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posterior chamber相关的网络例句

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His major works and commissions include: ' Three Temperaments , for Big Choir ' (1986), ' Counterpoint of Times , for woodwind septet ' (1989), ' Wild Children , for mixed Chamber Ensemble ' (1993), ' Overture , for solo Chinese bass drum and Chinese winds and percussion band ' (1994), ' Intonation , for chamber orchestra ' (1990-1994), ' Flavour of Bashu , for two violins, piano and percussion ' (1995), ' Pole , for solo Chinese Yun-luo, Chinese pai-gu and Chinese bass drum with six percussionists ' (1996),commissioned by Japan Asian Percussion Ensemble, ' Symphonic Prelude --- Bashu Capriccio' (1996), 'The Song Without Words , for solo percussion ' (1997), commissioned by the Ministry of Culture of Japan, Japanese Contemporary Music Association, and Japanese Embassy in China,'Illusions of the Symphonic Stage of Tang Dynast y , for orchestra of Tang Dynasty, percussion, voices and a big choir '(1999), commissioned by Japanese No Music Guanshiliu Green Spring Association, Chinese Music Research Center in Japan, Japanese Asian Percussion Ensemble and Japanese-Chinese Cultural Exchange Association,'The Prospect of Colored Desert , for violin, cello, sheng, pipa and percussion '(2000),commissioned by Yo-Yo Ma, Silk Road Project Inc. of the U.S., Sony Record,'Three Movements of Autumn , for small Chinese instruments ensembl e'(2000) and ' Sound Games , for 5 Chinese Percussion Instruments Players ' (2000-01), commissioned by La Cité de la Musique, Paris "2000 Chinese Classical Music Series", ' Fusion I , for Mixed Chamber Ensemble ' (2002), commissioned by Holland New Ensemble and Atlas Ensemble, ' Fusion II , Concerto for Solo Chinese Percussion and Orch.' (2002), commissioned by Japanese–Chinese Committee of Friendship and Public Music Performance, and ' Fusion III , for Irish flute, accordion, bodhran, Chinese sheng, zheng, Percussion and 13 Strings with Chamber Choir.' (2003-04), commissioned by China-Ireland Exchange Program, ' The Three Images from Washing Painting , for chamber ensemble of 17 players '(2005) commissioned by the New Juilliard Ensemble for the special concert of the Juilliard Centennial and sponsored by Asian Cultural Council and the Guggenheim Partnership and 'The Butterfly Dream', new 7 scenes Opera inspired by KUN QU' (2007) commissioned by the Contemporary Legend Theatre, Taiwan etc.

主要作品及委约包括:《三种气质,无伴奏合唱》(1986)、《时间的对位,木管七重奏》(1989)、《野娃子,混合室内乐队与童声》(1993)、《对话,男声独唱,女高音,童声合唱团,混声合唱团与混合乐队》(1993-94)、《序鼓,独奏中国大鼓、排鼓、云锣与中国民间吹打乐队》(1994)、《吟,室内交响乐》(1990-1994)、《蜀韵,两支小提琴、钢琴与打击乐》(1995)、《极,独奏中国云锣、大鼓、排鼓与六位打击乐演奏家》(1996)、《巴蜀随想,交响序曲》(1996)、《无词歌,打击乐独奏》(1997)(日本国文化厅、日本现代音乐协会、日本国驻中国领事馆等联合委约)、《梦的交响舞台,唐代乐队,打击乐,人声与合唱团》(1999)(日本能乐观世流绿泉会、日本中国音乐勉强会、日本亚洲打击乐团、日中文化交流协会等联合委约)、《舞蹈组曲,大型管弦乐队》(1999)、《漠墨图,小提琴、大提琴、笙、琵琶与打击乐》(2000)(马友友、美国丝绸之路文化发展公司、日本Sony唱片等联合委约)、《秋三阕,9位中国乐器演奏家》(2000)、《响趣,5位中国打击乐器演奏家》(2000)(法国巴黎音乐城"2000中国古典音乐系列音乐会"委约)、《融I ,混合室内乐团》(2002)(荷兰 New Ensemble, Atlas Ensemble联合委约)、《融II ,打击乐协奏曲》(2002)(日本日中友好音乐公演委员会委约)、《融III ,爱尔兰笛子、手风琴、巴朗鼓,中国笙、筝,打击乐,13件弦乐器以及室内合唱团》(2003-04)(爱尔兰国家文化委员会、爱中2004文化交流年组委会委约)、《水墨画意三则,为17位演奏家的室内乐团》(2005)(美国朱丽亚音乐学院新室内乐团委约,美国亚洲文化基金会和美国古根海姆基金支助)及《梦蝶,七场新昆剧》(2007)等。

