弥尔顿的

Kauffmann survives, but many of the others are now obscure outside academia: Elizabeth Montagu, a critic—"Queen of the Blues", as Dr Johnson dubbed her—whose portrait by Allan Ramsay shows her looking faintly amused in a froth of lace and pink silk, leaning on a volume by David Hume, the Scottish philosopher and historian; or Anna Seward, a poet who is portrayed turning a page in her Milton—plainly waiting to get back to it; or Elizabeth Carter, poet, classicist, rival of Alexander Pope and translator of Epictetus, helmeted as Minerva, the goddess of wisdom, and carrying a volume of Plato.

经过历史的涤荡，考芙曼的声誉不减当年。而其他的女学者除了在学术界尚有影响以外，已逐渐变得鲜为人知。比如批评家伊丽莎白·蒙塔古。他被约翰森博士称为。在Allan Ramsay为她所做的肖像画上，她身着镶有泡状蕾丝的粉色丝质衣衫，斜斜地倚在由苏格兰哲学家和历史家大卫·修所著的书册上，散发出了令人晕眩的美。再比如诗人安娜·西沃德。在画家笔下，她正在翻动手头的弥尔顿诗篇，很明显，她盼着继续阅读。又比如伊丽莎白·卡特。她既是位诗人，又是古典派作家，与亚历山大·蒲柏齐名，她翻译了的作品。在画中，她扮成智慧女神米诺娃的样子，手执柏拉图的书卷。

And New York's rebellion called to me excitedly, this savagery which piled great concrete block on concrete block, topping at the last moment as in an afterthought, with crowns as delicate as pinnacled ice; this lavishness which, without a prayer, pillaged coal mines and waterfalls for light, festooning the great nature-severed city with diamonds of frozen electrical phenomena─ it fascinated me, the Asian man, and in it I saw not Milton's Satan, but the one of Blake.

而纽约的反叛精神激动着我的心。它的野性将大块混凝土层层垒起，在最后一刻仿佛踌躇再三才加盖，顶部皆似精巧的冰山；它的挥霍未经祈祷便为获取光明劫掠煤矿和瀑布，用钻石般璀璨夺目的无数电灯装饰这座超脱自然的伟大城市──这一切令我，一个亚洲人心醉神迷。在纽约身上我看到的不是弥尔顿笔下的撒旦，而是布莱克的撒旦。

And New York's rebellion called to me excitedly, this savagery which piled great concrete block on concrete block, topping at the last moment as in an afterthought, with crowns as delicate as pinnacled ice; this lavishness which, without a prayer, pillaged coal mines and waterfalls for light, festooning the great nature-severed city with diamonds of frozen electrical phenomena― it fascinated me, the Asian man, and in it I saw not Milton's Satan, but the one of Blake.

而纽约的反叛精神激动着我的心。它的野性将大块混凝土层层垒起，在最后一刻仿佛踌躇再三才加盖，顶部皆似精巧的冰山；它的挥霍未经祈祷便爲获取光明劫掠煤矿和瀑布，用钻石般璀璨夺目的无数电灯装饰这座超脱自然的伟大城市──这一切令我，一个亚洲人心醉神迷。在纽约身上我看到的不是弥尔顿笔下的撒旦，而是布莱克的撒旦。

And New York's rebellion called to me excitedly, this savagery which piled great concrete block on concrete block, topping at the last moment as in an afterthought, with crowns as delicate as pinnacled ice; this lavishness which, without a prayer, pillaged coal mines and waterfalls for light, festooning the great nature-severed city with diamonds of frozen electrical phenomena― it fascinated me, the Asian man, and in it I saw not Milton's Satan, but the one of Blake.

而纽约的反叛精神激动著我的心。它的野性将大块混凝土层层垒起，在最后一刻仿佛踌躇再三才加盖，顶部皆似精巧的冰山；它的挥霍未经祈祷便爲获取光明劫掠煤矿和瀑布，用钻石般璀璨夺目的无数电灯装饰这座超脱自然的伟大城市──这一切令我，一个亚洲人心醉神迷。在纽约身上我看到的不是弥尔顿笔下的撒旦，而是布莱克的撒旦。

Without stirring from our firesides we may roam to the most remote regions of the earth, or soar into realms where

无须离开家门，我们便可遨游世界上最遥远的地方，可以飞到斯宾塞笔下的梦境般的王国，那里会有成群的仙女结队欢迎我们；也可飞到弥尔顿描绘的天国，那里天使们合唱的天国赞美诗如雷贯耳。

Fleet Street was quiet and lonely at this late hour, and Robert Audley being in a ghost-seeing mood would have been scarcely astonished had he seen Johnson's set come roystering westward in the lamp-light, or blind John Milton groping his way down the steps before Saint Bride's Church.

舰队街在深夜里是肃静而寂寞的，罗伯特·奥德利正处于见神见鬼的心态之中，如果他看到约翰生博士一帮子人在灯光下大摇大摆地向西走去，或是瞎眼的弥尔顿①摸索着从圣新娘教堂门前的台阶上走下来，他也不会觉得奇怪的。

What you owe to Milton is not any knowledge, of which a million separate items are still but a million of advancing steps on the same earthly level; what you owe is power-that is, exercise and expansion to your own latent capacity of sympathy with the infinite, where every pulse and each separate influx is a step upwards, a step ascending as upon a Jacob's ladder from earth to mysterious altitudes above the earth.

弥尔顿④给予我们的并不是什么知识，即使有一百万条知识，人类因此迈开百万步，也始终是彳亍在尘世的地面上；他给予我们的是力量，即是说，用你潜在的感应力，向着广袤无垠的世界拓展，扩张，每一记脉动，每一次喷薄，都是上升一步，好似缘着雅各的天梯⑤，从尘世的地面逐步攀上神秘的苍穹。

Cynanchum Lingtai apricot production in the average weight 65 grams, the brightly-colored fruit, juicy rich, sweet-sour taste, sweet from the nucleolus, when the late Qing Dynasty famous Shaanxi, Gansu provinces, the Qing imperial court Tongzhi tribute for years.

灵台生产的牛心杏平均单果重65克，果实色泽鲜艳，汁多味浓，甜酸适口，离核仁甜，清末时就驰名陕、甘两省，清同治年间曾为朝廷贡品。

Chenopodium album,Solanum nigrum, and Amaranthus retroflexus were very susceptible to the herbicides. Polygonum persicaria and Abutilon theophrasti were relatively less susceptible to the herbicides, and Lycopersicon esculentum was not susceptible to it. The relationship between reduction rates of weed biomass and PPM values of weed leaves 2,4, and 6 days after treatment was established.

供试的6种杂草对该混剂的敏感性存在显著差异：红心藜Chenopodium album、龙葵Solanum nigrum和反枝苋Amaranthus retroflexus对该混剂最敏感，ED90值分别为47.65、71.67和29.17g/hm2；春蓼Polygonum persicaria和苘麻Abutilon theophrasti敏感，ED90值分别为96.91、114.20g/hm2；而番茄不敏感。