乐谱

This is a very good music editor, there are a lot of ancillary information sheet!

这是一个非常不错的音乐编辑器，里面附带有大量的乐谱信息！

There are few exceptions to this rule, and sometimes a crescendo is marked after an appoggiatura or dissonance; usually this dynamic is indicated in the text.

对这些规则有少数例外，有时在一个倚音或不谐和音后面标一个渐强记号；通常击键的力度也标明在乐谱上。

On the basis of the analysis of the scores, the author makes conclusions about the characteristics of Schubert"s last three piano sonatas as followings: 1 The device of universal development in the movements composed in sonata form and rondo-sonata form is the most distinctive feature in the last three sonatas, which is also decisive in the trend of the whole movement and makes the developments relatively "still". 2 In the device of themes, the method of irregularity is preferred. However, By using extension, abbreviation, repetition and further repetition of periods, Schubert brings those themes to ingenious balance in both architectonics and aesthetics. 3 Chain method is applied in the connection of themes, in which the previous material is taken as basis and then modified together with the variations of new materials. By this way, the theme is continuously developed. 4 The principle of the dominant-subordinate is followed in Schubert"s three-key exposition, and the process of each key is extended.

本文在详尽分析乐谱的基础上，对最后三首奏鸣曲的主要创作特点进行了以下总结： 1、奏鸣曲式和奏鸣回旋曲式乐章中展开的普遍化是最后三首奏鸣曲最为显著的特点，它决定了整个乐章的走向，并使展开部具有相对"静止"的特点； 2、舒伯特的主题写作中更喜欢运用非方整性写法，并通过自身材料的延长、缩减和重复或者更高一级的段落重复使其达到了结构上和审美上的巧妙平衡； 3、舒伯特喜欢用链式的主题贯穿方式，音乐以之前的材料为依据，经过变化后再加入新的材料，用这种方式不间断地发展； 4、舒伯特的三调呈示部遵循从主到属的总体原则，并扩展了调性历程。

The fabled auteur, who can't read music but plays his clarinet weekly at Michael's Pub in New York City

这位传奇性的大导演，不会看乐谱却每周在纽约的迈克酒吧吹竖笛

I wish to teach, or rather, to inspire the bandsman by this score about my attitude, and method, as well as all necessary skills in creating it. They should then try to forget all the monotone and sweet notes on the score, and on the basis of the remaining images in their mind, to consummate in cooperation with other bandsmen this music work that requires imaginative recreation.

我希望教会，或者说让乐手通过这些音符熟悉我这次创作上的态度、方式，以及种种必需掌握的技巧内容；随后他们应当尽量忘记乐谱上面的所有单调而甜美的记谱，用残留的意象来同其他乐手合作完成这部需要填充的作品。

The book shop has decided to branch out into selling music and records.

这家书店已决定开办售乐谱和唱片的业务。

Gigabyte: Paper in the bed of a pickup; symphony in high-fidelity sound; broadcast quality movie

1GB：相当于一章交响曲的乐谱；或与发行电影质量相当的视频的内容

Bruckner once remarked,"I will present to him the score of my Te Deum, and he will judge me mercifully."

布鲁克纳有一次这样评论说"我会向他展示我《感恩赞》的乐谱，然后上帝将对我做出仁慈的判决。"

A light orchestral composition marked by freedom and diversity of form, often with burlesque elements.

狂曲一种轻管弦乐谱，以自由和形式的多样为标志，常含有滑稽或讽刺的因素

Music has three clefs , the C , F and G clofe .

乐谱有三种首音符号，C符号、F符号和G符号。

Cynanchum Lingtai apricot production in the average weight 65 grams, the brightly-colored fruit, juicy rich, sweet-sour taste, sweet from the nucleolus, when the late Qing Dynasty famous Shaanxi, Gansu provinces, the Qing imperial court Tongzhi tribute for years.

灵台生产的牛心杏平均单果重65克，果实色泽鲜艳，汁多味浓，甜酸适口，离核仁甜，清末时就驰名陕、甘两省，清同治年间曾为朝廷贡品。

Chenopodium album,Solanum nigrum, and Amaranthus retroflexus were very susceptible to the herbicides. Polygonum persicaria and Abutilon theophrasti were relatively less susceptible to the herbicides, and Lycopersicon esculentum was not susceptible to it. The relationship between reduction rates of weed biomass and PPM values of weed leaves 2,4, and 6 days after treatment was established.

供试的6种杂草对该混剂的敏感性存在显著差异：红心藜Chenopodium album、龙葵Solanum nigrum和反枝苋Amaranthus retroflexus对该混剂最敏感，ED90值分别为47.65、71.67和29.17g/hm2；春蓼Polygonum persicaria和苘麻Abutilon theophrasti敏感，ED90值分别为96.91、114.20g/hm2；而番茄不敏感。