Incurrent research, aiming at the rupture problem engendered in the shooting process of acertain 5.56mm automatic rifle, the strain and stress distributions on the cartridge caseunder the action of axial pull have been analyzed. Based on the theories of elastic-plasticmechanics and contact mechanics, a mathematic and physical model of the cartridge-caseand chamber system has been set up; and based on the platform of the general softwarepackage APDL of ANSYS for finite element analysis, a parameterized model of thecartridge-case and chamber system has also been established. The method for nonlinearFEA has been adopted to analyze the stress distribution on the entire cartridge-case andchamber system, and the method of contact element has been employed to investigate thecontact stress between the cartridge case and chamber, and then the influences of frictioncoefficient and locking space on the static and dynamic stress and strain response of thecartridge case and chamber to the action of power gas have also been discussed. On thebasis of a lot of numerical tests, a kind of element Plane13, which is concentrated incoupled computation of heat and construction, has been used finally to simulate thetransient response of the cartridge-case and chamber system to the power gas. Throughloading the temporary thermal characteristics of explosive gas in the procedure of emulate, the corresponding transient thermal stress distributed on the entire system under thecombined load of transient thermal stress and transient pressure has been obtained. Owingto these comprehensive considerations, the numerical results obtained in this paperrepresent the actual situations comparatively exactly.

本文针对某5.56mm自动步枪在工作中出现断壳的问题,分析了弹壳在轴向拉力作用下的应力应变;基于弹塑性力学及接触理论,建立了弹壳弹膛系统的数学、物理学模型,在通用有限元ANSYS软件的参数化建模工具APDL平台上,建立了弹壳弹膛系统的参数化模型;采用非线性有限元法计算了弹壳弹膛系统的整体应力,引入接触单元法分析弹壳和弹膛的接触压力,探讨了在不同的摩擦系数和不同的闭锁间隙对弹壳弹膛静、动态响应的影响;本文进行了大量的尝试,最后确定采用热、结构耦合单元Plane13,在计算中加载了火药气体的温度历程,成功的获得了弹壳弹膛系统在瞬态的热载荷和瞬态的压力载荷同时作用下弹壳弹膛系统的热应力数值解,考虑因素全面,比较真实的反映了弹壳弹膛系统在火药气体压力和热载荷下作用的情况。

To start the reaction , water fills a priming chamber and solution chamber of the primary vessel , the priming chamber being located in an upper portion of the primary vessel , and an air pump forces a predetermined portion of water from the priming chamber via a feed line through a grommet at the top of the canister to a chemical reaction chamber of the canister along with a continuous air flow .

开始反应,水充满初级室和初级反应器溶液室,初级室是安装在1级反应器上部,并用空气泵驱驶水由初级室管道供给线通过罐子顶部的环眼并随连续的空气流进入罐子的化学反应室。

Manufactures and markets test equipment products include: Programmable constant temperature and humidity testing machine, constant temperature and humidity box, high and low temperature testing machine, high-temperature box, cold temperature testing machine, hot and cold impact testing machine, the temperature cycling chamber, salt spray test machine, corrosion test chamber, the aging test machine, a large environmental test chamber, high temperature aging rooms, environmental test chamber, UV weathering test chamber, vibration, drop test machine, temperature water tank, clamshell laptop life testing machine, keyslife testing machine, testing machine drop life test simulation environment test equipment.

伟煌试验设备有限公司生产和销售的产品包括:可程式恒温恒湿试验机,恒温恒湿箱,高低温试验机,高低温箱,低温耐寒试验机,冷热冲击试验机,温度循环试验箱,盐水喷雾试验机,耐腐蚀试验箱,老化试验机,大型环境试验室,高温老化房,环境试验室,紫外线耐候试验箱,振动,跌落试验机,恒温水槽,笔记本翻盖寿命测试机,按键寿命测试机,跌落寿命测试试验机等模拟环境试验设备。

American International Chamber of Commerce of the United States Chamber of Commerce, the Pan Pacific is still the most active American International Chamber of Commerce, the most important independent divisions, continue to work with the United States with the International Chamber of Commerce plays a strong role for the United States to overseas members, particularly the Pan-Pacific Rim investment in business services, in promoting economic and trade exchanges with China have been well received by the International Chamber of Commerce and the United States from all walks of life admired and praised unanimously.

