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I am twenty-two blocks from where Rudolph Valentino lay in state,eight blocks from where Nathan Hale was executed,five blocks from the publisher's office where Ernest Hemingway hit Max Eastman on the nose,four miles from where Walt Whitman sat sweating out editorials for the Brooklyn Eagle,thirty-four blocks from the street Willa Cather lived in when she came to New York to write books about Nebraska,ne block from where Marceline used to clown on the boards of the Hippodrome,thirty-six blocks from the spot where the historian Joe Gould kicked a radio to pieces in full view of the public,thirteen blocks from where Harry Thaw shot Stanford White,five blocks from where I used to usher at the Metropolitan Opera and only 112 blocks from the spot where Clarence Day the elder was washed of his sins in the Church of the Epiphany(I could continue this list indefinitely);and for that matter I am probably occupying the very room that any number of exalted and somewise memorable characters sat in,some of them on hot,breathless afternoons,lonely and private and full of their own sense of emanations from without.

我是二十二个区段从哪里 Rudolph Valentino 以隆重的仪礼放置，八个区段从哪里内森猛拉被运行，来自欧内斯特海明威打击在鼻子上的最大依斯曼，四里的出版者的办公室的五个区段从哪里沃尔特惠特曼为布鲁克林鹰坐着出汗出社论，当她来了纽约有关内布拉斯加写书的时候，来自街道 Willa Cather 的三十四个区段住在，旧姓的区段从哪里用到在竞技场的董事会上的小丑的 Marceline，来自地点的三十六个区段哪里历史学家乔 Gould 踢了对民众的充足视野的块一个收音机，十三个区段从哪里哈利融解射击史丹福白色的，来自我过去一直在来自克拉伦马车日子年长者在主显节的教堂中被他的罪洗的地点的大都市的歌剧和只有 112个区段引导的地方的五个区段；(我可以不确定继续这一本目录)而且就那件事而论我正在或许占领最房间一些尊贵的和 somewise 值得纪念的个性坐在，他们其中的一些在热又喘不过气来的午后，孤单而私人而充满的他们自己散发感从没有。

I am twenty-two blocks from where Rudolph Valentino lay in state,eight blocks from where Nathan Hale was executed,five blocks from the publisher's office where Ernest Hemingway hit Max Eastman on the nose, four miles from where Walt Whitman sat sweating out editorials for the Brooklyn Eagle , thirty-four blocks from the street Willa Cather lived in when she came to New York to write books about Nebraska, one block from where Marceline used to clown on the boards of the Hippodrome, thirty-six blocks from the spot where the historian Joe Gould kicked a radio to pieces in full view of the public, thirteen blocks from where Harry Thaw shot Stanford White, five blocks from where I used to usher at the Metropolitan Opera and only 112 blocks from the spot where Clarence Day the elder was washed of his sins in the Church of the Epiphany (I could continue this list indefinitely); and for that matter I am probably occupying the very room that any number of exalted and somewise memorable characters sat in, some of them on hot, breathless afternoons, lonely and private and full of their own sense of emanations from without..

二十二个街区远的地方，鲁道夫·瓦伦蒂诺在安眠；八个街区远的地方，内森·黑尔被绞死；五个街区远的地方，是出版人办公室，欧内斯特·海明威在那里挥拳击中了马克斯·伊斯门的鼻子；四英里远的地方，沃尔特。惠特曼曾挥汗如雨为《布鲁克林之鹰》写社论；三十四个街区以外，是威拉。卡瑟初到纽约的旧居，她当时正准备写作有关内布拉斯加州的著作；一个街区远的街道，马士莱在竞技场舞台上扮演过小丑；三十六个街区以外，历史学家乔。古尔德在众目睽睽之下踢碎了一台收音机；十三个街区以外，哈里。肖拔枪射击斯坦福。怀特；五个街区以外，是我过去做带位员的大都市剧场；而距离老克拉伦斯。戴举行葬礼的主显节教堂，仅有一百一十二个街区（我不确定还能再想起点儿什么）。就此而言，我正置身其中的房间，或许曾经呆过一些高贵而令人难忘的大人物，他们中一些人，在闷热的下午，坐在这里，孤独而隐秘，发散出异于外界的特有气息。

I am twenty-two blocks from where Rudolph Valentino lay in state, eight blocks from where Nathan Hale was executed, five blocks from the publisher's office where Ernest Hemingway hit Max Eastman on the nose, four miles from where Walt Whitman sat sweating out editorials for the Brooklyn Eagle, thirty-four blocks from the street Willa Cather lived in when she came to New York to write books about Nebraska, one block from where Marceline used to clown on the boards of the Hippodrome, thirty-six blocks from the spot where the historian Joe Gould kicked a radio to pieces in full view of the public, thirteen blocks from where Harry Thaw shot Stanford White, five blocks from where I used to usher at the Metropolitan Opera and only 112 blocks from the spot where Clarence Day the elder was washed of his sins in the Church of the Epiphany (I could continue this list indefinitely); and for that matter I am probably occupying the very room that any number of exalted and somewise memorable characters sat in, some of them on hot, breathless afternoons, lonely and private and full of their own sense of emanations from without..

