主要作品

This paper mainly studies on people Jui-Tu neglected to look further into these questions.:one, through the works of Zhang Rui Figure comprehensive carding, so can their have a comprehensive understanding; 2, the morphological changes from the works start, to explore its origins calligraphy; 3, through their works shall know Handscroll analysis to help determine without the banners section in the approximate age of the work; 4 of their book to learn the concept of analysis, in order to more clearly understand the formation process of calligraphy styles. 5. Allograph home and at the same time learn the concept of the book, we can know that the formation of personality style and its concept of an independent study of the book is closely related to, but also deepen their understanding of the law of Zhang Rui.'s calligraphy.

本文主要就人们研究张瑞图时所忽略的一些问题做进一步的探讨：1、通过对张瑞图作品的全面梳理，以求能对其有一个全面的认识；2、从其作品的形态变化入手，探寻其书法的渊源，并尝试对其书法上一个很长的空白期进行探索；3、通过对其手卷作品进行款识分析，以帮助对无年款的条幅作品进行断代；4、对其书法观念进行论述，以求更清晰地理解其书法风格的形成；5、与同时代书家书法观念的比较，可以知道个性风格的形成与其独立的书学观念密切相关，更能加深对张瑞图书法的理解。

Also, there will be a video screening titled "Stardusted" curated by Clark Buckner selected from M17 (Mission 17) Video Archive, highlighting video works specific to the themes of this exhibition.

录像作品主要从Mission 17的M17录像档案中挑选，主要介绍与本次展览主题有关的旧金山艺术家录像作品。

The full article divides into four parts. The first part is focusingon Shang De Yi, the composer's whole life and his achievementintroduction. The second part carries on the analytical research to hiswork's characteristics, including his work's theme choice characteristics,the cantus personality characteristics, several ...更多counterpoint skillmethods characteristics, the song type structure characteristics andthen several aspects of coloratura special features. The third partmainly investigates the esthetics values from analyses the work Thelast part summarizes the composer's creations experiences and theauthor's feelings and enlightens

全文共有四部分，第一部分，作曲家尚德义的生平及创作成就介绍，第二部分对他的作品特点进行分析研究包括他作品的题材选择特点、旋律性格特点、多声技法特点、曲式结构特点和作品的花腔特色几方面进行分析研究；第三部分主要是从分析其作品来考察其所体现的美学思想和原则，第四部分结语，总结作曲家的创作经验及写作本文的感受和启示。

In music structure, through the contract of the musical form structure of this work and the typical classical concerto musical form structure, it summarized the inheritance of classicism concerto structure and the personalized innovation of national style of this work, and emerged Chopin"s inheritance in concerto creation and his innovative spirit in this area. In melody, by centering the elaboration on the vocal and colorful melody, it fully displayed Chopin"s unique artistic style and distinct romanticized characteristic in melody creation. In rhythm, with the analysis of the third music movement"s rhythm, we could learn the rhythm of mazurka which penetrated the entire music movement and which had typical Poland national characteristics, the national characteristics of the work, and the primary form of characteristic rhythm. Furthermore, it revealed the national essence and the origin material in Chopin"s works. At last, in harmony, from the aspects of linearity and the sound thought of semitone, the counter-function harmony proceeding in breaking traditions, the harmony technique in function-extended, the charm in detuned chord, the blending of sound rhythm and music situation, it analyzed and summarized the distinct romanticism in harmony arranging in the work.

音乐结构上，通过作品曲式结构与古典协奏曲典型曲式结构的对比，总结作品对古典主义协奏曲结构的沿袭和民族风格的个性化创新，展现了肖邦在协奏曲创作的继承和创新精神；旋律上，主要围绕作品旋律的歌唱性和色彩性进行论述，充分展现肖邦在旋律创作上独特的艺术风格和鲜明的浪漫主义特征；节奏上，通过对第三乐章的节奏分析，展现了贯穿整个乐章的具有典型波兰民族特色的玛祖卡节奏，阐述作品的民族特色，并追溯特征节奏的原形，进一步揭示肖邦创作的民族本质和素材来源；和声上，从半音化的线性和声思维、突破传统的反功能和声进行、功能延伸式的和声手法、音阶化的转调模进手法、离调和弦的色彩魅力等几个方面入手，分析和总结了作品在和声运用上新颖、鲜明的浪漫主义特色。

The Drama again—as, for instance, the finest of Shakespeare's plays in England, and all leading Athenian plays in the noontide of the Attic stage—operated as a literature on the public mind, and were (according to the strictest letter of that term) published through the audiences that witnessed their representation some time before they were published as things to be read; and they were published in this scenical mode of publication with much more effect than they could have had as books during ages of costly copying or of costly printing.

另如剧作品，最好的英国莎士比亚剧作，所有主要的在雅舞台上上演过的雅典剧作，在大众看来，都是一种文学，并且，它们都在大众面前公演过，有时，人们在这些作品出版前就目睹了基于这些作品的演出。在当时那个复印、印刷费昂贵的年代里，以舞台形式呈现的作品往往能比它们以书的形式出版取得更大效应。

This thesis mainly focuses on the highly representative xizoo works and important xizoo authors in the various periods of the Korea under the reign of the Lee family. This thesis attempts to begin with these xizoo works and then try to discover the traditional influence they get, and associate these factors with the life experiences of the authors and the social backgrounds of their times, so that we can grasp the reasons and purposes for which the traditional thoughts were reflected in these xizoo works, and make a reasonable explanation to the reflections of these thought. Through this way, I hope we can achieve an overall appreciation of social development status of Korea in Lee\'s time and the inherent rules for the development of ancient xizoo.

