利梅拉 - 网络例句 - 英语人，englisher

"Zarate, Lionel Messi and Angel Di Maria are the future of the Argentine national team," continued Ischia.

"萨拉特，梅西，迪马利亚是阿根廷国家队的未来。"

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奇美拉，游戏兵工厂logo，Games Workshop，战锤，阿拉汗，艾瑟洛伦，兽人，剑吟者，巴托尼亚，林间仙女，树妖，混沌时代，Cyanathair the Corruptor，森林女神，树精，永恒卫队，森林龙，森林卫兵，森林骑兵，巨鹿，守护者，名门，驯马人，基辅，库尔纳斯，领主的射手兵，巫妖王梅肯丝， Morgbur，骷髅主，纳丝塔，纳戈路丝，贵族，森林之王奥利安，凤凰王贝尔姗娜，暗影哨兵，胞生姐妹，神圣诗人，魔法织造者，树怪，树怪长者，树人，远古树人，Ulthuan，战争舞女，战鹰，战鹰骑士，岗哨，野战猎人，库尔纳斯的山野骑兵，及所有相关的来自战锤世界的标志、名字、特征、插图说明和图片，均归属游戏兵工厂公司，版权所有。

"Ferrari, McLaren, Mercedes and ourselves are at the front," he said.

"法拉利、麦克拉伦、梅赛德斯和我们是在前面"他说。

Situated in the heart of the Medoc near by Listrac appellation, it produces round and full-bodied wines with a

坐落在梅多克的中心，邻近利斯特拉克，生产着圆滑醇厚，具有独特性质的葡萄酒。

The most esteemed among the vocal mothers were Mother Sainte-Honorine; the treasurer, Mother Sainte-Gertrude, the chief mistress of the novices; Mother-Saint-Ange, the assistant mistress; Mother Annonciation, the sacristan; Mother Saint-Augustin, the nurse, the ssbbww.com one in the convent who was malicious; then Mother Sainte-Mechtilde, very young with a beautiful voice; Mother des Anges, who had been in the convent of the Filles-Dieu, in the convent du Tresor, between Gisors Magny; Mother Saint-Joseph, Mother Sainte-Adelaide (Mademoiselle d'Auverney), Mother Misericorde (Mademoiselle de Cifuentes, who could not resist austerities), Mother Compassion (Mademoiselle de la Miltiere, received at the age of sixty in defiance of the rule, very wealthy); Mother Providence, Mother Presentation, who was prioress in 1847; finally, Mother Sainte-Celigne (sister of the sculptor Ceracchi), who went mad; Mother Sainte-Chantal, who went mad.

在那些"参议"中最受重视的是圣奥诺雷嬷嬷，司库；圣热尔特律德嬷嬷，初学生们的第一导师；圣安琪嬷嬷，第二导师；领报嬷嬷，司衣；圣奥古斯丁嬷嬷，护士，她是全院中唯一的恶人；还有圣梅克蒂尔德嬷嬷，极年轻，嗓音美妙；安琪嬷嬷，她曾在圣女修院和吉索尔与马尼间的宝藏修院里待过；圣约瑟嬷嬷；圣阿德拉依德嬷嬷；慈悲嬷嬷（西弗安特小姐，她受不了刻苦的生活）；温情嬷嬷（米尔齐埃小姐，六十岁破例特许入院，极有钱）；神德嬷嬷；入庙嬷嬷，一八四七年当院长；最后，圣赛利尼嬷嬷，后来疯了；圣尚达尔嬷嬷，也疯了。

The most esteemed among the vocal mothers were Mother Sainte-Honorine; the treasurer, Mother Sainte-Gertrude, the chief mistress of the novices; Mother-Saint-Ange, the assistant mistress; Mother Annonciation, the sacristan; Mother Saint-Augustin, the nurse, the only one in the convent who was malicious; then Mother Sainte-Mechtilde, very young and with a beautiful voice; Mother des Anges, who had been in the convent of the Filles-Dieu, and in the convent du Tresor, between Gisors and Magny; Mother Saint-Joseph, Mother Sainte-Adelaide (Mademoiselle d'Auverney), Mother Misericorde (Mademoiselle de Cifuentes, who could not resist austerities), Mother Compassion (Mademoiselle de la Miltiere, received at the age of sixty in defiance of the rule, and very wealthy); Mother Providence, Mother Presentation, who was prioress in 1847; and finally, Mother Sainte-Celigne (sister of the sculptor Ceracchi), who went mad; Mother Sainte-Chantal, who went mad.

