宏大的

In the best criminal hideouts we look for sheer scale and ambition, legions of henchmen who seem to volunteer for such skullduggery, armies of button-pushing assistants in white coats, internal monorail systems, next-generation weaponry, hoards of gadgets, the occasional rocket or glamorous vehicle and control rooms full of people giving orders though the compound's own PA system – and all this has to be in an unknown location that is often so obvious that it eludes detection.

那些最著名的魔头的基地无一不是规模宏大并且集中了野心勃勃的罪犯，大批热中与参与阴谋的追随者和许多穿着白大褂的言听计从的助手；基地里还拥有室内单轨系统，最先进的武器，大批的机器人以及装有火箭炮或者其他抢眼配备的车辆；另外控制室里还挤满了忙于执行扩音器中合成的声音所下达的命令的人－－显然这所有的一切都要在一个不知名的地方进行，以免被人发现。

In 80's, compare with"enlighten literature", she broke the chain of left thought and the collectively recount of the new period literature. She carried out the triumph of individual to community by using enlightening aesthetic displacement. In 90's, Tie Ning constructed true literature on intellectual edge-guard stance."new-realistic novel"sink into puzzlement . She acquired brief balance of modernity recount; In new century,"new historical novel"slinked into the predicament of"the epic turn"in escaping"great narrative". Tie Ning constructed the intellectual modernity narrative by fusing daily life and enlighten narrative.

论文通过铁凝与新时期的&新启蒙文学&、&新写实小说&、&新历史小说&对比研究发现：在80年代，铁凝继承了鲁迅的&立人&思想，冲破了&极左&思想的束缚和新时期文学的&集体叙事&，以对启蒙理性的审美置换实现了个体对群体的穿越和超越；90年代铁凝以知识分子的&边缘和守卫&的姿态建构着真善美的文学，避免陷入&新写实小说&的理性主体的缺失和道德理想消解的审美现代性困境，获得现代性叙事的短暂平衡；新世纪，铁凝在启蒙叙事和日常生活叙事的完美融合中建构起崭新的知识分子现代性叙事，为后革命时期建构宏大叙事提供了思想资源和审美表达的借鉴。

The larger implication of this compositional method becomes clear when we consider a resemblance at another level: both Pound's and the New Historicist's works are global in scale-they tend to use Luminous Details to reveal large pictures of a society or culture. In Pound's words, it is to use "a sufficient phalanx of particulars" to capture recurring paideumatic structures of civilization; in New Historicist terms, it is to put tiny tissues of textual traces under a microscopic lens in order to reveal a picture of a "sublime confrontation between a total artist and a totalizing society."

当我们关注另一层次上的相似性时，这一结构模式所具有的更为深广的涵义更加明显：庞德和新历史主义的著作都相应地具有全球性，两者都倾向于使用透明细节来展示社会或文化的宏大图景－按照庞德的说法，即要用&密集的细节&来捕捉不断复现的根本性的文明结构；按照新历史主义的说法，即要将文本线索的微小结构置于显微镜下以展示&整个艺术家与整一化的社会之间壮观的对峙&图景。

Arabian Nights Oh I come from a land, from a faraway place Where the caravan camels roam Where it's flat and immense And the heat is intense It's barbaric, but hey, it's home [Original first verse (1992-93):] Oh I come from a land, from a faraway place Where the caravan camels roam Where they cut off your ear If they don't like your face It's barbaric, but hey, it's home } When the wind's from the east And the sun's from the west And the sand in the glass is right Come on down Stop on by Hop a carpet and fly To another Arabian night Arabian nights Like Arabian days More often than not Are hotter than hot In a lot of good ways Arabian nights 'Neath Arabian moons A fool off his guard Could fall and fall hard Out there on the dunes

阿拉伯之夜噢我来自一片土地，从遥远的地方那里有大篷车和骆驼在漫游它广阔和宏大他有着火热的激情这是野蛮的，但是嘿，这就是我的家 [原件第一版（ 1992-93 ）： ] 噢我来自一片土地，从遥远的地方那里有大篷车和骆驼在漫游在那里他们会切下你的耳朵如果他们不喜欢你的面庞他是野蛮的，但是嘿，这是我的家当风从东方刮来太阳从西边升起杯中的沙子也许是对的起起落落浮浮沉沉围着地毯起舞飞翔另一个阿拉伯之夜阿拉伯之夜像阿拉伯的生活往往就是这样的比火热还要热在许许多多的时候阿拉伯之夜靠着阿拉伯的月亮一个傻瓜迷失了他的方向可能下落下落直到消失在那片沙丘之后实在是不好翻译自己再润色一下吧

