传奇文学

Nurse Mrs Gamp and the hypocritical Mr Pecksniffhave become a'0f literary legend,but MartinChuzzlewit is a dark and uneven novel,betrayingsigns of exhaustion.

伪的佩卡斯弗先生，已成为文学中的传奇人物，但《马丁·丘利攀威特》是一部晦涩而良莠不齐的小说，显示出作者疲劳过度的迹象。

In the 1960s, with the development of female liberation movement, the literary criticism of Feminism flourished. From then on, Faulkner's novels attracted the critics and became the objects of their research because of his reappearance of the myth of the South and the myth of Southern ladyhood in his novels.

上个世纪六十年代，伴随着妇女解放运动的风起云涌，女权主义文学批评展露峥嵘，也正是从那时起，威廉·福克纳小说因其史诗般再现了美国南方历史传奇和南方淑女神话，吸引了众多女权主义批评家，成为他/她们争相研究的对象。

Her more recent film based projects have taken a slightly different course, focusing on processes of mythmaking, constructed identities and the production of real and fictive cultural imaginaries. Shangri-La (2005) documented a real visit to the imaginary place of Shangri-La located in Zhongdian, Yunnan Province and included the repeated sculptural construction and reconstruction of the town's principle icon, Snow Mountain.

在近期影像作品里，张怡关注的主题包括传奇的演绎过程，建构同一性，现实生活中和虚构的文化假象。2005年的作品《香格里拉》纪录艺术家在云南中甸县的一次实地考察，在文学虚构里的香格里拉重复塑造一个具有当地代表性标志的雪山。2007年，张怡在长江的宜昌市拍摄她的最新的作品《漂浮物》

China has all long been depicted as an otherness in modern Japanese literature.

在近代日本文学中她仍然不断地被改写、被艺术化，她的唯美与传奇在一次又一次的描述中得到了加强。

Richard Wagner recast Wolfram's version of the legend in his opera Parsifal (1883), opening the floodgates for the Grail in 20th century pop culture, both camp and campy.

理查德 瓦格纳在他的歌剧《帕西法尔》（1883年）中，重新铸造了版本的传奇故事，为二十世纪通俗文学中的圣杯打开了闸门，既是自然，也是不自然的。

In fact, many elements and incidents that are now an integral part of the Arthurian story appear in Geoffrey's Historia, including Arthur's father Uther Pendragon, the wizard Merlin, the sword Excalibur, Arthur's birth at Tintagel, his final battle against Mordred at Camlann and final rest in Avalon. The 12th-century French writer Chrétien de Troyes, who added Lancelot and the Holy Grail to the story, began the genre of Arthurian romance that became a significant strand of medieval literature.

现在很多构成亚瑟王故事的必不可少的人物事件，其实都出自杰弗里的史记，包括亚瑟王的父亲尤瑟王侯，梅林巫师，王者之剑，出生地汀特基，与莫德雷默在卡姆兰的最后一战，长眠地阿瓦隆等等。12世纪法国文学家 Chrétien de Troy 在亚瑟王故事中添加了兰斯洛特的角色和圣杯，开创了中世纪文学的一个重要支派—亚瑟王传奇。

Since the compilation of the classic Zhuangzi and creation of the legend and the writings of Chu Yuan, both in the 4th century BCE, there has been within Chinese civilisation a tradition of the superiority of the renouncer over the upholder of convention and official literacy.

自从公元前4世纪起，随着经典著作《庄子》的汇编，和传奇人物屈原以及关于他的文学作品的诞生，中华文明中就有一个传统，拒绝传统官方文化者优越于官方文化的维护者。

The traditionalism of the legendary drama in modern times derived in the special background of play, literature and culture, and was endowed with special meaning which is not only for the history of drama and literature, but for the history of culture and thoughts.

近代传奇杂剧中的传统主义产生于特殊的戏曲、文学与文化背景下，具有特殊意义，其价值不仅是戏剧史、文学史的，也是文化史、思想史的。

Well, if the "Historical Records", and the romances of the Tang Dynasty,"San Xia Wu Yi," is used as the representatives of chivalry Detective novels as text, combining with the characteristics of the times, cultural backgrounds and creative psychology, readers acceptive psychology, we can find the type ,the evolution of clues and reasons of chivalrous swordsman s image of Chinese classical literature .

那么，如果将代表实录阶段的历史文献《史记》和文学作品唐传奇以及以《三侠五义》等为代表的侠义公案小说作为文本，结合时代特点、文化背景、创作心理、读者的接受心理等因素来解读，我们就可以找出中国古典文学作品中侠士形象的类型以及演变线索和演变原因。

I find in the long history of its literary interpretation Arthurian women exist more clearly as a category than as disparate individuals.

尽管，在最近的数十年中，得益于女权主义的出现与发展，亚瑟王传奇中的女性在文学研究中开始占有一席之地。

On closer examination, though, this is not a vote for multilateralism but just the opposite.

仔细审视后我们发现，这并非是对多边主义投出的赞成票，而是恰好相反。

Uncovering their weak spots, so I can defeat them.

揭露出他们的弱点，这样我就可以打败他们了。