在那些"参议"中最受重视的是圣奥诺雷嬷嬷，司库；圣热尔特律德嬷嬷，初学生们的第一导师；圣安琪嬷嬷，第二导师；领报嬷嬷，司衣；圣奥古斯丁嬷嬷，护士，她是全院中唯一的恶人；还有圣梅克蒂尔德嬷嬷，极年轻，嗓音美妙；安琪嬷嬷，她曾在圣女修院和吉索尔与马尼间的宝藏修院里待过；圣约瑟嬷嬷；圣阿德拉依德嬷嬷；慈悲嬷嬷（西弗安特小姐，她受不了刻苦的生活）；温情嬷嬷（米尔齐埃小姐，六十岁破例特许入院，极有钱）；神德嬷嬷；入庙嬷嬷，一八四七年当院长；最后，圣赛利尼嬷嬷，后来疯了；圣尚达尔嬷嬷，也疯了。

In his way﹐Wang Du was fashioning his concept of the artist as self-media at the same time as a number of other artists who were active in this regard﹐including Pierre Huyghe and his Mobil TV﹐created with melik Ohanian in 1995 and 1998﹔Lincoln Tobier and Rirkrit Tiravanja and Radio Printemps＆...

以他的独特的方式，王度塑造了他对于自助媒体的观念，与此同时，还有1995年和1998年皮埃尔。雨戈和梅里克。欧阿年制作的《移动电视》，林肯。托比耶和里尔克利特。提拉瓦尼亚在1996年制作的《春天广播电台及其它》和2000年的《多功能电台舱》，格里高利。

In his way﹐Wang Du was fashioning his concept of the artist as self-media at the same time as a number of other artists who were active in this regard﹐including Pierre Huyghe and his Mobil TV﹐created with melik Ohanian in 1995 and 1998﹔Lincoln Tobier and Rirkrit Tiravanja and Radio Printemps＆... in 1996 and Polyradiobuket in 2000﹔Gregory Green and his

以他的独特的方式，王度塑造了他对于自助媒体的观念，与此同时，还有1995年和1998年皮埃尔·雨戈和梅里克·欧阿年制作的《移动电视》，林肯·托比耶和里尔克利特·提拉瓦尼亚在1996年制作的《春天广播电台及其它》和2000年的《多功能电台舱》，格里高利·格林和他在2000年制作的《

Ralph Ellison nimbly defends the blacks' humanity with his outstanding cultural vision, and his witty use of metaphors in language. He outdid the traditional literature focusing on moralistic propaganda by Mrs. Stowe, and the naturalistic protest fiction centering on hard boiled remonstration and violence by Richard Wright, firstly by speaking highly of the 191 century classic works by such white writers as Melville, Faulkner and Mark Twain, who showed humanistic spirit affirming the blacks' humanity, and secondly by making use of the highly symbolic arid subversive language both to represent negro's humanity and whites' inhumanity, and more importantly by probing into the universal human nature by alluding to the Riddle of the Sphinx, which demonstrates, in a broad sense, the author's humanistic concern for the living dilemma of the contemporary people and also his advocatory tendency to revive the humanistic spirit of the 19th century writers.

拉尔夫埃利森通过对梅尔维尔、福克纳和马克吐温等19世纪美国经典白人作家的作品解读，赞赏了这些作家在肯定黑人人性时表现出的人道主义精神；同时运用高度象征性和颠覆性的语言，展示了黑人的人性，揭示了白人的非人性；并通过"斯芬克斯之谜"典故的阐释，对普遍意义上的人性作了探讨，体现了作者对所有现代人的生存困境的关注，从而超越了以斯陀夫人小说为代表的注重道义宣传的传统文学，以及以理查德赖特的创作为代表的注重态度强硬的抗议与暴力表达的自然主义文学，体现出回归与提升19世纪人文主义作家人道主义精神的创作倾向。

Ralph Ellison nimbly defends the blacks' humanity with his outstanding cultural vision, and his witty use of metaphors in language. He outdid the traditional literature focusing on moralistic propaganda by Mrs. Stowe, and the naturalistic protest fiction centering on hard boiled remonstration and violence by Richard Wright, firstly by speaking highly of the 191 century classic works by such white writers as Melville, Faulkner and Mark Twain, who showed humanistic spirit affirming the blacks' humanity, and secondly by making use of the highly symbolic arid subversive language both to represent negro's humanity and whites' inhumanity, and more importantly by probing into the universal human nature by alluding to the Riddle of the Sphinx, which demonstrates, in a broad sense, the author's humanistic concern for the living dilemma of the contemporary people and also his advocatory tendency to revive the humanistic spirit of the 19th century writers.

拉尔夫埃利森通过对梅尔维尔、福克纳和马克吐温等19世纪美国经典白人作家的作品解读，赞赏了这些作家在肯定黑人人性时表现出的人道主义精神；同时运用高度象征性和颠覆性的语言，展示了黑人的人性，揭示了白人的非人性；并通过&斯芬克斯之谜&典故的阐释，对普遍意义上的人性作了探讨，体现了作者对所有现代人的生存困境的关注，从而超越了以斯陀夫人小说为代表的注重道义宣传的传统文学，以及以理查德赖特的创作为代表的注重态度强硬的抗议与暴力表达的自然主义文学，体现出回归与提升19世纪人文主义作家人道主义精神的创作倾向。