古典

Actually, if we want to seriously discuss about 'Modernity', we'll find out that this issue has an awkward situation in China. Let's forget about the sociological issues and let's simply start from visual arts. The old generation of artists who brought western arts to China, actually brought along western classic arts academism that is just small part of western classic art, and it's far of being exhaustive. Furthermore, what they brought along went through many changes due to the contact with revolutionary realism and local culture. The result of this process was what was called "Modern Art" in China. After having arrived in China, a part of the western artistic academicism became "Chinese Modern Arts" and this misplacement still exists. Perhaps it comes from a creative misreading, however whether it has the capability of becoming an independent system or not, still remains uncertain.

事实上，当我们想认真的讨论"现代性"时，就会发现这一问题在中国有着极其尴尬的处境，且不谈社会学角度，从视觉艺术这个很小的角度切入，将西方艺术带入中国本土的老一代艺术家们带来的其实是西方学院派的艺术，是西方古典艺术的尾巴或被革命现实主义化了的西方古典艺术，而被带入中国本土后却被称为"现代艺术"，直至今日当代艺术在西方的学理支撑到了中国本土变成了被断章取义的只言片语，这其间"错位"一直存在着，或许这是一种有创造性的误读，但误读的主体是否具有独立消化能力的系统值得商榷。

It is immediately evident the connection between Rome and the Antiquary bat the fish is also present either in the tematic paintings or related to the Classical Age because there are undoubted connections with explicit references to the Mediterranean,cradle of culture.

这并非偶然，因为这位画家强调的"主题"，正是它将三个题材联系在一起：古典主义、罗马和鱼。罗马和古典之间的关联显而易见，但画作中既要表现鱼，又要体现出与古典时代的关系，因为它们与文化的摇篮——地中海之间毫无疑问地存在明显的联系。

It is our goal to adopt the culture of Chinese antique furniture, and to carry out its history.

这也是为了进一步弘扬中国的古典家具文化，承传中国的古典家具历史。

This dissertation compares and reflects on classical mathematics between Chinese and Western, points that classical mathematics in Chinese differs from Western, former is a constructing and mechanizing system, and latter is logical and deduct system.

本文通过揭示中国古典数学思想及以古希腊为代表的西方古典数学思想特征的基础上，寻求二者之差异及引起差异的根源、表现及特征，指出中国古典数学的构造性、机械化的算法体系，完全有别于以古希腊为代表的西方数学的逻辑风格和演绎体系。

However, as the artist at present, and since the creation of landscape paintings are quite different from those classic ones for a long time, Yin Chaoyu does not take the palette and the easels to carry out the so-called sketch of the landscape like the classic landscape painting artists, but weaves the "private landscape" in the atelier.

然而作为当下的创作者，有关风景画的创作又早已迥异于古典，尹朝宇不再像古典的风景画家那样拿着画板画架而对着风景进行所谓的写生，而是在画室中对着画布编织着&私自的风景&，如果要找到这些作品与古典的表象联系的话，那就是那条似乎遥不可及且又异常明确的&地平线&。

Classical liberals firmly believe that in a number of rights of the individual, property rights is the most important. The law of rule of law is mainly to protect the property rights of citizens. It is through protecting the property rights of citizens for proper rules of conduct to contribute to the realization of individual freedom. Therefore,the rule of law of classical liberalism evolutes ultimately into the governance of private law. Private law plays the most important role in concept of the rule of law in classical liberalism.

古典自由主义者坚信，在个人的若干权利项中，财产权最为重要，法治之法所要保护的主要是公民的财产权，正当行为规则正是通过保护公民的财产权促成了个人自由的实现，因此，古典自由主义的法治最终演化为私法之治，私法在古典自由主义的法治观中扮演者最为重要的角色。

Imagists have obtained the quintessence of classic Chinese verse—use of imagery and its linguistic style, but have not attained the aesthetic realm of Yijing owing to the cultural differences; on the other hand, they have not inherited the traditional western aesthetic principle.

中国古典诗歌对意象派诗歌的影响全面而深远，意象派汲取了中国古典诗歌中的精髓——意象的运用，借鉴了中国古典诗歌的语言风格，但由于文化的差异，意象派诗歌没有达到&意境&这一审美高度，同时也未能承袭传统西方诗歌的审美原则，所以虽开英美现代诗歌之先河却未能成为主流。

In German and Japanese criminal theory, neo-classic criminal theory system produces great influences. It carries on the construction of classic criminal theory system formally. But it makes Neo-Kantianism as its philosophy foundation, and sublates legal positivism who influenced the classic criminal theory system.

新古典犯罪论体系在德日刑法学上影响极大，它从形式上承继了贝林格开创的古典体系的犯罪阶层架构，因其奉行新康德主义的哲理基础，又从精神上扬弃了古典体系所依附的法实证主义。

Being combined with his practice of poetic creation, YuGuang-zhong's modern poetics opposed narrow and monotonous tone in Chinese poetry,his poetics gave up following fashion and fawning on popularity and characterizes openness and tolerance which are different from the classical,romantic an d modernism poetics. Yu Guang-zhong's modern poetics overstepped many fixed models of the new poetry after the May 4th Movement and set up his poetics system.

与诗歌创作实践密切结合的余光中现代诗学，反对狭隘单一，弃绝趋时媚俗，具有开放性、包容性特征；但又不同于古典诗学、浪漫主义诗学和现代主义诗学，并超越&五四&后新诗的多种既定模式，主张生命与&庞大而沉重的现实全部&相碰撞，在时间中燃烧，在&火浴&中蜕变，回到古典而又不同于古典，从而创建&中国化的现代诗&的诗学体系。

The study shows that the classical Chinese poetry tends to be more implicit and condensed, whereas the classical English poetry is more accurate and detailed. In Addition, Chinese poetry is notable for having the quality of painting and the images tend to be richer and more concrete than those in English poetry.

在诗的表达方式上，中国古典诗词的语言更为含蓄和简洁，英文诗歌则较直接和详尽；此外，中国古典诗词追求意与境的和谐统一，突出诗中有画，画中有诗的独特韵味，换言之，较之英文诗歌，中国古典诗词意象更加丰富和具体。

Life. But the intrinsic way of the Internet by wire confines accessing and using of the network information.

然而，Internet固有的有线连接方式大大限制了人们对网络信息的访问和使用。

I have a strong persuasion that this is true .

我坚信这是正确的。