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This serves as one of the main answers to the charge of anti-Semitism against "The Passion of the Christ."

这可以作为针对《基督的受难和死亡》的反犹太主义的主要答案之一。

In chapters 35, 38, and 48 of Justin's Apologia , that Father appeals confidently as a proof of the miracles and Passion of Jesus to "Acts" or records of Pontius Pilate existing in the imperial archives.

章35 , 38 ,和48贾斯汀的辩解,神父呼吁满怀信心作为证据的奇迹和耶稣受难的"行为"或记录,在本丢彼拉多现有帝国档案。

The plot of suffering of hero widely exists in the Red Classics, which lead to important features of proletarian revolutionary hero and form a suffering model.

英雄受难的情节在红色经典中广泛存在,构成了无产阶级革命英雄的重要特征,形成英雄受难模式。

The Crucifixion relief Manzu executed in 1942 was restated in the 1950 commission of Four Stations of the Cross for the church of S. Eugenio in Rome. In 1951 he did the high reliefs for Antwerp's Middelheimpark.

在1950年,四站的十字架委员受罗马的美国尤金教堂之托,将曼祖在1942年完成的耶稣受难像浮雕复制一件。1951年,他为安特卫普的Middelheimpark创作了题为受难和埋葬的高浮雕。

In this book, Pinn surveyed the history of African-American responses to the problem of evil, or theodicy, from the slavery to the twentieth century. He argues that the theodical approach, developed by spirituals and church leaders and centered on the notion of redemptive or fruitful suffering, cannot solve the pressing issues of black liberation. Therefore, he outlines the Black humanism as a resolution to the problem of evil and especially investigates the strong humanism.

在本书中,作者追溯了从奴隶制时代至二十世纪美国黑人宗教思想家反思人类受难的历史,提出非裔美国人在有神论背景下发展出来的、以救赎之受难观念为中心的神义论进路不可能适当地解释黑人解放的议题,因此他提出黑人人文主义,特别是强势人文主义的范畴,作为解决罪恶问题的初步构想。

The remaining pieces have been lost since Bach's time. Bach considered St Matthew his greatest work as he proudly signed the original manuscript at St Thomas Church in Leipzig, Germany. Indeed, it took him three years to finish this musical and religious masterpiece. Resting on the great infrastructure of the Matthew Gospel (Ch. 26, 1-75; Ch. 27, 1-66), Bach inserted 28 adrigalesque? pieces and 12 simple protestant chorales.

受难曲是以耶稣被钉在十字架上为主的耶稣受难的宗教音乐,巴哈费了三年的岁月完成此作品,歌词取材自圣经四福音书中最重要的「马太福音」第二十六章、第二十七章,是一部大型乐曲。

Following the two-millennium Christian tradition, today on Easter Sunday, the coworkers of our church offer a special presentation on the Passion of Jesus Christ.

今天是复活节,依照两百年来基督教的传统,我们教会的同工在这里特别奉献马太受难曲来纪念主耶稣的受难和复活。

Description: Latin for 'The Passion' A cross woven in thorns and symbolic of the Crucifixion, the five wounds and a broken, bleeding heart, with seven Swarovski crystals.

The Passion'为受难的拉丁文,荆棘缠绕的十字架象征着季度受难,七颗施华洛世奇水晶分别代表五处伤口和一颗受伤流血的心。

Although born in poverty, Rouault lived in Paris and once repaired chromatic glass. He saw the poor and humiliated prostitutes; therefore, he understood bitterness of religious life and salvation deeply. But he never saw the painful land as well as the stubborn life in the land.

尽管出生贫寒,但卢奥生活在大都市巴黎,并且在教堂做过学徒修理过彩色玻璃画,他见过大街上苦难的穷人和屈辱的妓女,对宗教生活中的受难与拯救有深刻的体认,但没见过受难的土地,没有见过从土地中生长出来的倔强的生命。

THE WAY OF SUFFERING \ 受难之路 Ethiopian Christian Orthodox worshipers carried wooden crosses along the Via Dolorosa, the path Christians believe Jesus walked while bearing the cross, in Jerusalem's Old City Friday.

上周五在耶路撒冷旧城,埃塞俄比亚的东正教徒抬着木制十字架走过受难之路。基督徒们认为当年耶稣背负着十字架走过这条路。

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推荐网络例句

The physiology of the skin machine body for the sake of the environment in the maintenance stability, but eject a body metabolism creation of metabolism thing BE'grease', summer perspire many various skin disease light or good, autumn perspire little metabolism thing metabolism don't go out, various skin disease made, this be the skin machine body of various burning disease.

皮肤机体的生理为了维持内环境稳定,而排出身体代谢产生的代谢物是'油泥',夏天出汗多各种皮肤病就轻或好了,秋天出汗少代谢物代谢不出去,各种皮肤病就犯了,这就是皮肤机体的各种炎症。

If I had anything tender in me, I shot it dead.

如果我有什么招标的话,我枪死亡。

The argumentation way in which this literary grace using is based on color painting, setting out from two angles separately " color"、" ink and wash", making criticizition in texts of Chinese ancient drawing history; analyzing how "color" painting was on the way from ripe to losing; emphatically analyzing the reason of losing in color center, that is to say the reason of "the change of ink and wash ", and its reconstructional way of combination, development with "ink and wash" it was "replaced" by the afterward manner. In a word, the developing "replaced"by the afterward manner.

本文所采用的论述方式是:立足于色彩绘画,分别从&色彩&、&水墨&两个角度出发,先对它们在中国古代画史论著中作一考证;分析隋唐时期&色彩&绘画是如何从体制的成熟、完备而走上&失落&的道路;着重分析色彩绘画中心&失落&亦即&水墨之变&的原由;及其在被水墨&替代&后与&水墨&结合、衍变的重建之途。