美国国际商会的美国泛太平洋商会至今仍是美国国际商会最活跃、最重要的独立分部,继续与美国国际商会一起发挥着强有力的作用,为美国会员提供前往海外、特别是泛太平洋沿岸国家的投资经商服务,在促进与中国的经贸交流得到了好评,受到美国国际商会与各界的一致推崇与赞誉。

His major works and commissions include: ' Three Temperaments , for Big Choir ' (1986), ' Counterpoint of Times , for woodwind septet ' (1989), ' Wild Children , for mixed Chamber Ensemble ' (1993), ' Overture , for solo Chinese bass drum and Chinese winds and percussion band ' (1994), ' Intonation , for chamber orchestra ' (1990-1994), ' Flavour of Bashu , for two violins, piano and percussion ' (1995), ' Pole , for solo Chinese Yun-luo, Chinese pai-gu and Chinese bass drum with six percussionists ' (1996),commissioned by Japan Asian Percussion Ensemble, ' Symphonic Prelude --- Bashu Capriccio' (1996), 'The Song Without Words , for solo percussion ' (1997), commissioned by the Ministry of Culture of Japan, Japanese Contemporary Music Association, and Japanese Embassy in China,'Illusions of the Symphonic Stage of Tang Dynast y , for orchestra of Tang Dynasty, percussion, voices and a big choir '(1999), commissioned by Japanese No Music Guanshiliu Green Spring Association, Chinese Music Research Center in Japan, Japanese Asian Percussion Ensemble and Japanese-Chinese Cultural Exchange Association,'The Prospect of Colored Desert , for violin, cello, sheng, pipa and percussion '(2000),commissioned by Yo-Yo Ma, Silk Road Project Inc. of the U.S., Sony Record,'Three Movements of Autumn , for small Chinese instruments ensembl e'(2000) and ' Sound Games , for 5 Chinese Percussion Instruments Players ' (2000-01), commissioned by La Cité de la Musique, Paris "2000 Chinese Classical Music Series", ' Fusion I , for Mixed Chamber Ensemble ' (2002), commissioned by Holland New Ensemble and Atlas Ensemble, ' Fusion II , Concerto for Solo Chinese Percussion and Orch.' (2002), commissioned by Japanese–Chinese Committee of Friendship and Public Music Performance, and ' Fusion III , for Irish flute, accordion, bodhran, Chinese sheng, zheng, Percussion and 13 Strings with Chamber Choir.' (2003-04), commissioned by China-Ireland Exchange Program, ' The Three Images from Washing Painting , for chamber ensemble of 17 players '(2005) commissioned by the New Juilliard Ensemble for the special concert of the Juilliard Centennial and sponsored by Asian Cultural Council and the Guggenheim Partnership and 'The Butterfly Dream', new 7 scenes Opera inspired by KUN QU' (2007) commissioned by the Contemporary Legend Theatre, Taiwan etc.

主要作品及委约包括:《三种气质,无伴奏合唱》(1986)、《时间的对位,木管七重奏》(1989)、《野娃子,混合室内乐队与童声》(1993)、《对话,男声独唱,女高音,童声合唱团,混声合唱团与混合乐队》(1993-94)、《序鼓,独奏中国大鼓、排鼓、云锣与中国民间吹打乐队》(1994)、《吟,室内交响乐》(1990-1994)、《蜀韵,两支小提琴、钢琴与打击乐》(1995)、《极,独奏中国云锣、大鼓、排鼓与六位打击乐演奏家》(1996)、《巴蜀随想,交响序曲》(1996)、《无词歌,打击乐独奏》(1997)(日本国文化厅、日本现代音乐协会、日本国驻中国领事馆等联合委约)、《梦的交响舞台,唐代乐队,打击乐,人声与合唱团》(1999)(日本能乐观世流绿泉会、日本中国音乐勉强会、日本亚洲打击乐团、日中文化交流协会等联合委约)、《舞蹈组曲,大型管弦乐队》(1999)、《漠墨图,小提琴、大提琴、笙、琵琶与打击乐》(2000)(马友友、美国丝绸之路文化发展公司、日本Sony唱片等联合委约)、《秋三阕,9位中国乐器演奏家》(2000)、《响趣,5位中国打击乐器演奏家》(2000)(法国巴黎音乐城&2000中国古典音乐系列音乐会&委约)、《融I ,混合室内乐团》(2002)(荷兰 New Ensemble, Atlas Ensemble联合委约)、《融II ,打击乐协奏曲》(2002)(日本日中友好音乐公演委员会委约)、《融III ,爱尔兰笛子、手风琴、巴朗鼓,中国笙、筝,打击乐,13件弦乐器以及室内合唱团》(2003-04)(爱尔兰国家文化委员会、爱中2004文化交流年组委会委约)、《水墨画意三则,为17位演奏家的室内乐团》(2005)(美国朱丽亚音乐学院新室内乐团委约,美国亚洲文化基金会和美国古根海姆基金支助)及《梦蝶,七场新昆剧》(2007)等。

This paper reviews whether forward movement of the posterior corneal surface occurred, changes in posterior corneal power and curvature, changes in posterior corneal astigmatism and tilt, changes in posterior corneal asphericity and BFS after the surgery.

