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Lovecraft, the undisputed master of the macabre, Dagon tells the story of Paul Marsh, a young man who discovers that the truth will not set him free instead it condemns him to a waking nightmare of unrelenting horror.

四人在霍华的海边度假小屋庆祝,兴高采烈之时,霍华的游艇不甚撞上岩石,维琪被困其中,保罗与芭芭拉只好到邻近得城镇求救,渔村。

Section 8. That in all capital or criminal prosecutions a man has a right to demand the cause and nature of his accusation, to be confronted with the accusers and witnesses, to call for evidence in his favor, and to a speedy trial by an impartial jury of twelve men of his vicinage, without whose unanimous consent he cannot be found guilty; nor can he be compelled to give evidence against himself; that no man be deprived of his liberty except by the law of the land or the judgment of his peers.

八、在所有可判死刑案件或刑事诉讼中,人们有权要求知道对其起诉的理由和性质,有权与起诉人和证人对质,要求查证对其有利的证据,并有权要求由来自其邻近地区的公正陪审团进行迅速审理;未经陪审团的一致同意,不能确认他有罪,也不能强迫他自证其罪;除非根据当地法律或由与其地位相同的公民所组的陪审团裁决,不得剥夺任何人的自由。

Regional tardokinesis was identifiedin 48 of 150 segments: 27 segments had a normal magnitude ofwall motion, 18 were hypokinetic, and 3 were severely hypokinetic/akinetic.

轻度运动减退表明延迟收缩运动,而剩下的严重运动减退/运动不能则发生在收缩早期,反应了邻近心肌收缩的被动效应。

For example, residents of a barangay cannot enroll their children in a nearby public school located in adjacent barangay that is under another town.

例如,居民巴朗艾不能参加他们的孩子在附近的公立学校坐落在邻近村庄是由另一家镇。

Of the 14 SMAs, 11 (79%) showed low to intermediate density as compared with muscles, 3 (21%) showed homogenous and intermediate density; 12 (86%) appeared as lobulate lesions; 10 (71%) had incomplete bone septa; 9 (64%) showed root resorption of the neighboring teeth; 13 (93%) showed cortical perforation; 6 (43%) had soft tissue masses; all SMAs showed well-defined margins. Of the 11 SMAs examined by enhanced studies, 9 (82%) showed strong enhancement.

SMA病变中11例(79%)平扫时与肌肉相比呈等低混杂密度,3例(21%)呈较均匀等密度,12例(86%)边缘呈分叶状,13例(93%)骨壳被穿破,6例(43%)形成软组织肿块,但病灶的边界都清楚,10例(71%)见不全骨性分隔,9例(64%)邻近牙根被吸收,11例行增强扫描的病例中9例(82%)呈显著强化。

This paper therefore examines the development of "the folklore Pai-Chang of Peking opera aria in Tainan city" through literature review depth-interview oral history and participant observation The concept frame is culture organism as the vertical axle and elements of a folklore activity as the transverse axle There are several significant findings about the general picture of this subject: During the late period of Japanese colonial era Tainan local people who played Peguan music learned Peking opera aria and tried to bring Peking opera aria into the folklore Pai-Chang which was one kind performance and traditional custom of Peguan music Some people who came from other places and played Peking opera aria had also known or learned "Pai-Chang" with touching Tainan local amateurs "Pai-Chang" used to be performed by amateurs for worship of god or goddess or for seasoning and wedding celebration without rewards Amateurs volunteered to perform "Pai-Chang" only for their duty temples and fraternity of Peking opera aria The majority of the audience is people who perform or like "Pai-Chang" or who live nearby There is a fixed pattern of the performance including the repertoire and the arrangement of the band The main meaning of this performace is to pray God's blessings therefore the procedure of "Ban-Hsian" is the most essential and ahead of Peking opera aria singing With time goes by the number of the amateurs has dropped; yet the demand for the worship ceremony remains; hence some of the amateurs have been trained to become professional performers Besides although the idea and the meaning of "Pai-Chang" remains the pattern of the performance has become simplified and rigid which is because of the performers' number decreasing and market adapting Nowadays the whole ecosystem of the folklore Pai-Chang of Peking opera aria in Tainan city keep changing which is mainly influenced by the transition of the society(such as the time and space of the industrial and commercial society being compressed and most people's pursuing of specialization and utilitarianism etc ) According to the findings in this paper the phenomenon can be regarded as the subject matter both of Peking opera and folklore studies For the studies of the Taiwanese culture however the subject not only enriches the subject matters of the Taiwanese culture(signifies the localization of Peking opera and a new pattern of Taiwanese folklore) but also reflects the characters of diversification integration adaptation and compromise of Taiwanese culture which used to be influenced by different regimes and the historical contexts Facing such a multicultural context this paper thus suggests researchers should show an open-minded attitude toward the complex of the Taiwanese culture studies and then important phenomenon would not be ignored or misunderstood

