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their eyes were watching god相关的网络例句

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Hurston; Walker; Their Eyes Were Watching God; The Color Purple; black woman image

赫斯顿;沃克;《他们眼望上苍》;《紫颜色》;黑人妇女形象

Hurston's representative work Their Eyes Were Watching God used to be criticized severely for not fitting into the mainstream of black male protest novels.

赫斯顿的代表作《他们眼望上苍》曾因缺乏黑人男性抗议文学的主题而遭遇严厉的指责。

The influential and highly political black novelist Richard Wright, then an ardent Communist, wrote a scathing review of Their Eyes Were Watching God upon its publication, claiming that it was not "serious fiction" and that it carries no theme, no message, no thought.

&有影响力和高度的政治黑色小说家理查德赖特,然后热烈的共产党,写了严厉审查,他们的眼睛看上帝在其出版,并声称这是&不严肃小说&,它&进行任何主题,没有任何消息,没有思想。

This paper tries to discuss black women images created in Their Eyes Were Watching God and The Color Purple to express the idea that both writers create new women images in American literature. It also tries to explore the inheriting and developing relationship between the two novels by analyzing the symbolic meaning of the major images of mules, pear tree and the color purple, especially to explore the concrete reflection of womanist philosophy in the two novels.

本文分析了《他们眼望上苍》中对珍妮的形象塑造和《紫颜色》中西丽亚的形象塑造,探讨了赫斯顿和沃克如何在作品中塑造全新的黑人妇女形象,并通过对两部作品中的中心意象骡子、梨树和紫颜色的象征意义的分析,揭示两部作品之间的传承关系,特别是&妇女主义&思想在两部作品中的具体体现。

For example, some critics argue that the novel should be read in the context of American Southern literature: with its rural Southern setting and its focus on the relationship between man and nature, the dynamics of human relationships, and a hero's quest for independence, Their Eyes Were Watching God fits well into the tradition that includes such works as Mark Twain's The Adventures of Huckleberry Finn and William Faulkner's The Sound and the Fury.

例如,一些批评者认为,小说应在美国南方文学:其农村南部设置和其重点放在人与自然关系的,动态的人际关系,和英雄的追求独立,眼睛看上帝适合纳入传统,包括工程,马克吐温是哈克贝利费恩历险记和威廉福克纳的喧哗与骚动。

In her representative work, Their Eyes Were Watching God, she breaks with the traditional black female image as"mammy"or"prostitute"to depict her heroine as a female human being questing for self-identity and liberation concerning marriage.

婚姻的种种磨难促使珍妮不断觉醒和成长,她由一个懵懂无知的少女逐渐成长为勇敢追求自我、追求幸福爱情和婚姻的成熟、独立自主的新黑人女性。

Being a productive writer whose literary career lasted for nearly thirty years, Hurston is the author of four novels– Jonah's Gourd Vine (1934), Their Eyes Were Watching God (1937), Moses, Man of the Mountain (1939) and Seraph on the Suwanee (1948)– and over fifty literary pieces of other genres such as short story, play and essay.

正如作为民俗学家的赫斯顿把文学的叙事策略移植于自己的民俗学著作中一样,作为文学家的赫斯顿同样把民俗学的元素揉进了自己的文学创作之中,因而形成了别具一格的民俗文学风格。

Her works shows the positive aspects of black life and the confirmation to black identity. But because the "protest literature" was popular at that time, her poetic description about the black life was unpopular. Their Eyes Were Watching God is representative of Hurston. Because it was not like the mainstream of black literature in which the strong ethnic conflict and the protest originated from the racial discrimination and oppression appears, then when it was released, it was on the criticism by cold-shouldered, and was buried into the dust years.

他们眼望上苍》是赫斯顿的代表作,这部小说没有像当时的主流黑人文学那样表现强烈的种族冲突和对种族歧视和压迫的抗议,因此一发表就遭到黑人作家的批评,受到冷落,被埋入岁月的尘埃之中,直到女权运动高涨的20世纪70年代,才从尘(来源:A1aBC论文网www.abclunwen.com)封的历史中被发掘,现在,它被西方学术界誉为美国黑人文学,女性主义文学和20世纪美国文学的经典,第一部黑人女性主义文学作品。

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