抒情诗

The use of the spoken language, even though it was formalized, made possible the immediate expression of an unmediated vision that needed no further context; thus the lyrics are short, intensely personal, and precise.

即使它是拘泥于形式，口语的运用使对无中介的异像产生直接体验成为可能，无需要更进一步的推论；因此抒情诗较为简略，激烈的人情化和精确。

Im Labor : bung zur Aussprache + Lyrik zum Vorlesen, p. 208 then practice ben wir!

在实验室：对话练习+朗读抒情诗，第208页，然后练习我们练习吧！

Drink to me only with thine eyes, And I will pledge with mine; Or leave a kiss but in the cup, And I'll not look for wine.

作者本·琼森与莎士比亚同时代，这首《致西莉亚》是一首脍炙人口的抒情诗。

Based on the analysis of Shelley s life and his lyric "Ode to the West Wind", this essay emphatically focuses on the discussion of the whole lyric and its betokening of the triumphant, hopeful and convincing conclusion:"If winter comes, can spring be far behind?"

本文在分析雪莱的生涯及其抒情诗《西风颂》的基础上，着重对整个诗篇和予示着最后的成功、希望且令人信服的结论：&如果冬天已经来临，春天还会遥远吗？&

Lyric Made By Frea/QQ:626473868 A gangsta's for every day So make sure that you keep it, G-A-N-G-S-T-A And now that I know the game I'll make sure that I keep it, G-A-N-G-S-T-A Me and the ghetto where the poor people hang Please pay attention they do ghettoish thangs One out of three, yep a third of 'em bang The other motherfuckers they be slanging that cane Always out for money 'cause the money's the game Eastside homey it's a Long Beach thang You heard me right nigga this is DPG With the superwoman standin' claimin' CPT I-I, promise I'ma keep it G Rep my south team, hands in the street Recognise game, and they recognise me 'Cause a G like me comes naturally Tho-ose, haters try to hate on me But they got no choice but to do right by me There's no way o' dividin' me 'Cause my OG's in the streets gon' ride for me I-I, promise to do ghetto things 'Cause I'm the closest thing to ghetto in this industry That's why I be chillin' when it's 90 degrees While ya keep shit poppin' how I ride this beat And people always saying to me How can I tell I'm really a G?

被 Frea/QQ 做的抒情诗：626473868 每天的一个 gangsta 的因此确定你保存它， G-A-N-G-S-T-一而且现在我知道博弈我将确定我保存它， G-A-N-G-S-T-一我和犹太人街哪里贫穷的人意外停机请专心他们做 ghettoish thangs 三中有一， yep 三分之一的'em 砰然他们辱骂那一根手杖的另一个 motherfuckers 总是在外对于钱'引起钱的博弈 Eastside 家庭似的它是长堤市 thang 你听到我正确的 nigga 这是 DPG 藉由 superwoman standin'claimin' CPT 我-我，诺言 I'ma 保存它 G Rep 我的南队，在街道中的手承认博弈，和他们承认我'引起像我的 a G 自然地来 Tho-ose，憎恨者试着在我身上厌恶但是他们没有得到了选择除了之外做对事情被我没有方法 o'dividin'我'引起街道 gon 的我 OG'乘坐为我我-我，答应做犹太人街事物'引起我是到在这一种工业中的犹太人街的最靠近的事物那是为什么我是 chillin'当它是 90 度 ya 保存粪 poppin'我如何骑这一个拍差而且人总是叙述对我我如何能告诉我真的是 a G？

He sored out the legacy of the ancient poetry from the thousand-year resources of Chinese poetry , from which he abstracted the model of poetry esthetics, therefore, he showed the direction of the development of lyrics .

他从千年的&源流正伪&中清理中国古代诗歌遗产，从中提取诗歌美学范型，从而为抒情诗的发展指示了方向。

Yet another celebrated lyric which speaks of the loved one's joy upon love's fruition is "A Birthday". Here the joyous heart is compared to a singing bird, an apple tree, a rainbow shell, and successive acts of celebration of the happy event are suggested,"Because the birthday of my life / Is come, my love is come to me."

然而，她还有一首名叫&生日&的著名抒情诗抒发的却是期望爱情实现的恋爱者的欢欣；在这首诗里，欢快的心被比作一只欢唱的鸟、一棵苹果树与斑斓的海螺，并因这幸福时刻而采取了一系列的庆祝活动，&我的生活也有了个生日，／因为，我的心上人儿来啦。&

Her cryptic lyrics, composed mostly in ballad meter, are metaphysical in style, original in language, and precise in imagery.

她多以述事韵律写作神密抒情诗，文体抽象﹔语文独创，意象周密。

The lyric describes the shapes of the strokes and the relative locations of the strokes in the Cross-shaped configuration.

抒情诗描述笔画的形状以及笔画在十字形结构中的相对位置。

The origin of modern Chinese ballads is as complex as that of lyrics.

与现代抒情诗类似，中国现代叙事诗现代性的发生也是一个相当复杂的问题。

What are your goals and strategies for growth?

你的成长目标和策略是什么？

And unto the angel of the church in Sardis write; These things saith he that hath the seven irits of God, and the seven star I know thy works, that thou hast a name that thou livest, and art dead.

3：1 你要写信给撒狄教会的使者，说，那有神的七灵和七星的，说，我知道你的行为，按名你是活的，其实是死的。