悲哀的

When some terrible sorrow which seems so hard to reconcile with perfect love, crushes down upon the soul, wringing from it all its peaceful rest in the pitifulness of God, and launching it on a sea unlit by a ray of hope; when unkindness, and cruelty maltreat the trusting heart, till it begins to doubt whether there be a God overhead who can see and still permit- these know something of the "horror of great darkness."

有时漆黑一团的悲哀，似乎与神的爱绝不调和，压着你的灵魂，把神怜悯之心所给你的一切安息都挤压净尽，投入看不见一丝希望的海里；残酷和不仁，嘲笑着那信靠的心，直到它发生怀疑：到底天上有没有看见这一切的神？祂是否允许这惊人的大黑暗？人生的构成，就是交错着光明与黑暗。

When some terrible sorrow which seems so hard to reconcile with perfect love, crushes down upon the soul, wringing from it all its peaceful rest in the pitifulness of God, and launching it on a sea unlit by a ray of hope; when unkindness, and cruelty maltreat the trusting heart, till it begins to doubt whether there be a God overhead who can see and still permit--these know something of the "horror of great darkness."

有时漆黑一团的悲哀，似乎与上帝的爱绝不调和，压著你的灵魂，把上帝怜悯之心所给你的一切安息都挤压净尽，投入看不见一丝希望的海堙F残酷和不仁，嘲笑著那信靠的心，直到它发生怀疑：到底天上有没有看见这一切的上帝？祂是否允许这惊人的大黑暗？人生的构成，就是交错著光明与黑暗。

When some terrible sorrow which seems so hard to reconcile with perfect love, crushes down upon the soul, wringing from it all its peaceful rest in the pitifulness of God, and launching it on a sea unlit by a ray of hope; when unkindness, and cruelty maltreat the trusting heart, till it begins to doubt whether there be a God overhead who can see and still permit-these know something of the "horror of great darkness."

有时漆黑一团的悲哀，似乎与神的爱绝不调和，压著你的灵魂，把神怜悯之心所给你的一切安息都挤压净尽，投入看不见一丝希望的海里；残酷和不仁，嘲笑著那信靠的心，直到它发生怀疑：到底天上有没有看见这一切的神？

In Forever Sweet , Sun Guojuan becomes more direct. She covers her body with white sugar, symbolising sweetness, and takes photographs in the style of classical portraits, suggesting quietness and sorrow, self-compassion and pain, so as to express middle-aged women's nostalgia for their fading beauty and sweet emotions, but also to question esthetic criteria decreed by men, always for the sole purpose of consuming feminine beauty.

永远甜蜜》孙国娟更为直接地将象征甜蜜的白糖涂满自己的身体，拍成类似古典肖像的照片，沉静而忧伤，自怜而悲哀，表达出中年女性对正在逝去的年轻容貌和甜蜜情感的怀恋，对依然以消费女性美丽为主导的男性化审美的质疑。

I am not mournful for passed away people and in life people, I am just feeling dysphoria due to we perhaps have not inheritor in future, because there is still two kind of powers to make the mankind perdition, one is the nature disaster,the other is destroy ourself ( the war, it is a fierce cruel and spoliatory behavior of mankind due to people's self-concern and arrogance or resource shortage) But present, we are too indulging in our becility and wisdom, we are too infatuated with our ability of rein and subjection, and we neglect a really friend or enemy, it is our brain.

我不为已经死去的人和现在还活着的人感到悲哀，我只是为我们还有没有未来的继承人而感到烦躁和不安，因为现实中还有两种力量能导致人类灭亡，一种是自然灾害，一种是自我毁灭（战争，人类因自私自大或资源短缺而产生的一种凶残掠夺行为）。而我们目前太沉醉于自己的聪明和才智当中，我们太迷恋于我们的驾御和征服能力之上，而忽略了我们的真正的朋友和敌人，那就是我们的大脑。

Saturn being natural significator of old age, sorrow, fate, limitations, detachment, poverty, servant, cruel deeds as well as lord of this Moonsign indicates that most of you are independent, friendly, progressive, idealist, rational, generous, good conversationalist and capable of hard work.

土星象征着晚年、悲哀、命数、局限性、超然、贫穷、仆人、残酷的事实，当月座在此指示你们当中大多数人是中立的、友好的、有变革意识的、唯心的、理性的、慷慨的、健谈的和奋发图强的。

Saturn being natural significator of old age, sorrow, fate, limitations, detachment, poverty, servant, cruel deeds as well as lord of this Moonsign indicates that most of you are practical, strong willed ambitious, determined, reliable, careful, hard work and far sighted.

土星象征着晚年、悲哀、命数、局限性、超然、贫穷、仆人、残酷的事实，当月座在此表明你们当中大多数人是实际的、野心勃勃的、有决心的、可信赖的、小心谨慎的、刻苦勤勉的、高瞻远瞩的。

For the remaining 600-odd pages, Yu will wrestle with these two toilets and the two Chinas they represent -- one past and one present, one humble and one grand, both, in Yu's waggish but merciless depiction, equally tragic and equally ridiculous.

在接下来的600多页里面，余华着力表现这两个厕所以及它们所代表的两个中国——一个是过去的，一个是现在的，一个是简陋的，一个是富丽堂皇的。在余华诙谐和冷酷的叙述中，它们同样的悲哀，同样的可笑。

To daffodilsrobert herrick 咏黄水仙花罗伯特·哈里克 fair daffodils,we weep to seeyou haste away so soon;as yet the early-rising sunhas not attain'd his noon.stay,stay,until the hasting dayhas runbut to the even-song;and,having pray'd together, wewill go with you along.we have short time to stay, as you;we have as short a spring;as quick a growth to meet decay,as you,or anything.we die,as your hours do,and dryawaylike to the summer's rain,or as the pearls of morning's dew,ne'er to be found again.

美的黄水仙，凋谢的太快，我们感觉着悲哀；连早晨出来的太阳都还没有上升到天盖。停下来，停下来，等匆忙的日脚跑进黄昏的木暮霭；在那时共同祈祷着，在回家的路上徘徊。我们也只有短暂的停留，青春的易逝堪忧；我们方生也就方死，和你们一样，一切都要罢休。你们谢了，我们也要去了，如同夏雨之骤，或如早上的露珠，永无痕迹可求。

The traveling birds will carry,like always ,my dress made of light clouds,up to the warm countries at the edge of the world,where I will wait for one year till I come back again...and I feel very sorry for that tree who remains alone,without song...I have hardly convinced him to turm green again after he had got dry ofr so much loneliness...If he remains alone precisely now,he will surely die of sadness...Please caress him with your warm sun and tell him I will miss him and next year I shall come again to wake him up to life,by singing leaf songs.

旅行的鸟儿会像往常一样，把我用浮云做成的霓裳带到世界边缘温暖的国度，我会在那里等待一年，直到我再次归来……我对仍是孑然一身、没有歌声的那棵树感到非常抱歉……我几乎无法使他相信，在他因过分孤单而干枯后，还能再次穿上绿衣……如果他此时此刻仍孑然一身，他一定悲哀而死……请用你的温暖的阳光爱抚他，告诉他我会想念他，来年我还会回来，用树叶的歌声将他唤醒，使他恢复生机。

Chrysanthemum of 10 thousand birthday is lax to edaphic requirement, with the arenaceous qualitative loam with fecund, good drainage had better.

万寿菊对土壤要求不严，以肥沃。排水良好的砂质壤土为好。

He unstepped the mast and furled the sail and tied it.

他拔下桅杆，把帆卷起，系住。