仙台

Five fairy stories - People's Republic of China at the 40th anniversary of the founding of the PRC in order to further beautify the environment, 1990, at the higher-ups under the care of the park, under stone in Wuyang wuyang cents to the story content, plot by the original author Yin-chang presided over the creation relievo two groups, and creation of the arch, kiosks, Units, galleries, steles and other building will be expanded to nearly square scenic spots referred to as wuyang Sally Chambers.

五仙人故事—在中华人民共和国建国40周年之际，为进一步美化环境，1990年，在上级领导的关怀下，公园又在五羊石像下将五羊仙故事内容，由原作者尹积昌主持创作浮雕两组，并增设牌坊、亭、台、廊、碑石等建筑，将景区扩大到近万平方米，景点总称为五羊仙庭。

Long history left maney historical sites.Such as famous wuling Congtai Terrace,the ruins of imperial city of the state of Zhao and the Golden Millet Dream Temple in the city center, Xiang- tang caves temple in Fengfeng County,Wahuang Palace in the County ,where nuwa smelting stones and mending the sky,the ruins of three kingdo- ms of Ye city in Linzhang County,Guangfu ancient town in Yongnian County.

众多的名胜古迹散布在古赵大地上，市内有著名的武灵丛台赵王城遗址和蓬莱仙境黄粱梦吕仙祠；西部有响堂山石窟；涉县有&女娲炼石补天&处娲皇宫，临漳有邺城三台遗址；永年有广府古城还有宋代的磁州窑遗址，使邯郸成为赵文化、梦文化、太极文化、陶瓷文化的发祥地。

This paper therefore examines the development of "the folklore Pai-Chang of Peking opera aria in Tainan city" through literature review depth-interview oral history and participant observation The concept frame is culture organism as the vertical axle and elements of a folklore activity as the transverse axle There are several significant findings about the general picture of this subject: During the late period of Japanese colonial era Tainan local people who played Peguan music learned Peking opera aria and tried to bring Peking opera aria into the folklore Pai-Chang which was one kind performance and traditional custom of Peguan music Some people who came from other places and played Peking opera aria had also known or learned "Pai-Chang" with touching Tainan local amateurs "Pai-Chang" used to be performed by amateurs for worship of god or goddess or for seasoning and wedding celebration without rewards Amateurs volunteered to perform "Pai-Chang" only for their duty temples and fraternity of Peking opera aria The majority of the audience is people who perform or like "Pai-Chang" or who live nearby There is a fixed pattern of the performance including the repertoire and the arrangement of the band The main meaning of this performace is to pray God's blessings therefore the procedure of "Ban-Hsian" is the most essential and ahead of Peking opera aria singing With time goes by the number of the amateurs has dropped; yet the demand for the worship ceremony remains; hence some of the amateurs have been trained to become professional performers Besides although the idea and the meaning of "Pai-Chang" remains the pattern of the performance has become simplified and rigid which is because of the performers' number decreasing and market adapting Nowadays the whole ecosystem of the folklore Pai-Chang of Peking opera aria in Tainan city keep changing which is mainly influenced by the transition of the society(such as the time and space of the industrial and commercial society being compressed and most people's pursuing of specialization and utilitarianism etc ) According to the findings in this paper the phenomenon can be regarded as the subject matter both of Peking opera and folklore studies For the studies of the Taiwanese culture however the subject not only enriches the subject matters of the Taiwanese culture(signifies the localization of Peking opera and a new pattern of Taiwanese folklore) but also reflects the characters of diversification integration adaptation and compromise of Taiwanese culture which used to be influenced by different regimes and the historical contexts Facing such a multicultural context this paper thus suggests researchers should show an open-minded attitude toward the complex of the Taiwanese culture studies and then important phenomenon would not be ignored or misunderstood

