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If I start an allegro I have to know how the andante and presto are going to relate to it.

速度是以乐章之间的相互关系为基础的,这一点我认为很重要。

The second part of "the hero battle song," there is vigorous Allegro .

第二乐章"英雄战歌",是有活力的快板。

The first movement is a dramatic passion of the Allegro.

第一乐章是富于戏剧性的热情的快板。

The first movement Allegro Sonata is no preamble type, the main character of the Department of Music with a hero.

第一乐章是无引子的快板奏鸣曲式,整个主部音乐带英雄性格。

The theory of Confucianism founded by Lu Gu and Jia Yi was originated from the theory of Xun Zi, However, not the same as the thougt of Lu Gu, in the theory of Jia Yi, which reflected the aristocracy-oriented feature of the upper class, the ideology of aristocratism was aroused. Han Ying initiated the self-awakening man's original mind or nature and reestablished the theory of born good. His theory was regarded as an anabranch of Confucianism in the early stage of Han Dynasty, and a reecho of historical movement of the aristocratic theory of Confucianism advocated by Confucius and Mencius. During the periods of Emperor. Jing of Han and Emperor Wu of Han, an aristocratic upper class had come into being. Therefore, in the face of the society that experienced populace-oriented baptism, Dong Zhong-shu kept down the aristocratic components existed in Jia Yi's theory, absorbed populace-oriented consciousness, which formed the foundation for theoretical system, and transferred instrument-centered Confucianism to the one with sanctification. Thus, Confucianism acquired its theoretical remolding and historical transforming.

汉初的陆、贾儒学的思想理路是由荀学发展而来,但不同于陆贾之说,在贾谊思想里,作为当时上层社会走向贵族化这一时代特征的反映,贵族化思想成分开始被唤起;陆、贾之后的韩婴则倡导心性修养,重建性善论,他的学说是孔孟儒学贵族化历史乐章之回响,为汉初儒学的支流;景武之际,汉初上层社会已经完成了贵族化转变,为此,董仲舒保留了贾谊学说中的贵族化思想成分,然更为重要的是,面对一个经过平民化洗礼的社会,董仲舒吸纳平民思想意识以建构理论体系,将陆贾、贾谊承自荀子的工具性特征显著之儒学转变成具神学特征的儒学,使儒学获得一次理论上的大改铸,实现了儒学的历史转型。

Andante Cantabile" was originally a composer Tchaikovsky's "String Quartet No. 1, the second movement, according to a Russian folk songs written.

如歌的行板》原是作曲家柴可夫斯基《第一弦乐四重奏》的第二乐章,根据一首俄罗斯民歌写成。

The Music will always have the same form, but how it is played, whether fast or slow, presto or andante, is up to the performers.

乐章永远是同一个谱子,但是要怎么演奏它(要怎么把它延伸到隐喻层面上),是快还是慢,是用急板还是行板,则取决于表演者。

As in the climax of the Andantino, the piano plays fff and does its best to emphasize every single note.

如第一乐章小行板中的高潮一样,钢琴弹奏出超强音,尽可能地强调每一个音符。

Piano Concerto No.1 in B flat minor, Op.23: II. Andantino semplice - Prestissimo - Tempo I

降B小调第一钢琴协奏曲,第23号作品,第二乐章:朴实的小行板

Two-thirds of the way through the movement, there is the heart-stopping moment where two notes, separated by the length of the piano, hang suspended. Barenboim seemed to hold them for an eternity as if emphasising this metaphor of apartness in life, the apparent impossibility of resolution.

在该乐章的三分之二处,有一个令人屏息的瞬间:两个在键盘上隔了很远的琴键被按下,并悬置在那里,巴伦博伊姆似乎把它们按下了无限久的时间,像是要突出对人生聚少离多、解决难求的隐喻。

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