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We tire of the flame of the meteor, before it can fade and flee; And the flame of the blue star of twilight, hung low on the rim of the sky, Has awaked in our hearts, my beloved, a sadness that may not die.

白鸟》 亲爱的,我愿我们是一对白鸟,飞翔在浪尖,在流星燃尽之前,便厌倦了它的光辉;蓝星发出淡淡的光,悬挂在黄昏的天空,它唤起了我们心中不灭的忧伤。

China contemporary appear in the art of relevant draw lessons from of landscape picture with transfer, probably Be not and only proceed from turning respond to of slogan and inspiration to the oil painting race, also not is to tradition Chinese painting art of reform build sex, their emergence probably is according to 1 kind from society sense of vision experience cause of reality pass shine on with with oneself consciousness appearance in the mind background relevant of heart claim, they just use landscape painting concept and the outer shell of appearance and arouse reality disaster within society consciousness with refer to the content of humanities spirit.

中国当代艺术中出现的有关山水图像的借鉴和挪用,可能并非仅仅是出于对油画民族化口号的响应和感召,也并非是对传统国画艺术的革新造性,它们的出现或许是基于一种由社会视觉经验所引起的现实关照和与自身意识形态心里背景有关的内心诉求,它们只是借用山水画概念和形态的外壳,去唤起现实社会中的忧患意识和指涉人文精神的内涵。

Dante, I think, committed a crude blunder when, with a terror-inspiring ingenuity, he placed above the gateway of his hell the inscription "I too was created by eternal love"—at any rate, there would be more justification for placing above the gateway to the Christian Paradise and its "eternal bliss" the inscription "I too was created by eternal hate "—provided a truth may be placed above the gateway to a lie!

我觉得但丁在这里犯了一个大错误,他凭着一种能唤起恐惧感的机灵在通往他的地狱的大门上写下了&我也是被永恒的爱创造的&,——不管怎么说,在通往基督教的天堂和&永恒的极乐&的大门上应当更有理由写上&我也是被永恒的仇恨创造的&,让真理站在通往谎言的大门上!

For neuroscientists, the iciness of the acts calls to mind the case of Phineas Gage, the Vermont railway worker who in 1848 was injured when an explosion caused a tamping iron to be driven through his prefrontal cortex.

对神经学家来说,&行为的冷淡&唤起了菲尼亚斯盖奇的例证。在1848年佛蒙特州的铁路工人菲尼亚斯·盖奇在一次爆炸当中受伤,一个铁夯击穿了他的大脑的前额叶皮层。

In order to arouse southerners'collective unconsciousness and deconstruct northern cultural hegemony, William Faulkner portrays a Yoknapatawpha mythical world, and uses"Southernness"extensively in his novels.

一方面,福克纳通过塑造约克纳帕塔法神话世界并且在作品中大量使用&南方性&来唤起南方人内心深处的集体无意识,以此来打破北方在南方的文化霸权。

The choreography reflects this cycle. The riverwoman dances alone, her soft-shoe dance evoking the flow of the river. As she crosses the land, the earth, represented by the male dancer, awakens and bursts forth onto the stage. As the strength of the river builds, so dancers gather, signifying new life and energy, until the full Riverdance line swells to fill the stage as the river meets the sea. Then earth and river dance in harmony, as the water of life renews the land.

舞蹈依此循环为根基,女舞者独舞,她的软鞋舞著唤起河流流动,当她横跨土地,男舞者代表的地球苏醒,在舞台前方爆发出力量,河流的力量集结,舞者也集合,象徵新生命与力量,直到『大河之舞』所有舞者站成一线满溢舞台,正如河流汇入海洋,接著地球与河流合谐共舞,是生命泉源再生大地。

Then the task of the process, i once again realize the dream of disney's motives, it is our childhood in tandem with the most simple and best memories, the beautiful snow white, mickey mouse lovely, good little match girl, a singly the most profound fairy tale characters, this time fresh in front of us, let us draw a childhood memory of that piece of brilliant, let's return to childhood that the most innocent smile!

接任务的过程中,我再一次体会到了梦幻迪斯尼的用心,它在串联着我们儿时最单纯,最美好的记忆,美丽的白雪公主,可爱的米奇老鼠,善良的卖火柴的女孩,一个个儿时最深刻的童话人物,此刻鲜活的展现在我们面前,让我们唤起了儿时那片灿烂的记忆,让我们重归于儿时那种最天真的笑容!

This will arouse the wife of the response to it, but it also brought him more guilt and self-blame, anxiety, and from this he will be happy

这会唤起爱人的回应吧,但是这也带给了他更多的内疚与自责,还有不安,从此快乐就会和他

By introducing the project of the cultural plaza of the bamboo slips museum in Changsha, this article tries to commentate the spacial concept of fluidness,participation and eventrooted in eastern tradition,then organize the space scene and mold the space plot in orderto recall the user's field memory and spacial sensibility towards local natural characteristics as well as cutural life of their own.

本文通过介绍长沙简牍博物馆文化广场方案,诠释了立足东方传统的流动性、参与性、事件性的空间观念,并以此为线索组织空间道具和空间场景,塑造空间情节,唤起使用者对当地自然特征与文化生活的场所记忆和空间情感。

By introducing the project of the cultural plaza of the bamboo slips museum in Changsha, this article tries to commentate the spacial concept of fluidness,participation and eventrooted in eastern tradition,then organize the space scene and mold the space plot in orderto recall the user's field memory and spacial sensibility towards local natural characteristics as well as cutural life of their own.

本文由中国论文联盟 WWW.LWLM.COM 收集整理。摘要:本文通过介绍长沙简牍博物馆文化广场方案,诠释了立足东方传统的流动性、参与性、事件性的空间观念,并以此为线索组织空间道具和空间场景,塑造空间情节,唤起使用者对当地自然特征与文化生活的场所记忆和空间情感。

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