代表了什麼意义？对於上述疑惑，查既有研究成果，不消没有论述者，具体提即「京调排场」现象的可说没有，基於此，有必要对台南市及其周边之民俗性京调排场，不管是语汇来由或者其现象本身，做一番研究。本研究透过文献、访谈、口述史、参与观察等方法，以文化有机体之纵的发展概念为经，以民俗表演之横切面各主客要素为纬，试图先对此文化现象调查并推论出一概貌：台南市民俗性京调排场的形成，是在京调传入台南，台南本地北管子弟改习或兼习京调后，结合北管音乐文化所固有的排场表演型态及民俗演出传统，融合而成，形成时间至迟在日治晚期。而一些不同时期的外来京调人士(如原本生长於其他地区、后移住台湾的票友，和中国大陆琴师等等)，也曾透过与当地子弟的接触，而习得或知晓「排场」语汇以及本地京调排场习俗者。此项音乐民俗表演在过往多由业余子弟於神诞或民众婚俗做寿时，对其有义务或交陪的庙宇及子弟间做酬酢性的演出，不收报酬；聆赏者多是京调同好与邻近民众，也有少数路过者；演出模式包括节目安排、乐队编制皆有一定；表演意涵上以「扮仙」祈求神明赐福人间最为重要，因此排仙必不可少，且一定先於京调演唱。随著时间推移，京调排场表演活动的各要素都有变动，惟变迁速度不一，大体而言，业余表演者锐减，人们对酬神娱神节目的需求仍在，因此一些过往的业余表演者遂逐渐转型为职业表演者。此外，虽然表演意涵不变，但在职业表演人员少、又要适应市场的情况下，表演模式亦逐渐流於简化、僵化。目前京调排场整体生态仍在转变的过程中，而这种变化应与工商社会时间空间的被压缩、事事追求专业化与尼Q化等因素有关。再者，据此概貌，在结论部分厘清其意义、定位以及其对台湾文化研究之启示。台南市及其周边之民俗性京调排场现象，可视为京剧研究与民俗研究的一环，然而对於台湾文化研究，除了其题材本身标志了京剧的本土化与台湾民俗活动之新类型，进一步扩充整体台湾文化研究的内容外，更重要的是现象背后所反映的台湾文化的多元融合与妥协适应取向。台湾的海岛地理位置与长期被不同文化背景政权所殖民的历史，其文化自然容易随社会环境改变而弹性适应变迁，呈现多元纷呈、多重覆叠的特色，因此展望未来，从事台湾文化研究应秉除单一观点，保持一定程度之开放与客观胸襟，方不忽视或误识更多重要的文化现象。

Japanese young players have learned much in the matches in Sendai and Osaka. They must be mentally matured .Communication between players are getting better.

日本队的年轻选手在仙台和大阪的比赛中积累了很多经验，他们在心理上已经成熟了，队员之间的协调越来越好。

This morning I had the permiss from Mr Trapattoni to reach Sendai center to buy a digital camera,so I will be able to have great pics of this world cup.

今天早上特拉帕托尼教练允许我到仙台市中心去买一部数码相机，所以我就能够拍摄到好多本届世界杯赛上的精彩照片了。

Quiet day today in Sendai,where we had a light training session,and we reserved the afternoon for physical and individual applications.

今天在仙台很轻松，我们进行了简单的训练，下午为了恢复体能各自休息。

Results: A comprehensive program for preventing suicide and depression among the elderly was implemented in a residential district of Sendai city in 2002 and has gradually propagated to the entire city.

结果：2002年在仙台市某居民区的老年人群中开展了预防自杀和抑郁的综合干预项目，并且逐步推广至整个城市。

Institute of Geology and Geophysics,Chinese Academy of Sciences,Beijing 100029,China;2 Research Center for Prediction of Earthquakes and Volcanic Eruptions, Tohoku University, Sendai 980-8578,Japan;3 Jilin University, Changchun 130026, China

中国科学院地质与地球物理研究所，北京 100029；2 日本东北大学地震预测和火山喷发研究中心，仙台 980-8578，日本；3 吉林大学，长春 130026

Because of this, Liu Yonghao in Sichuan has dairy resources will exceed 50,000, accounting for sendai near half of the total number of dairy cows.

正因为如此，刘在四川刘永好的乳业资源将超过5.0万，在附近的奶牛总数的一半仙台核算。

2Department of Geophysics, Tohoku University, Sendai 9808578, Japan

2日本东北大学地球物理系，仙台 9808578

Cynanchum Lingtai apricot production in the average weight 65 grams, the brightly-colored fruit, juicy rich, sweet-sour taste, sweet from the nucleolus, when the late Qing Dynasty famous Shaanxi, Gansu provinces, the Qing imperial court Tongzhi tribute for years.

灵台生产的牛心杏平均单果重65克，果实色泽鲜艳，汁多味浓，甜酸适口，离核仁甜，清末时就驰名陕、甘两省，清同治年间曾为朝廷贡品。

Chenopodium album,Solanum nigrum, and Amaranthus retroflexus were very susceptible to the herbicides. Polygonum persicaria and Abutilon theophrasti were relatively less susceptible to the herbicides, and Lycopersicon esculentum was not susceptible to it. The relationship between reduction rates of weed biomass and PPM values of weed leaves 2,4, and 6 days after treatment was established.

供试的6种杂草对该混剂的敏感性存在显著差异：红心藜Chenopodium album、龙葵Solanum nigrum和反枝苋Amaranthus retroflexus对该混剂最敏感，ED90值分别为47.65、71.67和29.17g/hm2；春蓼Polygonum persicaria和苘麻Abutilon theophrasti敏感，ED90值分别为96.91、114.20g/hm2；而番茄不敏感。