查询词典 rhythm method

There is a rhythm in front of a free Introduction, by the violin playing in the bass area, enter the formal dance rhythm, the emergence of a cheerful and lively melodies, this is the first part of its A segment, B segment is composed of a series of sixteenth note very lively.

前面有个节奏自由的引子，由小提琴在低音区演奏，进入正规舞曲节奏之后，出现了一段活泼欢快的旋律，这是它第一部分的A段，B段也是用一系列十六分音符组成，十分活泼。

This movement is to help one's new music rhythm to align with earth's and nature's rhythm so that all may syncopate together in sweeter consensus based music.

这一运动将会帮助你的新音乐节奏跟地球与大自然的节奏保持一致，以便所有人都能在更甜美的一致实相音乐中，一起切分在和谐的韵律当中。

Jia Zigu is to play "Rock,""torsional pendulum" and "Jazz" percussion instruments, in the course of a long-term performance, the formation of a fixed rhythm types, such as Nordisk, rumba, tango, samba, and, Romanian dishes such as wave rhythm.

架子鼓是用以演奏"摇滚"、"扭摆"及"爵士音乐"的打击乐器，在长期的演奏过程中，形成一套固定的节奏类型，如迪斯克、伦巴、探戈、桑巴、恰、波菜罗等节奏。

In practice, there are several factors that affect the English rhythm: the balance of the rhythm, the unaccented pronunciation and the psychological motive.

在实际中影响英语节奏的因素有词类、节奏平衡、弱读和心理动机。

Fleshy of heart failure, cardiac muscle, atrium is vibratile wait for acquired character rhythm of the heart the attune on the expression of gene of wrong patient HCN4, can make If increases, cause rhythm of the heart wrong happening.

心力衰竭、心肌肥厚、心房颤抖等获得性心律失常患者HCN4基因的表达上调，可以使If增大，导致心律失常发生。

If singers use American and European pop vocalism: breath up, voice frontad,"music" first sung, rhythm later, then pay attention to the words and expressive force on the stage, to harmonize the voice and rhythm as a union, the performance will be much better.

如果借鉴欧美流行演唱法：气息往上、声音向前，演唱者将声音与音乐的节奏律动融为一体，先"唱音乐"，接下来才是唱节奏、唱律动、唱歌词和舞台表现力，演出效果会好很多。

If singers use American and European pop vocalism: breath up, voice frontad,"music" first sung, rhythm later, then pay attention to the words and expressive force on the stage, to harmonize the voice and rhythm as a union, the performance will be much better.

如果借鉴欧美流行演唱法：气息往上、声音向前，演唱者将声音与音乐的节奏律动融为一体，先&唱音乐&，接下来才是唱节奏、唱律动、唱歌词和舞台表现力，演出效果会好很多。

The feeding regimes, including optimum feeding frequency, diel feeding rhythm, and optimum feeding rate, were established for gibel carp . The optimum feeding frequency for gibel carp was determined through 8week growth trial at five frequencies (2, 3, 4, 12 and 24 meals/d). Diel feeding rhythm of gibel carp was investigated by 24-hour trials at two body sizes (mean body weight: 20.5g and 76. 3g). The optimum feeding rate for gibel carp was estimated by the bioenergetics modelling and the validation trial was carried out based on the the feeding regimes of gibel carp.

异育银鲫的最佳投喂频率是通过设计5组不同的频率2、3、4、12及24次//天，经8周生长实验，然后比较鱼体生长和饲料转化效率获得的；异育银鲫的日摄食节律是通过对两组不同体重异育银鲫（平均体重20.5g和76.3g）24h内摄食率的测定而获得的；异育银鲫的最适摄食率是通过鱼类生物能量学模型的建立而获得的；最后通过生长实验对建立起来的异育银鲫投喂体系进行了验证。

Taking for example the salt rhythms of the Qianjiang Formation in the Qianjiang Sag of the Jianghan Basin (which is a typical Paleogene saline lacustrine basin in eastern China), through a detailed study on cores, the authors have determined for the first time the Ⅳ-order salt rhythm based on Ⅰ-,Ⅱ-and Ⅲ-order salt rhythms which were determined previously and got to know that the sedimentary process following the sequence of desalinizing→salinizing and crystallization of salt minerals from halite rock→(mud-bearing) glauberite rock→dolomite-bearing mudstone (mud-bearing doloston)→mudstone→doloston→glauberite rock→halite rock. The authors also analyzed the Ⅳ-order salt rhythm and the correspondence between its sedimentary records and the fluctuation of the palaeosalinity of waters and the short-scale (0.05~1.0 ka duration) change of dry-moist palaeoclimate.

本文以我国东部独具特色的古近纪古盐湖盆地－江汉盆地的潜江凹陷潜江组盐韵律为例，通过对王平1、王云10-6、王80-2等3口井连续取心段的精细研究，在前人划分Ⅰ、Ⅱ、Ⅲ级盐韵律的基础上，首次划分出组成含盐层系基础韵律单元－Ⅳ级盐韵律，弄清了它的沉积过程基本遵循从石盐岩→钙芒硝岩→含白云石泥岩→泥岩→白云岩→钙芒硝岩→石盐岩的淡化－咸化序列和盐类矿物的析出顺序；解析了Ⅳ级盐韵律及其沉积组合记录与水体古盐度波动和短尺度(0.05~1.0 ka)古气候干湿变化之间的对应关系。

Those theories was short of consistency of development, especially their own researching independency in generally. The rhythm theory with its analyse were attached the harmonical theory or pitch system sometimes, and it leaded to the present situation of researching on rhythm theory.

但总的来看，这些理论缺乏发展上的连贯性，尤其是缺乏理论研究自身的独立性——其理论与分析往往附着于和声理论或音高体系，从而导致了节奏理论目前研究的状况。

What was it that made you want to change sider ?

是什么使你临阵倒戈？

I don't know what he wants, but let's play along with him.

我不知道他要干什么，可我