本论文主要以李氏朝鲜王朝各个时期的重要历史人物的作品以及广为传唱的代表性的优秀时调作品作为研究对象，从这些作品的内容着手，首先找出作品反映的传统思想因素，之后再和作者的生平以及他所处的社会时代背景联系起来，准确地把握这些思想体现在时调作品中的原因和目的，对其思想体现的合理性加以说明，从而达到从整体上把握李氏朝鲜王朝的社会发展与古时调发展的内在规律之目的。

The former illustrates that copyright law only protect the expression of works but not its idea, otherwise the author would be granted the monoply over his works equal to that of patent, and this is not allowed by copyright law. Anyone may use the idea of the copyrightable works freely and is forbidden to copy its expression without the consent of the author, otherwise his acts will infringe the works' copyright.

前者主要阐述版权法只保护作品的表达方式，而不会保护作品的思想，否则作者将就其作品将获得等同于专利权的专有权，而这一点正是版权法所不允许的；任何人都可以自由使用版权作品中的思想，利用该思想为自己服务，但不得随意抄袭原作的表达方式，否则将构成版权侵权。

She has made many great works of paper-cut, such as loess Style Series, Shanbei Folk Songs Series , Twelve Animal Representatives of Birth Series, Mission Fushou Flower Series,Great People Series and so on.

主要剪纸作品有《黄土风情系列》、《陕北民歌系列》、《十二生肖系列》、《福寿团花系列》，《伟人风采系列》等，绘画作品主要以农村农民为题材，渗透中国传统民间绘画元素，作品受到国内外人士的高度称赞。

The emphasis of this thesis is to trace down evidences of American consumerism from the angle of the components which forms the main dimension of consumerism: status-pursuit by possession and consumption of commodities as automobiles, residence and fineries, which are in effect treated as the symbols of social position, for they are endowed with additional value besides the use value, that is the sign value which even surpasses the material property; and another task of the thesis is to analyze the impacts of consumerism reflected by Dreiser through his arrangement of the fate of his heroes who live in consumer culture circumstance, who inevitably are under the irresistible influence of it and who accept consumption as their only choice of self-identification; at last the attitude of the great author towards consumerism and his exploration of the significance of life will be concerned.

本文重点是探讨作品中构成消费主义的各种表现形式：通过消费华服、汽车，占有豪宅等表现社会地位的奢侈品达到身份的认同而寻求心理上的满足，因为这些物品的物质属性早已让步于其的文化属性，被赋予的符号价值取代了使用价值成为人们追求的主要因素。本文的另一个探索方向是通过把握德莱塞对作品中主要人物命运的安排，分析消费主义对存在于消费语境下的人们所产生的不可抗拒的影响以及得莱塞反映在本部作品中对消费主义的态度和对人生意义的思考。

He thought that "literariness" also enabled a work to be a literary work Russian formalists understood "literariness" from the form linguistics and pay attention to the form and skill of a work.

俄国形式主义对&文学性&的认识是从形式语言学出发，关注作品的形式和技巧，利用文学的&陌生化&，通过语言形式的强化、重叠、颠倒、浓缩、扭曲、延缓等方式，打破文学语言的正常节奏、韵律和构成，摆脱语言的&自动化&，使其与人们熟悉的语言形式相疏理相错位，并且进一步将&陌生化&运用到文学作品的形式，产生耳目一新的感觉；英美新批评派则从文本语义结构上所体现出来的多层次、多意义的朦胧性特征来探讨&文学性&；到了结构主义那里，他们主要强调在整体结构系统中来把握文学文本，突破了形式主义和新批评专注于具体作品分析的局限，通过具体作品去发现背后普遍的结构模式，同时也正是在对具有普遍意义的抽象结构的关注，使其进一步了认识&文学性&。

Cynanchum Lingtai apricot production in the average weight 65 grams, the brightly-colored fruit, juicy rich, sweet-sour taste, sweet from the nucleolus, when the late Qing Dynasty famous Shaanxi, Gansu provinces, the Qing imperial court Tongzhi tribute for years.

灵台生产的牛心杏平均单果重65克，果实色泽鲜艳，汁多味浓，甜酸适口，离核仁甜，清末时就驰名陕、甘两省，清同治年间曾为朝廷贡品。

Chenopodium album,Solanum nigrum, and Amaranthus retroflexus were very susceptible to the herbicides. Polygonum persicaria and Abutilon theophrasti were relatively less susceptible to the herbicides, and Lycopersicon esculentum was not susceptible to it. The relationship between reduction rates of weed biomass and PPM values of weed leaves 2,4, and 6 days after treatment was established.

供试的6种杂草对该混剂的敏感性存在显著差异：红心藜Chenopodium album、龙葵Solanum nigrum和反枝苋Amaranthus retroflexus对该混剂最敏感，ED90值分别为47.65、71.67和29.17g/hm2；春蓼Polygonum persicaria和苘麻Abutilon theophrasti敏感，ED90值分别为96.91、114.20g/hm2；而番茄不敏感。