二十二条街外，鲁道夫·瓦伦蒂诺的遗体曾供人吊唁；八条街外，内森·海尔被处决；五条街外的出版社办公室里，欧内斯特·海明威一拳打中马科斯·伊斯特曼的鼻子；四英里外沃尔特·惠特曼曾汗流浃背地为《布鲁克林鹰报》社论主笔；三十四条街外是威拉·卡瑟在纽约写内布拉斯加故事时的住所；一条街外的西波佐恩剧院台，西班牙小丑玛瑟林上台演出，三十六条街外，历史学家乔·古尔德当众将一台收音机踢得粉碎；十三条街外，哈利·绍枪杀斯坦福·怀特；五条街外的大都会歌剧院我当过引座员；一百一十二条街外，老克拉伦斯·岱于主显节教堂洗净了罪孽（这个单子可以无穷无尽地列下去）；而且说起来，我呆着的这个房间，或许就有不少尊贵的、各有其难忘之处的人物坐过，也曾有人在热得喘不过气来的下午，寂寞而私密，满心感受着外来之力。

I am twenty-two blocks from where Rudolph Valentino lay in state, eight blocks from where Nathan Hale was executed, five blocks from the publisher's office where Ernest Hemingway hit Max Eastman on the nose, four miles from where Walt Whitman sat sweating out editorials for the Brooklyn Eagle, thirty-four blocks from the street Willa Cather lived in when she came to New York to write books about Nebraska, one block from where Marceline used to clown on the boards of the Hippodrome, thirty-six blocks from the spot where the historian Joe Gould kicked a radio to pieces in full view of the public, thirteen blocks from where Harry Thaw shot Stanford White, five blocks from where I used to usher at the Metropolitan Opera and only 112 blocks from the spot where Clarence Day the elder was washed of his sins in the Church of the Epiphany (I could continue this list indefinitely); and for that matter I am probably occupying the very room that any number of exalted and somewise memorable characters sat in, some of them on hot, breathless afternoons, lonely and private and full of their own sense of emanations from without.

黑尔就义在8个街区之外，5个街区之外的出版社办公室中厄内斯特？海明威(1899-1961，美国著名作家)曾挥拳击中马科斯？伊斯特曼（海明威同时代美国政治家）的鼻子，在4英里外瓦尔特？惠特曼(1819-1892，美国诗人)曾奋力为《鹰报》撰写社论，34个街区之外是威拉？凯瑟(1873-1947，美国作家)在纽约为内布拉斯加拓荒者著书立传时居住的街道，玛瑟琳曾经常在一个街区之外的马戏场扮演小丑，36个街区之外是历史学家乔高德在大庭广众下踢烂收音机的地方，哈里？福射在13个街区之外杀了斯坦福？怀特（1906年），5个街区之外是我曾做引座员的大都会歌剧院，而在112个街区之外老克拉伦斯？戴(1874-1935，美国作家)在主现节教堂洗去他的罪过；也因而，我此刻置身的房间可能迎接过无数显赫人物，一些人是在令人窒息的炎热下午到来，孤独而隐退，散发着莫名的自我。

I am twenty-two blocks from where Rudolph Valentino lay in state, eight blocks from where Nathan Hale was executed, five blocks from the publisher's office where Ernest Hemingway hit Max Eastman on the nose, four miles from where Walt Whitman sat sweating out editorials for the Brooklyn Eagle, thirty-four blocks from the street Willa Cather lived in when she came to New York to write books about Nebraska, one block from where Marceline used to clown on the boards of the Hippodrome, thirty-six blocks from the spot where the historian Joe Gould kicked a radio to pieces in full view of the public, thirteen blocks from where Harry Thaw shot Stanford White, five blocks from where I used to usher at the Metropolitan Opera and only 112 blocks from the spot where Clarence Day the elder was washed of his sins in the Church of the Epiphany (I could continue this list indefinitely); and for that matter I am probably occupying the very room that any number of exalted and somewise memorable characters sat in, some of them on hot, breathless afternoons, lonely and private and full of their own sense of emanations from without.