The thesis think Tie Ning female identity experience poem ego, female ego, reasonableness ego of continuously mature development process,Tie Ning molded to take"fragrant snow" as to represent by poem of beautiful and artistic young girls, remeding the defent of female narration. After mid–80s, Tie Ning with mightiness of the female consciousness carried out to cross and surmount of the female's rightness by the female's review of ugly and appreciate beauty by duble variation. Which is the make–up of what Zhang Jie and Zhang Xin Xins novels neglect to female's essence life, It is also the watchful to Lin Bai and Chen Rans which excessively sinked in a female. In the new century, Tie Ning's stupid flower embody the tendency of the female return to the spirit of new time and great words, Indicate new century female literature is a important change of appreciate attitude.

论文认为，铁凝女性身份的认同经历了诗性自我、女性自我、理性自我的不断成熟的发展过程：铁凝以诗性自我塑造了以&香雪&为代表的美仑美奂的少女群像，弥补了新时期初期深陷男权文化中心的女性写作的匮乏；80年代中期以后，铁凝以强烈的女性自我意识在审丑与审美的双重变奏中实现了对女性自我的超越，既是对张洁、张辛欣们忽视女性本体生命欲求的弥补，也是对林白、陈染们过度陷于女性偏执的警醒；在新世纪，铁凝的《笨花》体现了女性意识叛逆后回归新的时代精神和宏大话语的趋向，预示了新世纪女性文学审美态度上的重大转变。

The narrative subject is the urban individual repetition of the grand narrating under the control of the new ideology, which has the function to de-construct and overthrow the legality of the latter. The narrative object of the Dushi Minjian pays attention to the powerless public whom were concealed by the false promises of the mainstream social modernization, thereby the original Tightness and the humanism thought could be found. The narrative form is not a kind of pure narrating of Minjian area, but concentrated on the aesthetic space, thus self-speech would harvest its possibility, significance and value consequentially in the multifold narrating among the political discourse, commercial discourse and the intellective discourse.

它具体表现为：在叙事主题上，都市民间的个人叙事是对新意识形态控制下的宏大叙事的重述，并在个人的重述中实现对后者合法性的瓦解和颠覆；在叙事对象上，都市民间叙事关注的是被主流社会现代化虚伪承诺所遮蔽的弱势的人群，从而表现出知识分子的原始正义和人道主义关怀：在叙事形态上，没有纯然的民间叙事，对民间审美世界的关注，必将使其在政治话语、商业话语和知识分子话语等多重叙事中获得了自我言说的可能、意义与价值。

I praise the work of ordinary nurses, but a great, trivial and not readily available, but the laboring hard; I praise nurses can use soft on the shoulder to provoke a daughter, mother, wife's burden; I praise nurses, such as patients with prolonged drought in spring moisture and rain The Xintian; such as the summer breeze blown dry and hot air away the pain in patients with heart; like autumn moon illuminated the hearts of patients with access to health, on the other side; such as the winter sun warm the evaporation of their distress in patients with.

我赞美护士工作普通而又宏大，烦琐而又不易，艰苦而又劳碌；我赞美护士能用纤弱的肩膀挑起一份女儿、母亲、细君的重任；我赞美护士如春天的雨露润泽患者亢旱的内心；如夏季的轻风吹走酷热的氛围带走患者心灵的创痛；如秋夜的明月照亮患者通往健康的心灵彼岸；如冬天的阳光和暖着患者挥发她们的忧愁。

If you are unfortunate enough to the lovelorn, please tell me, I will help you out, really, please contact me!

如果你不幸失恋了，请告诉我，我会帮助你摆脱困境，真的，请联系我啦！

China's plan to cut energy intensity by 20 percent and pollutant discharges by 10 percent between 2006 and 2010 is a case in point.

中国计划在2006年到2010间降低20%的能源强度和减少10%的主要污染物排放，就是一个这样的例子。