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their eyes were watching god相关的网络例句

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Their Eyes Were Watching God is a representative novel of American black woman writer Zora Neale Hurston.

《他们的眼睛望着上帝》是美国著名黑人女作家佐拉·尼尔·赫斯顿的代表作。

Their Eyes Were Watching God is Zora Neale Hurston' s best known novel, In this novel, she breaks down the stereotype of inferior black woman and creates new black woman images. This novel establishes the framework for contemporary black feminist literary tradition.

他们的眼睛望着上帝》是赫斯顿最具有代表性的作品,在这部小说中,赫斯顿打破了卑贱的黑人妇女形象,塑造了全新的黑人女性形象,为当代黑人女性主义文学传统奠定了框架。

Janie's Journey: Language, Body and Desire in Zora Neale Hurston's Their Eyes Were Watching God

中文题目:詹妮的旅程:佐拉。尼尔。贺丝登《他们眼望上苍》中之语言、身体和欲望

On the basis of the speakerly texts in "Their Eyes Were Watching God", the representative work by American Black woman writer Zora Neale Hurston, this paper discusses its unique charm and the Negro character reflected in them, approaching the free-style indirect speech, Negro preaching, special spelling and grammatical formation of Negro English and its application in the novel.

本文以美国黑人女作家佐拉·尼尔·赫斯顿的代表作《他们眼望上苍》的叙事语言为切入点,从自由间接话语、黑人布道词、黑人英语独特的拼写和语法表达形式以及黑人英语在作品中的运用四个方面来研讨这部小说的独特魅力,以及由此而体现出的黑人性。

This dissertation attempts to map out African American dreams for personal fulfillment, for equal opportunity, for recognition in the society, and for a place to start all over again respectively in four major novels written by African American writers in the twentieth century: Their Eyes Were Watching God (1937) by Zora Neale Hurston, Native Son (1940) by Richard Wright, Invisible Man (1952) by Ralph Ellison, and Paradise (1998) by Toni Morrison.

本文以非洲裔美国作家于二十世纪创作的四部作品(佐拉·尼尔·赫斯顿于1937年发表的《他们眼望上苍》、里查德·赖特于1940年发表的《土生子》、拉尔夫·艾里森于1952年发表的《无形人》和托妮·莫里森于1998年发表的《乐园》)为对象,从文化研究的角度分别考察了非洲裔美国人追寻自我价值的实现、平等寻梦的机会、主流社会的认可和获得新生的机会等梦想。

But Their Eyes Were Watching God resists reduction to a single movement, either literary or political.

但他们的眼睛看上帝抗拒减少到一个单一的运动,无论是文学或政治。

Most often, Their Eyes Were Watching God is associated with Harlem Renaissance literature, even though it was published in a later era, because of Hurston's connection to that scene.

最常见的,眼睛看上帝与哈莱姆文艺复兴文学,即使是在以后出版的时代,因为赫斯顿的连接的现场。

Their Eyes Were Watching God can be read on two levels—a woman's journey towards self-fulfillment and a culture's journey towards self-affirmation.

小说《他们的眼睛望着上帝》可以从两个层面来解读——女性自我实现的征程和一种文化自我肯定的征程。

In her masterpiece Their Eyes Were Watching God, the mule is a very minor character, but it plays an important role in expressing the theme about Janie\'s self-realization.

在其代表作《他们眼望上苍》中,骡子是一个很小的角色,但它对表现主人公珍妮自我实现的主题起了非常重要的作用。

Since then, Hurston's opus has been published and republished many times; it has even been adapted for the cinema: Spike Lee's first feature film, She's Gotta Have It, parallels Their Eyes Were Watching God and can be viewed as an interesting modern adaptation of the novel.

自那时以来,赫斯顿的作品已经出版,并再版多次,它甚至被改编为电影:斯派克李的第一部电影,她是爱它,而Parallels 他们的眼睛看上帝和可被视为一个有趣的现代版的小说。

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