对比地

Such calibrated ages, given by CALIB versions, are close to the calendrical 'true' ages in fall play. Thus, this is beneficial to better reconstructing the regional geochronologic history since the late Late Pleistocene and such calibrated ages can be compared directly with the archaeological evidence and other absolute dating results as well.

文章经统一校正的年龄，最大限度地接近其太阳历纪年的&真实&年龄，从而有助於更加准确地重建该地区的晚更新世晚期以来的地质年代史，并可与考古纪年及其他测年方法获得的绝对年龄直接对比。

The artists are big fans of Jean Luc Godard's films, which are regarded as something flighty, feigned and flatulent. Behind the face of pretense, however, the director seriously lashed the so-called classical culture of the time. Now, these two local newspapers robbers, like self-taught guerilla soldiers, turn their eyes from the city news pages to imitate their stories and produced them into Wuhan folk postcards, putting them beside the newspapers and letting us read and compare for ourselves.

艺术家本人很是喜爱戈达尔的电影，&轻浮，做作，空虚&，但在假装、狡诘的背面则是郑重地、一本正经地对文化经典的挞伐――而这两个劫匪似的卡宾枪手从报纸本埠新闻版调转眼神，将这些粗野的武汉市井故事剪辑成一联串的明信片，然后摆到我们搁着报纸的桌边，让我们做一番有意思的对比。

In this part some countries and areas such as the United States, Canada, Japan, South Korea, European Union, and China are purposedly selected to be studied about the legislative purposes of circular economy, and also give a subjective evaluation after comparing and analyzing. The contrast and analysis lead to this conclusion that the legislative goals of circular economy in western countries give better expression to the concepts of circular economy, while in China's legislation of circular economy, too much stress is laid on the resources and economic interest of the environment, more attention is paid to exploiting and utilizing natural resources, meanwhile the environmental functions and values of natural resources are usually ignored.

该部分有针对性地选择了美国、加拿大、日本、韩国、欧盟和中国等国家和地区的循环经济立法目的进行了考察，通过对比分析，本文认为，西方国家在循环经济立法目的设计上比较好地体现了循环经济理念，我国循环经济立法在目的性规定方面，表现为过分注重环境的资源属性及其经济价值，强调如何合理开发利用资源，而往往忽视资源的环境功能及其环境价值。

Hisbrothers still demanded money,and his r'efusal tolend Frederick￡30 in l 857 brought an angrYaccusation that he was'cold and unfeelin9';lFrederick woundingly contrasted Dickens's publicreputation for tolerance with the inflexibility of his

他的兄弟们仍在向他索取钱财。1857年，他弟弟弗雷德里克向他借30英镑，遭到拒绝。于是弗雷德里兔溃怒地指责他&冷血无情&，还恶意地将狄更斯在公开场合宽容待人的态度和他私下里刚愎自用的行为进行对比。弗雷德里克和奥古斯塔斯都离了婚。

In this paper, a comprehensive survey on mobile multicast arithmetics and schemes is given, the advantages and application range of these arithmetics or schemes are discussed respectively, also the shortcomings and problems existed are anatomized in depth, and then a comprehensive comparison is given.

详细地介绍了现有的主要移动组播算法和协议，讨论了每种算法或协议的适应范围以及优点，比较深入地剖析了其中存在的缺陷和问题，并且对这些移动组播算法和协议进行了综合对比。

I have been there for many times to do sketches. The cracked old roots and fissures of the truck touched the bottom of my heart again and again. In the painting "Cypresses in the Forbidden City", I used a so-called method of scattered dots to depict the fissures which is extremely rare in similar paintings, while for the walls I used the crimpling skills to reveal its weathering nature. It is because I believe that all techniques and effects should be centered on the main themes, to make paintings more profound in humanism.

我曾无数次地到那一带去写生，那苍茫的老树根，那干裂的树纹肌理，曾一次次地触动我的心扉，《皇城古柏》这幅画我用散笔法来表现柏树的纹理效果，由上至下，气韵贯通，这种方法在画柏树里并不多见，用打点的方法来点树叶，层层打点积厚，但又注意疏密的关系对比，形成密不透风，疏可走马的效果，而皇城的城墙我则采取皱纸法来做出墙面的沧桑肌理效果，以此来传达出皇城这一历经风雨的历史厚重感，我的创作理念是：一切技法和效果为主题服务，让画面丰富起来，让画面融入人文内涵。

To analyze effect of diclazuril and maduramycin on 18S rDNA of Eimeria tenella, the 18S rDNA of sporulated oocyst of the E. tenella anti-diclazuril strain, the E. tenellaanti-maduramycin strain and the E. tenella drug-sensitive strain were cloned and sequenced, and were compared by using DNAStar 5.0 and RNADraw 1.1, respectively.