代表了什麼意义?对於上述疑惑,查既有研究成果,不消没有论述者,具体提即「京调排场」现象的可说没有,基於此,有必要对台南市及其周边之民俗性京调排场,不管是语汇来由或者其现象本身,做一番研究。本研究透过文献、访谈、口述史、参与观察等方法,以文化有机体之纵的发展概念为经,以民俗表演之横切面各主客要素为纬,试图先对此文化现象调查并推论出一概貌:台南市民俗性京调排场的形成,是在京调传入台南,台南本地北管子弟改习或兼习京调后,结合北管音乐文化所固有的排场表演型态及民俗演出传统,融合而成,形成时间至迟在日治晚期。而一些不同时期的外来京调人士(如原本生长於其他地区、后移住台湾的票友,和中国大陆琴师等等),也曾透过与当地子弟的接触,而习得或知晓「排场」语汇以及本地京调排场习俗者。此项音乐民俗表演在过往多由业余子弟於神诞或民众婚俗做寿时,对其有义务或交陪的庙宇及子弟间做酬酢性的演出,不收报酬;聆赏者多是京调同好与邻近民众,也有少数路过者;演出模式包括节目安排、乐队编制皆有一定;表演意涵上以「扮仙」祈求神明赐福人间最为重要,因此排仙必不可少,且一定先於京调演唱。随著时间推移,京调排场表演活动的各要素都有变动,惟变迁速度不一,大体而言,业余表演者锐减,人们对酬神娱神节目的需求仍在,因此一些过往的业余表演者遂逐渐转型为职业表演者。此外,虽然表演意涵不变,但在职业表演人员少、又要适应市场的情况下,表演模式亦逐渐流於简化、僵化。目前京调排场整体生态仍在转变的过程中,而这种变化应与工商社会时间空间的被压缩、事事追求专业化与尼Q化等因素有关。再者,据此概貌,在结论部分厘清其意义、定位以及其对台湾文化研究之启示。台南市及其周边之民俗性京调排场现象,可视为京剧研究与民俗研究的一环,然而对於台湾文化研究,除了其题材本身标志了京剧的本土化与台湾民俗活动之新类型,进一步扩充整体台湾文化研究的内容外,更重要的是现象背后所反映的台湾文化的多元融合与妥协适应取向。台湾的海岛地理位置与长期被不同文化背景政权所殖民的历史,其文化自然容易随社会环境改变而弹性适应变迁,呈现多元纷呈、多重覆叠的特色,因此展望未来,从事台湾文化研究应秉除单一观点,保持一定程度之开放与客观胸襟,方不忽视或误识更多重要的文化现象。

Their major trunks were not communicated each other during the course. But there were rich terminal anastomoses on the pial mater of the brain.

视交叉侧动脉具有较长的脑外游离段,各穿动脉主干之间不吻合,而在软膜上与邻近穿动脉之间存在广泛的终末吻合。

By non-enhancement scan, 12 cases showed low density mass, 4 cases equal density mass, 1 case slightly high density mass, and 2 cases stippled calcification mass. By enhancement scan, 13 cases showed inhomogenous enhancement in cortical phase, 2 cases showed slight to moderate enhancement. Another 2 cases of small cystic RCC presented enhancement of wall with nodules and the partition. The enhancement of all tumor cases faded away in the following parenchymal phase and pyelographic phase, demonstrating some degrees of "fast washing out" phenomenon; 4 cases presented with pseudocapsule. The reconstruction of 17 "MPR/MIP" and 9 "VR" showed clearly the relations of kidney vessels, tumors and neighbor tissues and accessory renal arteries were founded in 2 cases.

结果:17例中小实性肾癌15例,小囊性肾癌2例;CT平扫呈低密度12例,等密度4例,稍高密度1例,伴有斑点状钙化2例;增强扫描皮质期13例呈不均匀明显强化,2例呈轻中度强化,另2例小囊性肾癌的囊壁、壁结节及囊内分隔明显强化;实质期、肾盂期扫描所有肿瘤强化均迅速减退,呈&快进快退&改变;4例可见假包膜。17例MPR/MIP、9例VR重建均能清楚显示肾血管、肿瘤与邻近组织的关系,并发现副肾动脉2例。

Drift. Allow yourself to wander aimlessly. Explore adjacencies. Lack judgment. Postpone criticism.

漫游。,允许自己漫无目的的发呆,探寻邻近,不作决定,延迟评价。

An officer of ancient Rome elected by the plebeians to protect their rights from arbitrary acts of the patrician magistrates.

统一体一个连续不断的范围、顺序或整体,除非用硬性分割不能将其中一部分当作邻近部分区分开来

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Cynanchum Lingtai apricot production in the average weight 65 grams, the brightly-colored fruit, juicy rich, sweet-sour taste, sweet from the nucleolus, when the late Qing Dynasty famous Shaanxi, Gansu provinces, the Qing imperial court Tongzhi tribute for years.

灵台生产的牛心杏平均单果重65克,果实色泽鲜艳,汁多味浓,甜酸适口,离核仁甜,清末时就驰名陕、甘两省,清同治年间曾为朝廷贡品。

Chenopodium album,Solanum nigrum, and Amaranthus retroflexus were very susceptible to the herbicides. Polygonum persicaria and Abutilon theophrasti were relatively less susceptible to the herbicides, and Lycopersicon esculentum was not susceptible to it. The relationship between reduction rates of weed biomass and PPM values of weed leaves 2,4, and 6 days after treatment was established.

供试的6种杂草对该混剂的敏感性存在显著差异:红心藜Chenopodium album、龙葵Solanum nigrum和反枝苋Amaranthus retroflexus对该混剂最敏感,ED90值分别为47.65、71.67和29.17g/hm2;春蓼Polygonum persicaria和苘麻Abutilon theophrasti敏感,ED90值分别为96.91、114.20g/hm2;而番茄不敏感。

However, I have an idea.

不过,我有个主意。