本文综述了准分子激光屈光性手术后角膜后表面是否发生前移改变、角膜后表面屈光力、曲率、散光度、轴度、非球面特性以及最适球面等是否发生改变的研究进展。

CT scan: width of groove of sigmoid sinus, Depth of GSS, the distance from the lateral wall of GSS to the surface of mastoid process, the distance from the anterior wall of GSS to the posterior wall of external auditory meatus, the distance from the most lateral portion of posterior semicircular canal to the surface of mastoid process, the distance from the most lateral portion of PSC to the anterior edge of GSS, the distance from the most posterior portion of PSC to the posterior pyramidal wall was (11.44±1.79) mm,(5.27±193) mm,(1038±390) mm,(1366±218) mm,(13.44±1.8) mm,(9.65+1.76) mm,(2.92±0.98) mm respectively B.

后半规管最外侧至乳突外表面的最近距离是(13.44±1.86)mm,至乙状窦沟前缘的距离是(9.65±1.76)mm,其最后部至岩骨后壁的距离是(2.92±0.98)mm。

The main components were a lateral expansion to the oblique popliteal ligament; a direct arm, which attached to the tibia; and an anterior arm. The oblique popliteal ligament, the largest posterior knee structure, formed a broad fascial sheath over the posterior aspect of the knee and measured 48.0 mm in length and 9.5 mm wide at its medial origin and 16.4 mm wide at its lateral attachment. It had two lateral attachments, one to the meniscofemoral portion of the posterolateral joint capsule and one to the tibia, along the lateral border of the posterior cruciate ligament facet. The semimembranosus also had a distal tibial expansion, which formed a posterior fascial layer over the popliteus muscle.

主要的部分是一个可以侧方扩展的腘斜韧带,最大的膝关节后方的组织结构,形成了一个较大的筋膜外皮位于膝关节的后方,测量结果显示长度为48mm,边缘宽度为9.5mm,侧方附件的宽度为16.4mm,它具有两个方面的附件,一个位于半月板股骨间部分的后外侧关节囊和一个在胫骨端的后叉韧带边缘,半膜肌同时也存在一个远处的胫骨扩展,形成了一个后方的筋膜附着腘肌。

In this thesis, we find that dlg is indispensible in the establishment of anterior-posterior and dorsal-ventral polarity of drosophila oocyte. Removal of Dlg function from the posterior follicle cells using the FLP/FRT system leads to disruption of oocyte skeleton reconstruction that is elicited by the failure of those posterior cells to differentiate normally in mid-oogenesis. We demonstrate that abnormity of Notch, JAK-STAT and EGFR signal pathway in dlg mutants contributes to this aberrant differentiation. dlg null mutant also blocks the normal differentiation of two groups of anterior follicle cell-stretched cell and centripetal cell, but not border cell, with a lower penetrance. However unlike the result in posterior follicle cells, Notch and JAK-STAT signaling are both undisrupted in all mutant anterior follicle cells, implying other fate determinants may be involved.

我们的研究发现,后端滤泡细胞中的Dlg在果蝇卵子发生中期卵母细胞前后轴和背腹轴建立过程中也是必须的,PFC中dlg完全缺失型突变引起PFC的分化异常,导致卵子发生中期卵母细胞骨架重组异常,Stau、Grk等极性决定蛋白定位错误。dlg突变阻碍了Notch、JAK-STAT、EGFR等调节PFC分化的信号通路的激活。dlg突变的PFC也没有获得前端滤泡细胞命运。dlg突变不影响前端滤泡细胞群中边界细胞的分化,但是在一定程度上影响伸展细胞和向心细胞的分化,并且这种影响不依赖于前端滤泡细胞Notch或JAK-STAT信号激活的异常。

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推荐网络例句

Some of them were ligated to the plasmid vector pCR 2.1 andsequenced,respectively.

将所获DNA片段克隆到pCR2.1载体进行测序,并与基因组数据库进行同源性比较。

Thinking since Google owns Blogger, I would be able to escalate this issue to the support team.

自谷歌的思考拥有Blogger的,我将能够缓解这一问题的支持团队。

Besides, I also surely know that just professional skills are not enough for being a good doctor. Hence, I attend the basic scientific research of preclinical medical college, the epidemiological investigation of public health college and the clinical scientific research of clinic college,from which I possess of some experimental skill such as CELL CULTER , PCR , Western blotting and so on.Above all,these experience cultivate my ability of designing the experiment and enforcing the experiment,which help me complete my research.

做为一名七年制的学生,学校对我们的要求是&临床技能和科研能力同等重要&因此在进行临床技能培养的同时,我先后参加过我校基础医学院的基础科研实践、公共卫生学院的流行病学调查实习,及临床学院的临床科研实践,让我熟练掌握了细胞培养、 PCR 、 Western blotting 等分子生物学技术;最重要的是,这些实践经验培养了我独立完成从研究课题的设计到实验方案的实施能力,帮助我顺利的完成了我在硕士期间的科研项目。