为探讨抗球虫药物地克珠利和马杜拉霉素对柔嫩艾美球虫18S rDNA的影响，分别对人工诱导的柔嫩艾美球虫地克珠利抗药株、马杜拉霉素抗药株和药物敏感株孢子化卵囊的18S rDNA基因进行了克隆测序，并通过生物信息软件进行对比差异分析。

Early in 1995, in his "Desire" series where red and blue lines come in strong contrast with each other, Ma Yiping instinctively used his personal experience to drop a hint of the transcendence of life. From 1996 to 2001, his "Images" series established the development direction of his art, owing to its artistic expression_r_r of overloaded psychological priori images. In his works before or after 2003, dream-like symbolic images presented perplexed feeling of human beings about the universe and the physical world. In his "images" series in 2006, uncertain images stood on black cube-shaped objects and ambiguous edges pointed to various uncertain directions with the accompaniment of silver light and shadow. At this point, the intuitive perception of the essence of nature made his artistic style gradually take shape. In his later "fetish" series, in which he gradually became mature in spiritual and symbolic expression_r_rs, Ma Yiping fully grasped the eternal sense of the spiritual world.

在早期，1995年的《欲望》马一平用对比强烈的红色、蓝色层层涂盖、本能地运用自身感受以暗示的手法表达对生命的超越。1996-2001年以物象为主题的系列作品对超载心理先验物象的表达方式确定了他艺术作品的发展方向，2003年前后的作品中，梦一般的暗示性物体程现了生命本体对宇宙物理世界的茫然，在2006年的《物象》系列中，黑色的方体上不确定的物状、模糊的边缘在泛着银色光影的衬托下，泛生着各种不确定的指向感，此时对本质直观的感知性的把握使作品艺术风格基本形成，到后来的《神物》已经充分地把握了精神世界里的永恒感，画面中所能达到的精神性和神密暗示意义的表现手法已近成熟。

Swans fly overhead, heavy-bodied, like cargo planes, white against the charcoal sky. Egrets step daintily as bridesmaids in the mud. Gaggles of geese waddle indignantly along the shore, like sporting personalities, grumbling noisily against the umpire's latest decision.

天鹅在头顶飞过，笨重的身体就好像是运输机，白色与木炭色的天空形成对比；白鹭就像女傧相一样在泥里优雅地踱着步；一群嘎嘎叫的鹅愤怒地在岸边蹒跚而行，就像那些体育人士表达着对裁判最新裁定的不满和怨言。

In the second part of the paper, the sport techniques of the flight elements was analysised in-depth theoretically by the movement technical structure:①the giant swing was first analysised in mechanics by applying the Kane's method, the dynamic equation of 5-link multi-body model was established, and the computer simulation software of the giant swing on the high bar was developed.

其次，作为单杠上飞行动作系统性研究的另一主要方面，本论文对飞行动作一般技术结构中的各技术环节进行了深入的理论分析：①着重对飞行动作准备阶段的回环运动技术进行了动力学分析，主要采用了多体力学理论中的Kane方法，建立了5环节人体回环运动的动力学方程，并应用计算机数值仿真技术研制开发了用于回环运动动力学分析的数值仿真软件，进而以动作实例对回环运动进行了数值仿真与误差分析，其所得到的数值仿真结果能够满足对人体回环运动的动力学分析和仿真要求；②对于飞行动作的撒手技术环节，本论文从人体环节相对运动角度，来分析撒手时人体质心的运动以及撒手时角动量参数，并列举了几种飞行动作撒手技术的基本力学指标；③关于飞行动作的空中技术，论文在总结了空翻转体动力学机理的研究成果基础上，对人体空中运动定量化问题进行了一般性描述，并进一步应用刚体动力学理论，着重建立起了描述空翻与转体技术之间定量化的关系，讨论了空翻转体运动的稳定性及其运动模式的转换问题，它对于定量地评定空翻转体技术以及今后对空翻转体动作进行数值仿真都具有理论上和实践上的重要意义；④关于飞行动作再握技术环节，本论文避免了以再握瞬时性的力学参数指标来描述再握技术特征的简单化途径，提出以再握下摆与回环下摆相对比的方法来研究再握技术，并以飞行动作再握技术的具体实例进行了对比分析，表明再握下摆技术相比回环下摆技术有着相当的困难性和复杂性，运动员对再握下摆过程中各环节的相对运动实施有效的控制，是连接高难动作以及顺利流畅地完成成套动作的关键。

What are your goals and strategies for growth?

你的成长目标和策略是什么？

And unto the angel of the church in Sardis write; These things saith he that hath the seven irits of God, and the seven star I know thy works, that thou hast a name that thou livest, and art dead.

3：1 你要写信给撒狄教会的使者，说，那有神的七灵和七星的，说，我知道你的行为，按名你是活的，其实是死的。