变调的

In these portion,the article begins the study of tone sandhi from the point view of two-character phrases and three-character phrases,which is also the focus and difficult point as well.On the basis of substantial materials of Dingzhou dialect,the author elaborates its rules and principles of tone sandhi of the general phrases and those with light tones,and reiterative location.the author puts his views as follows: 1.The rules of tone sandhi of two- character phrase are simple and unitive. 2.The complex of the phrase with light tones lies in the combination of the first tone and light tone.In the case,there are two different pronunciations in Dingzhou dialect.The author guesses it is the coexist of ancient pronunciations and common spoken Chinese. 3.The tone sandhi of general three-character phrases on the basis of the rules of that of two- character phrases,using the grammar structure of the three-character phrases as the restricted conduction,which function jointly. 4.The rules of tone sandhi of three- character phrases with light tones are restricted only by that of the two- character phrases with light tones and thus are foreign to grammar structure. 5.The tone sandhi of the words with reiterative location has their own system.

这两章中，作者采用直接调查法，社会语言学方法分别从一般字组、含轻声字组和叠音词字组三个方面对定州方言连读变调进行详尽地描写，文章中既有对连读变调的共时性描写，也有对连读变调历时性推测，总的来讲笔者认为定州方言变调具有一定的系统性，主要表现在以下几个方面：两字组连读变调规律简单统一，含轻声字两字组内部规律较为复杂，但是具有很强的一致性；定州方言含轻声两字组变调的复杂性主要表现在阴平+轻声的组合中，在这种情况下，定州方言有两种读音方式，推测它是语音存古现象和普通话语音并存的结果；一般三字组连读变调以两字组连读变调规律为基础，以三字组的语法结构为制约条件，二者共同发生作用；轻声三字组变调规律只受轻声两字组变调规律的制约，与语法结构无关；叠音词的变调规律自成系统。

At the same time, we detailedly analyze the tune of disyllable.

同时本文详尽分析了石城话的双音节词变调的情况。

The tone sandhi of quartersyllabic compounding forms have something with the internal structures. The ways of the tone sandhi of the multisyllabic compounding forms work through some linguistics units that are syncopated according to the discussion stop. The result of tone sandhi is the simple linkage of those linguistic units.

四字组的连读变调与内部形式有一定的关系，多字组连读变调的依据是按语流停顿来把多字组分为若干个语言单位，变调结果是这些被切分成的语言单位变调的简单加并。

At last writer predicts that the tone sandhi of disyllabic compounding patters will influence the development and change of the tone sandhi on other compounding patters in future.

最后预测，今后两字组连读变调的发展与变化将会影响其他字组连读变调的发展与变化。

The changing tone of personal pronouns of Quanzhou dialect ;to analyse and expound the conditions of changing tone of pronouns of Quanzhou dialect;the selection of changing tone according to subordinative marks, the nature and functions of changing tone of subordinative pronouns.

3泉州方言人称代词的变调。分析、阐述泉州方言代词变调的条件、变调对领属标记的选择以及领属代词变调的性质和功能等问题。

Uninflected words; a monotonic uninflected voice.

不变调的词语；单调、不变的声音。

Finally, he gradually unravels all puzzles, bringing peace to the park.

最后他逐渐解开各个谜题，更将变调的公园回复成原有的和平。

It is experimentally proved in Section Two that the first syllable tones of tone sandhis of Narrow Type are the tones on postlexicon stratum.

本章第二节用实验方法证明：传统方言学的两字组窄用式变调的前字变调其实就是片语层单音节声调。

Tangxi dialect trisyllabic phonological tone change rules are: On the first syllable, IA [24], IB [11] and IIIA [52] all change to [33], IIIB [341], IIB and IVB [113] all change to [11], and IIA [535] and IVA [55] all change to [52], the same as mainstream initial syllable tone change in disyllabic sandhi.

汤溪方言三字组语音变调的规律为：第一个音节，阴平[24]、阳平[11]、阴去［52〕一律变［33，阳去［341、阳上〔113、阳入［113］一律变[11]，阴上【535、阴入【55」一律变〔52，跟两字组前字的主流变调相同；第二、三两个音节，基本上跟两字组的连调模式相同。

The author confirms that such tone change of diminutives can be found in all parts of speech in Yifeng dialect and any other Gan d...

本文在描写宜丰话这两种变调的功能及其特点，并认定宜丰话及赣方言中的一些声调例外词与小称变调有关。

What are your goals and strategies for growth?

你的成长目标和策略是什么？

And unto the angel of the church in Sardis write; These things saith he that hath the seven irits of God, and the seven star I know thy works, that thou hast a name that thou livest, and art dead.

3：1 你要写信给撒狄教会的使者，说，那有神的七灵和七星的，说，我知道你的行为，按名你是活的，其实是死的。