就这类轶事拉一张单子可以长得没完没了。）依同理，我此刻置身其中的客房可能不知被多少显贵和在某一方面值得缅怀的人物占用过，其中某些人在炎热又闷塞的下午，同样感到落寞而离群，又满怀各人对于从户外传来的人事影响的敏感。

While this boundary does not mark the outer limit of a State's territory, since in international law the territorial sea forms part of a State's territory, it does represent the demarcation between that maritime areawhere other States enjoy no general rights, and those maritime areas（the territorial sea and other zones）where other States do enjoy certain general rights.

句子解析：在这个句子中有四个从句，第一个是由while引导的让步状语从句；第二个是由since引导的表示原因的状语从句，并且它是属于由while引导的让步状语从句的，即它是其从句；第三个和第四个都是由where引导的定语从句并且用法也都是一样的，都是对不同的maritime area的进一步说明解释。

For the hyper-critical,"to boldly go where no man has gone before" should be "to go boldly…" It is good to be aware that inserting one or more words between "to" and a verb is not strictly speaking an error, and is often more expressive and graceful than moving the intervening words elsewhere; but so many people are offended by split infinitives that it is probably better to avoid them except when the alternatives sound strained and awkward.

对那些吹毛求疵的人来说，&to boldly go where no man has gone before&应为：&to go boldly…&。在介词&to&和动词之间插入一个或多个单词，严格说并没有什么错，而且往往比随意插入更优美、表达更充分，但很多人对分离不定式大为不满，认为除非更改会造成牵强附会和蹩脚，否则避免使用分离不定式可能会更好。

Where there is no project intervention,villagers depend on relatives and moneylenders for credit.

Where无农村贫困工程干预，村民们依靠亲人和放债者可以借给只警犬为credit。

It was in the late 1930's where Dixieland jazz was appreciated by the general public for the first time.

被强调的是时间，故从句不能用说明地点的副词where引导。

A suburban man at my door But I don't think I'll let him in He wants discipline Discipline, control over the way I live Wants the best for me Old school philosophy But I can't turn my back on him He's a part of me Buy me anything but I just need a friend It's all for you You got me where you want It's all for you, oh Just stop breaking my heart You're the blood of a seed and its all that I need Got me where you want It's all for you, oh You got me, oh, you got me Jack Kerouac K-K-K-Kerouac On the road and in my head And the irrelevance, intelligence A new tattoo a lot more sex Broken families A new enemy And you will not make up for this This suburban man he wants discipline But I just need a friend It's all for you You got me where you want It's all for you Just stop breaking my heart You're the blood of a seed and its all that I need Got me where you want It's all for you You got me, oh, you got me where you want Leave me alone Oh, leave me alone So never run You got me where you want All for you, stop breaking my heart Youuuuuuuuuu You got me where you want Its all for you, oh Stop breaking my, stop breaking my heart You're the blood of a seed and its that I need Got me where you want Its all for you, oh Cause you got me, oh, you got me where you want It's all for you Oh Just stop breaking my, stop breaking my heart It's all for you, oh Got me, got me where you want It's all for you My heart It's all for you, oh You got me oh, you got me where you want Leave me alone

郊区的人在我的门前但我不认为我会让他进来他想要的学科纪律，控制不一样的生活方式让我最好的选择老学校的哲学但我不能背弃他他是我的一部分我买东西，但我只是需要一个朋友这都是很适合你你给了我你想去的地方这都是为你们，哦不要让我心碎你的血种子和我一切所需要的让我自己想去的地方这都是为你们，哦你问倒我了，哦，你问倒我了杰克Kerouac K-K-K-Kerouac 在路上，在我的脑海里和毫不相干的东西，智力一个新纹身更多的性破碎的家庭新的敌人你也不会弥补这一点他想这郊区的纪律但是我只是需要一个朋友这都是很适合你你给了我你想去的地方这都是很适合你不要让我心碎你的血种子和我一切所需要的让我自己想去的地方这都是很适合你你问倒我了，哦，你拿我自己想去的地方别打扰我哦，别打扰我所以不要跑了你给了我你想去的地方所有你，不要让我心碎 Youuuuuuuuuu 你给了我你想去的地方它的一切，哦我停下来，让我心碎你的血，它使我需要的种子让我自己想去的地方它的一切，哦你有我的事业，哦，你给了我你想去的地方这都是很适合你哦，不要让我，不要让我心碎这都是为你们，哦给我，让我在你想要的这都是很适合你我的心这都是为你们，哦你让我啊，你给了我你想去的地方

This is not an ordinary box, which is used as a background picture of the dialog box, very pretty.

详细说明：这可不是一个一般的对话框，它是用图片作为背景的对话框，非常好看。

Conceal me what I am,and be my aid for such disguise as haply shall become the form of my intent.

遮掩我的身份，帮助我，我的面具将成为我的目的。