大钢琴

From the two angles of improving instrument enginery and changing music style, the papers analyzed the different touching method for Cembalo, Vienna piano and Britain one.

由于钢琴的性能自它诞生以来随着乐器制作工艺的改进发生了很大的变化，而浪漫主义时期以来的钢琴音乐对于音色变化和力度对比的要求也更加严苛，钢琴触键技术随之经历了一个逐步变化和不断调整的过程。

It should incorporate an 88-key, weighted hammer-action keyboard that provides the touch and feel of a concert grand.

这一电子钢琴要有 88 键，有击槌琴胆机制，在弹奏时要有一种在演奏大三角钢琴的感觉。

In the third room, or parlour, was a piano, a heavy piano lamp, with a shade of gorgeous pattern, a library table, several huge easy rockers, some dado book shelves, and a gilt curio case, filled with oddities.

第三个房间，或者说是会客室，里面有一架钢琴，一只沉甸甸的钢琴灯，灯罩的式样很华丽，一张书桌，几只舒服的大摇椅，几只沿墙放的矮书架，还有一只古玩架子，上面摆满了稀奇古怪的玩意儿。

D958, D959 and D960, which are the last three piano sonatas composed by Franz Schubert, are investigated in this thesis. Firstly, a survey of Schuberts piano sonatas is made in this paper.

本文的主要研究对象是舒伯特的最后三首钢琴奏鸣曲，即《c小调钢琴奏鸣曲》(D958)、《A大调钢琴奏鸣曲》(D959)和《~bB大调钢琴奏鸣曲》(D960)。

Created in 1781, his《D Major sonata KV448 for two pianos》has become the most popular and melodist one in the double piano works because of its perfect logic and orderliness.

他的《D大调双钢琴奏鸣曲KV448》创作于1781年，这部作品的重要意义在于其完美的逻辑性、条理性，也因此成为双钢琴作品中流传最广、被演奏次数最多和最优美动人的一首作品。

Because the piano, unlike the organ and the harpsichord, responds to "touch" we need not depend on extreme agogy or rhythmic freedom the way harpsichord players often do.

因为钢琴与器官和大键琴不同，大键琴的演奏者经常是依赖触键时的极度兴奋或是节奏上的灵活性，但钢琴演奏者不必这样。

Take as a single example this easily overlooked little passage from the rondo of the 23rd piano concerto; it is, in its essence, nothing more than a functional bit of connective tissue taking us from one place to another within the movement's structure. Ten brief bars—about 10 seconds—of basic scalar material, doing its job efficiently and economically. But it is at the same time so richly and amusingly characterized, so full of piping energy, with its determined but struggling piano line climbing its stutteringly inexorable way up to the note E, punctuated along its course by deadpan commentary from the winds, sneaking in the D natural that signals the change of key with almost undetectable sleight of hand—the passage almost constitutes a miniature comic universe all by itself.

请听这段在《第23钢琴协奏曲》中常常被人忽视的回旋曲( http：//img.slate.com/media/87/7_mozart488.asf )，没有哪个功能性连结段能比它更好地仅通过乐章结构就将听众带入另一个世界，长约10秒钟的概要部分(brief bars of basic scalar material)不仅经济有效地发挥其职能，同时又表现出丰富、诙谐的特色，充满木管乐器的活力，伴随着坚决但阻碍不断的钢琴的快速音群移入E大调，其行进过程不时被管乐器部加以修饰、注解，自然而然的转为D大调，转调手法之娴熟几乎无法察觉——这段音乐本身创造出一个微缩的喜剧世界。

Piano Concerto in G major and Concerto in D major for the left hand, the last piano compositions in Ravels old age, which fully manifest his well-versed composing techniques, musical style, and aesthetic principle, are another zenith of his composition.

G大调钢琴协奏曲》和《左手钢琴协奏曲》是拉威尔晚年最后的钢琴作品，体现出拉威尔成熟的创作技巧、风格特征、审美原则，是拉威尔创作中的又一高峰。

His piano works, Ballade in A flat major and Scherzo in E major were interpreted by Helen Huang, Ballade in F major and Mazurkas by Fou Ts'ong; two Piano Concertos in E minor and F minor were performed by Martha Argerich with the China National Symphony Orchestra conducted by Chen Zuohuang.

黄海伦以及傅聪分别演绎了他的钢琴作品&降A大调随想曲&、&E大调谐谑曲&和&F大调随想曲&以及&马祖卡&；玛尔塔·阿格里奇同陈佐煌指挥的中国国家交响乐团合作演出了肖邦的E大调和F小调钢琴协奏曲。

Although he won First Prizes at the 1966 Busoni Competition in Italy and 1968 Montréal Piano Competition, it was his 1970 triumph at the Chopin Competition in Warsaw, where he won the Gold Medal, that brought him worldwide recognition as one of the finest pianists of his generation. Mr. Ohlsson was awarded the Avery Fisher Prize in 1994 and received the 1998 University Musical Society Distinguished Artist Award in Ann Arbor, Mich.

尽管他在1966年的意大利布索尼钢琴大赛、1968年的蒙特利尔钢琴大赛中纷纷折桂，但令奥尔森声名大噪的还是在1970年肖邦国际钢琴大赛中夺得的金奖，并因此被外界一致公认为是他那一代人中的钢琴翘楚。1994年，奥尔森被授予埃弗里·费舍尔奖。1998年，他在密歇根大学的安阿伯分校被授予杰出艺术家奖。

Cynanchum Lingtai apricot production in the average weight 65 grams, the brightly-colored fruit, juicy rich, sweet-sour taste, sweet from the nucleolus, when the late Qing Dynasty famous Shaanxi, Gansu provinces, the Qing imperial court Tongzhi tribute for years.

灵台生产的牛心杏平均单果重65克，果实色泽鲜艳，汁多味浓，甜酸适口，离核仁甜，清末时就驰名陕、甘两省，清同治年间曾为朝廷贡品。

Chenopodium album,Solanum nigrum, and Amaranthus retroflexus were very susceptible to the herbicides. Polygonum persicaria and Abutilon theophrasti were relatively less susceptible to the herbicides, and Lycopersicon esculentum was not susceptible to it. The relationship between reduction rates of weed biomass and PPM values of weed leaves 2,4, and 6 days after treatment was established.

供试的6种杂草对该混剂的敏感性存在显著差异：红心藜Chenopodium album、龙葵Solanum nigrum和反枝苋Amaranthus retroflexus对该混剂最敏感，ED90值分别为47.65、71.67和29.17g/hm2；春蓼Polygonum persicaria和苘麻Abutilon theophrasti敏感，ED90值分别为96.91、114.20g/hm2；而番茄不敏感。