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On probing into the art works of classical literature, we can find a special art experience: deep feeling of grief is outpouring from a lot of potrey and ancient prose, which is about inquilinousness of life, about nothingness of prosperity and splendidness, about interior flux of sadness. At the same time, this outflow is continuous, and manifests a great characteristic of aesthetic experience in Chinese ancient Aesthetics.

直面中国古典文学艺术作品的现实,可以发现一种特殊的艺术经验:即大量诗词和古文中流露出来的人生如寄、韶华不在、"悲从中来"的沉痛之感,并且此一经验脉脉相续,构成了中国古典美学审美经验的一大特色。

He didn't accept temporal twelve-tone music but composed with the technique what is called "Neoclassicism" which integrated baroque, classical and modern methods. This study "Hindemith's Flute sonata" is the work which influenced by this conception.

他不接受当时的十二音列音乐,而以综合巴洛克、古典时代及现代的手法,即所谓「新古典主义」的观念来创作,而本论文探讨的作品:亨德密特《长笛奏鸣曲》就是在此观念影响下的产物。

In particular, the philosophical notion that Yi is always in excess of verbalization penetrates deeply into the classical Chinese poems, thus making them characteristic of "imagery representation."

其中"言不尽意"和"立象以尽意"等语言哲学观念深刻地反映在中国古典诗词作品中,使其呈现出强烈的"意象性"特征。

Vernet's credit card records showed a penchant for art books, expensive wine, and classical CD's—mostly Brahms—which he apparently enjoyed on an exceptionally high-end stereo system he had purchased several years ago.

根据韦尔内个人信用卡上的资料显示,他是一位艺术书籍的爱好者,各种名贵酒类的嗜好者;他酷爱古典音乐——他所珍藏的唱片里大多数是勃拉姆斯的作品,显然他是用几年前购置的那一套特别高级的立体声系统来欣赏这些音乐的。

The vividness of the figurative content of my creations is a result of classical studies in sculpture.

在我的作品形象生动的内容是古典的雕塑研究结果。

The Pipaji is one of the drama works of the Chinese first-rate, there are a lot of articles or works about it since Ming Qing ,.Method that that is different, angle that is different, there is some contestation problems under basically and affirmative premise, such as how to evaluate the mian role Caibojie, how to judge its topic, how to evaluate its praise or its mistake in melodies and writings .and the contend for Pipaji and Xixiangji, the relation of Pipaji with Ming and Qing dramas etc. It\'s general concentration of these problems is text originally of analysis and hold up.

《琵琶记》是中国古典戏剧的名著,明清以来有众多的文章、专著论及到了这部作品,方法不同,角度各异,在基本肯定的前提下一直存在一些争议性的问题,如对其主要人物蔡伯喈的评价,对它的主题的判断、对其音律和辞采的褒贬、《琵琶记》与《西厢记》的优劣之争、《琵琶记》与明清传奇的关系等相关问题,这些问题一般集中在对其文本的分析和把握上。

There are three kinds of narrative structures in the Mystery Stories: graphic structure, lock-up structure and cycloidal structure, which revealed the developing tendency of the Stories.

它是中国古典叙事演变中的转折点,标志着文学性叙事作品的真正生成,显示出以文学叙事为主要特征的小说文体的成熟和独立。

It is quite common to modernize and foreignize the plays in style with a view to exploring their social significance in a multi-dimensional society. Yet the language is basically unchanged with some modifications in costume and setting. Moreover, playwrights have produced new plays based on the characters and roles of Shakespeare's pl...

在风格上现代化异域化已习以为常,目标是尽量发掘对当代多元化社会的意义;但故事语言基本不改,主要改服装背景;剧作家以莎剧人物及莎剧演员为题也创作了富有新意的作品,对我们的启示主要不在如何搞莎剧而是如何创造性地利用自己的古典。

Depressing ElegancyCherishing the memory of the flaw of common life makes up the depressing undertone of Cao wenxuan s works, which cotain classical warm heartedness and abstinent slight depressness shows the nobleness of human nature.

伤感的优美日常生活的缺憾和怀念构成曹文轩作品忧郁的底色,悲悯的古典温情弥漫其间,有节制的淡淡的伤感情调中凸显的是人性的高尚和可贵。

With an unfocused visual treatment, artist put actress on semi-transparent, illusional surface just like fading ancient mural paintings; the emotion is intensive, sentimental and fragile.

传统图式中戏子的脂粉红颜和秋波明眸在永恒弥坚的山水之间朦胧动人,紧张、绚丽、刻意的聚焦不清晰、图像化倾向与作品中戏剧化情感的极度张力相结合,贴切、恰当地隐寓古典精神如镜花水月般的憔悴凋零,是经典沦落的伤情挽歌。

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