy of action go more smoothly and get numerous significant achievements.

不过，由于绝大多数研究者都没有通过对惟理智主义研究方法论的深刻批判反思而达到方法论的自觉，所以，只有真正实现了对由基本倾向、思维方式和研究模式构成的研究方法论的彻底变革，这样的突破才是可能的；本文认为，以社会个体生成论彻底扬弃和取代基于抽象个体的预成论，是实现这种变革的富有建设性意义的学术理路。

As the logical foundation of sematics, it is Known that the model theory treats the relationships between syntactic constructs and semantical features thereof, and that the model theoretic logic cares, under the frame of abstract logic, for the similarity, distinctness and interrelationships among various extended logics.

作为语义方法的逻辑基础，模型论是研究逻辑的语法构造与语义属性之间联系的一门数理逻辑的分支；而模型论逻辑则是在抽象逻辑的框架中，用模型论的方法研究各种扩充逻辑系统的异、同及相互关系。

Nietzsche s "the will to power" is endowed with the non-subjective substantiality,the activity in the maintenance and increase of the self-power and axiological relativity,and it has two basic types: the original will to ...

权力意志论&的积极意义在于感性能动地理解世界，恢复了&价值创造在世界中的地位，否定了幸福主义意志论的被动性和理性主义意志论的抽象理智性；其根本局限在于无视客观世界的多样性，陷入了抽象的还原主义和唯意志论。

Even the streets leading up to its outer barriers were roamed by gorilla-faced guards in black uniforms, armed with jointed truncheons

更加趋向于绝对论的哲学家都是处于一种抽象的高度，以致他们从来就不想从那儿走下来。

Nevertheless, morphisms are not necessarily functions, and objects over which morphisms are defined are not necessarily sets.

对态射和它们定义于其间的结构的抽象研究构成了范畴论的一部分。

The form discussion studies Liang Zongdai and Ye Gongchao respectively introduced and spreaded the French imagism and British and American formalism. The Poem special issue in the literature and art supplement of Ta kung Pao Newspaper and New Poetry organized twice discussions in poetic forms. The pure poetry school introduced that the modernists introduced the western and ancient pure poetry theories: from Baudelaire, Mallarme, Vale'ry, H. Read, A. Bremond to J.M. Murray, and the basic idea and difference of pure poetry. Besides, a lot of modem poets became greatly interested in pursuit heat of the pure poetry in late Tang and Nan Song dynasties, studying the development and variation of pure poetry. Music theory argues that modernists make introduction and reform on the western and Chinese music theory. He Qifang and Bian Zhilin continue the topic to the contemporary time, and put forward the theoretical frames in Chinese poetry. Rhyme and rhythm theory make researches on the introduction and reform of French symbolism and British and American modernists' rhyme and rhythm theory, making studies on the Chinese new form poetry and its thyme and rhythm theory.

纯诗论是形式论的重心；对西方和古代的纯诗理论之引入，引进了从坡到波德莱尔、马拉美、瓦莱里、默里、里达、白瑞蒙的纯诗理论；纯诗理论的基本内涵与差异；诸多现代派诗人掀起了晚唐南宋纯诗热，对姜夔、严羽作了新的理解；对纯诗理论的发展和变异，含梁宗岱的现象学形式论，何其芳的唯美论与形式论，现代派诸人的诗本体论；梁宗岱对纯诗理论的中国化研究，含梁宗岱的超越性与形式性，&超验&与&妙悟&的比较研究与形态超脱性的比较研究；中西纯诗形态的超脱性等；现代派纯诗论是对初期白话诗理论的清算，对新月派、象征派探索的总结和发展，音乐论是对纯诗论的延伸和对格律论的发展；现代派引入研究了西方诗学音乐论理论，含坡、瓦莱里、里德的纯诗音乐论、抽象音乐论、各种具体的音乐论技术论点；引入了中国古代诗学中关于诗与音乐、音韵、音顿、音义、平仄双声叠韵等音乐的理论；进行了两次关于新诗音乐论的大讨论；在节奏、音顿、音韵三方面借鉴了西方的理论，同时改造了古代的格律理论，扬弃了平仄说，何其芳、卞之琳把新诗音乐论命题延续到当代，提出了汉诗音乐论的理论框架。

This is not an ordinary box, which is used as a background picture of the dialog box, very pretty.

详细说明：这可不是一个一般的对话框，它是用图片作为背景的对话框，非常好看。

Conceal me what I am,and be my aid for such disguise as haply shall become the form of my intent.

遮掩我的身份，帮助我，我的面具将成为我的目的。