不谐和的

There are few exceptions to this rule, and sometimes a crescendo is marked after an appoggiatura or dissonance; usually this dynamic is indicated in the text.

对这些规则有少数例外，有时在一个倚音或不谐和音后面标一个渐强记号；通常击键的力度也标明在乐谱上。

In their model we have found that actually the dissonant structures of multiple devil's staircase widely exist.

我们在他们的模型中发现，实际上多重魔梯的不谐和结构广泛存在。

There is an optimum value for the 7th and 9th harmonics of a piano, and a further study is valuable.

因为它们是钢琴声音前10个谐波中仅有的2个不谐和谐波，所以研究其对音质的影响是很重

The beginning acoustic effect, which moves sluggishly, is to reminisce Joyce and Proust who initiated the composing technique of "stream of consciousness". Whilst the pile of sound piece, the unharmony tone and the application of "noisy music" in the ending part, are to show my pessimistic respect to Nuonuo, Pendereck, Schnittke, Pierre·Henry.

启始的凝滞的音响效果，是对开创了"意识流"写作技巧的乔伊斯、普鲁斯特等人背叛性的缅怀；后尾大段的音块、不谐和音程、"噪音音乐"的运用，又是对于诺诺、潘德列斯基、施尼特凯、皮埃尔·亨利悲观的致敬。

And we begin to hear FAINT MUSIC in the woods, tinny andincongruous, and still we keep PULLING BACK until...

低沉的音乐飘到了我们的耳朵里，如此微弱且不谐和，镜头继续后拉直到

The middle movement, Vivace , is a sprightly scherzo, whose dissonances and jagged harmonic content give it a certain irony; its exoticism reminds us of Ravel's Piano Trio .

中间的乐章，速度标记为活泼的，是一个欢快的谐谑曲，不谐和音和参差的和声效果使得它有绝对的讽刺意义。它的异域情调让我们想起拉威尔德《钢琴三重奏》。

The beginning acoustic effect, which moves sluggishly, is to reminisce Joyce and Proust who initiated the composing technique of "stream of consciousness". Whilst the pile of sound piece, the unharmony tone and the application of "noisy music" in the ending part, are to show my pessimistic respect to Nuonuo, Pendereck, Schnittke, Pierre·Henry.

启始的凝滞的音响效果，是对开创了&意识流&写作技巧的乔伊斯、普鲁斯特等人背叛性的缅怀；后尾大段的音块、不谐和音程、&噪音音乐&的运用，又是对于诺诺、潘德列斯基、施尼特凯、皮埃尔·亨利悲观的致敬。

These notes of lesser importance include consonant grace notes, upbeat figures, passages that start as upbeats, the short notes in dotted figures, notes printed in small type, and connecting notes, resolutions of dissonances, accompaniment figures in general, and arpeggio figures that lead to a principal note.

下面列举的这些音符是不太重要的：和谐的装饰音、弱拍音型、弱起小节、断奏音型、音符印刷地很小而且用连接符连接着、不谐和音的转化、一般的伴奏音型、导向主音的琶音音型。

These dissensions made the one note of harsh colour that refused to enter into the great scheme of harmony.

这些争执是唯一的触眼的色彩，跟整个谐和的色调配合不上来。

The scope of this book does not permit us to go into detail concerning the why and how of all this; however, consonances, dissonances, and harmonic overtones that blend or clash do have the role of creating tension and release.

书的范围不可能使我们深入到细节中去关注为什么和怎么样；然而，协和音程、不谐和音以及混和或撞击声的调和的泛音，确实有使人产生绷紧张力和释放的作用。

Cynanchum Lingtai apricot production in the average weight 65 grams, the brightly-colored fruit, juicy rich, sweet-sour taste, sweet from the nucleolus, when the late Qing Dynasty famous Shaanxi, Gansu provinces, the Qing imperial court Tongzhi tribute for years.

灵台生产的牛心杏平均单果重65克，果实色泽鲜艳，汁多味浓，甜酸适口，离核仁甜，清末时就驰名陕、甘两省，清同治年间曾为朝廷贡品。

Chenopodium album,Solanum nigrum, and Amaranthus retroflexus were very susceptible to the herbicides. Polygonum persicaria and Abutilon theophrasti were relatively less susceptible to the herbicides, and Lycopersicon esculentum was not susceptible to it. The relationship between reduction rates of weed biomass and PPM values of weed leaves 2,4, and 6 days after treatment was established.

供试的6种杂草对该混剂的敏感性存在显著差异：红心藜Chenopodium album、龙葵Solanum nigrum和反枝苋Amaranthus retroflexus对该混剂最敏感，ED90值分别为47.65、71.67和29.17g/hm2；春蓼Polygonum persicaria和苘麻Abutilon theophrasti敏感，ED90值分别为96.91、114.20g/hm2；而番茄不敏感。