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主题小说

与 主题小说 相关的网络例句 [注:此内容来源于网络,仅供参考]

With regard to artistic forms,the Absurdist Fiction became the main source of modeling,inspiration and influence.

在小说领域,萨特和加缪的存在主义小说、海明威和其他许多现代派作家的虚无主义故事都演绎了这一主题。

This Abyssinian proverb forms the theme of Anthony Capella's third novel, an erotic, exotic story set at the turn of the 20th century, which builds upon Mr Capella's reputation as a writer of gourmet fiction.

这句阿比西尼亚谚语构成了安东尼·克派拉第三本小说的主题。故事发生在19、20世纪之交,全书情欲流传,弥漫异域风情,奠定了克派拉先生美食小说作者的名望(1)。

The influence of postmodernism on literature and the arrival of cyberpunk themes from anglophone science fiction catalysed a new body of French SF .

后现代主义对文学的影响和来自英语国家科幻小说的赛伯朋克主题促成了法国科幻小说的新生。

Most critics mainly draw their attention to the analysis of the motif of the work, technique of writing and male characters of this novel. As for the female characters, they just mention them briefly. To the central character Caddy, they either give her a few words or simply take her for a frivolously dissolute woman. Few people try to scrutinize her tragic life and find the real cause of her tragedy. Few can feel her suffering in the course of the struggle against the patriarchal system and reconstruction of female's selfhood.

这部小说一直是评论家关注的焦点,然而他们的注意力大多集中于分析作品的主题、表现手法、男性角色等,而对于小说中的女性角色则较少关注,特别是小说的灵魂人物凯蒂,他们要么是一笔带过,要么是简单地把她归类为一个轻佻放荡的堕落女性,而很少能真正切入她悲剧的人生轨迹,去剖析并体验这位开始觉醒的女性在反抗男权专制、重构女性自我的艰难历程中所受到的磨难与所进行的挣扎。

We introduced the Chinese novels, talking about noctambulation from Japan, Korea, and Vietnam in Chapter 3, 4, and 5, respectively. We also discussed the donne of these novels and tried to identify the effects of Chinese novels and Confucianism to the East Asian Chinese novels.

第三、四、五章则先分别介绍日本、韩国、越南三国有关「梦游」类之汉文小说作者与内容,接著探讨其所反映之主题意识,最后进行比较分析,探讨中国小说、儒家思想等对韩日越三国汉文小说之影响。

After a solemn ceremony to our poor father who had died years ago, one of my sisters suggested travelling around our hometown to cease our grief.

这个要表现的东西,就称作小说的主题。小说如果没有达到反映社会的目的,就不能是一部完整的小说。

The theme of the animal narrative in the new era inherits the tradition: extend the theme of human to the world of the animal to explore, present and scrutinize, and " taking the society into the consideration of life ","judging the good and evil of human nature " and"inquiring about the symbol of the spirit, culture and vitality" through molding a series of bright zoomorphism and inspecting the relationship between the people and the animal. Therefore we can demonstrate peoples theme effectively during the pursuit of the heterogeneous world.

新时期小说中的"动物叙事"在主题设置上仍然承续着以往"动物叙事"的传统,将人的主题延伸到动物的另类世界中予以探索、呈现、审视,通过一系列艺术鲜明的动物形象的塑造、人与动物关系的考察来"观照社会人生","褒贬人性的善恶","探寻人类精神、文化、生命力的象征",从而在另类世界的探寻中,有效呈现出人的主题内涵。

The deep going change of historical and cultural environment in the nineties has led to the disparity about writing pattern of life consciousness and the transformation of theme state, so has brought about the transformation of humanity writing. The new historism novels have begun writing many kinds of life form in made-up historical space, and have deducted complicated humanity sceneries, which include violence, evil, misery, degradation, etc; The private novels have paid attention to experience of female life itself, and has displayed particular life pattern of women; The new state novels have manifested revelry and anxiety of the 搉ew? human beings in metropolis, displaying objectified existing state; Novels in the realism shock have regarded heroes as ordinary people, revealing awkward life state.

九十车代历史文化语境的深刻变化导致了生命意识书写方式的差异和主题形态的嬗变,从而带来了人性书写的改观:新历史主义小说在虚构的历史空间中展开对多样生命形式的书写,演绎出暴力、罪恶、苦难、沉沦相交织的人性景观;私小说则关注女性生命本体的体验,展现了女性特有生命姿态;新状态小说注重表现都市新人类的生命狂欢与焦灼,展示了物化的生存状态;现实主义冲击波小说则完成了改革英雄到普通人的转换,揭示了尴尬的生命形态。

In the work, Hemingway, based on the story between the old man and the two waiters, pointed out that Nada commonly exists in human's life, it is actually the experience of one's own existence, and the only way to resist Nada is to keep a clean and well-lighted place in the mind.

为了正确理解该篇小说以及作者的思想,本文从不同角度分析了作家和作品,包括对海明威生平的研究,小说的写作背景、主要人物和虚无主题的分析,阐明了小说虚无思想的起源和本质。

On the aspect of methodology, this thesis has classified the family narration offered by 5 writers into three categories as per its produced historical background and subject thought: during pre-war the "Identity-novel" written by Wu, Chu-Liu and Chuang-Shih, Zhon-Yi, during post-war the "Roman-fleuve" written by Chung, Chao-Cheng and Lee, Chao, and the "Nostalgia-novel" written by Lee, Jung-Chun.

在方法论上,本论文将五位作家的家族叙事,依产生的历史背景及主题思想分成三个类型:战前吴浊流与庄司总一的「认同小说」、战后钟肇政与李乔的「大河小说」、李荣春的「怀旧小说」。

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