查询词典 playing and singing

Therefore, reviewing theory base on nationality ideas of Kodaly Zoltan, Karl orff and Emile Jaques-Dalcroze these three music education systems as a cut-in point, firstly use psychology, sociology and philosophy as basic theory to process macrocosmic comparative argumentation to three system music education ideas, then process microcosmic theoretic logic discursion to a few basic fields which influence sight singing and ear training course teaching aim, teaching content, teaching implementation and teaching valuation to confirm most correlative and effective information sources of teaching practice based on nation musicality of sight singing and ear training; once more describe actuality of teaching practice based on nation musicality of sight singing and ear training in our country and demonstrate these basic subjects (psychology, sociology and philosophy) with sight singing and ear training teaching relations and actual meanings of music teaching to further propose development direction and actual problems faced with teaching practice based on nation musicality of sight singing and era training in our country.

由于音乐学科教育学研究与哲学、美学、社会学、心理学、教育学、物理学、历史学、民族学等多种学科有着密切的联系和交叉，因此，从考察柯达伊、奥尔夫、达尔克罗兹(Emile Jaques-Dalcroze)三个音乐教育体系民族性理念的理论基础作为切入点，首先从宏观上对三个体系的音乐教育理念进行以心理学、社会学和哲学为基础理论的比较论证；继而从微观上对影响以视唱练耳课民族性教学的目标、教学内容、教学实施、教学评价的一些基本领域进行理论上的逻辑推理，确定与视唱练耳民族音感教学实践最相关的和最有效的信息来源；再对我国视唱练耳民族音感教学实践现状进行描述，论证这些基础学科与视唱练耳教学的种种关系及对音乐教学的实际含义，进一步提出我国视唱练耳民族音感教学实践所面临的具体问题和发展方向。

In a great deal of outstanding singing in home outstandingly, sing the method in national vocal music represented by Peng Liyuan, have made outstanding contribution in term of drawing lessons from, inheriting and developing in singing the singing characteristic of technology and traditional singing style of Chinese nationality Westernly, been approved by experts and scholars and the broad masses, and this kind is different from tradition, have singing method of the characteristic of era to influence so far.

在诸多优秀的优秀歌唱家中，以彭丽媛为代表的民族声乐演唱方法，对西洋歌唱技术和中国民族传统唱法的演唱特征从借鉴、继承及发扬的角度均做出了突出的贡献，得到了专家学者和广大群众的认可，并且这种有别于传统、具有时代特点的演唱方法影响至今。

The invention comprises the following steps: summating and counting the added playing times of the acoustic frequency song in the portable media device when playing any acoustic frequency song; updating and saving in the current playing acoustic frequency song list; displaying the first acoustic frequency song list and the second acoustic frequency song list for the users in the picture according to the summated and counted acoustic frequency song playing frequency and the updated and saved current playing acoustic frequency song list when the user requests to play the song and uses the quick search music function; displaying the acoustic frequency song list according to the high sequence of the user playing frequency.

本发明包括：在便携式多媒体设备中，当播放任意音频曲目时，对该音频曲目增加的播放次数进行累积计数，并在最近播放的音频曲目列表中进行更新存储，当使用者要求播放曲目而使用快速检索音乐功能时，便能参照累积计数的音频曲目播放频度和被更新存储的最近播放的音频曲目列表，在画面中显示可供使用者选择的第1音频曲目列表和第2音频曲目列表，按照使用者播放频度高的顺序以及最近播放的顺序显示音频曲目列表。

This article consists of a three-chapter text, a brief instruction and an epilogue: achievements of the research on bel canto and thefolk singing as well as their relation in China were concluded briefly in the introduction. In chapter 1, the origin and characteristicsof bel canto and the folk singing, together with their fusion processin present China was illustratively revealed though historical review. In chapter 2, bel canto and the folk singing are analyzed in technical aspects like breath, vocalization, pronunciation, and resonancetogether with comparison on their similarities and differences.; Chapter three is concerned with the application of bel canto in folk singing and nationalization of bel canto as well as the feasibility oftheir fusion from technical aspect. Moreover, it is illustrated thatthe fusion of these two vocal arts in china not only conform to social development and mass aesthetic requirement, but also has great influence on the education and development of Chinese vocal arts. Epilogue is to express wishes to future Chinese vocal arts based on the trend of multi-culture fusion and innovation.

本文共由三章正文和简短的绪论及结语构成：绪论粗略总结国内关于美声唱法、民族唱法及二者关系的研究已有的成果；第一章尝试通过历史回顾直观展现美声唱法、民族唱法之由来、特性及二者在当代中国对话融合之进程；第二章侧重从呼吸、发声、吐字、共鸣等技巧层面分析美声唱法、民族唱法各自的技巧特点并比较二者之间的异同；第三章除着重探讨美声唱法的民族化、民族唱法的美声化及两者融合共促于技术层面之可行性外，更试图说明此二种声乐艺术的融合发展在中国当前不仅是符合社会发展趋势和大众审美要求，更将对中国声乐艺术的教育和发展具有重要影响；结语则就多元文化融合创新之大趋势表达对未来中国声乐艺术的希望。

The characteristic of this series playing card is water-proof, fade-proof, wear-resistant, and nontoxic. Through printed pattern and pressed grain, the playing card can gain vivid and noblest effect. This technology is widely used in high-level playing card, collection playing card, commemoration playing card and so on.

此系列的扑克牌具有防水、防伪、耐磨、无毒害等功能，其优势在于用特殊材料在扑克上压制成光纹，配合印刷图案，效果光艳鲜亮，现在已经广泛运用于高级礼品扑克牌，收藏扑克、纪念扑克等

In particular by the Shanxi and Hebei Road Bangzi Bangzi impact, draws further plate change Bangzi opera singing and Banhu, sanxian musical accompaniment, etc., and gradually create a unique set of system board concert cavity, with the exception of head and, second, and third, the guide plate, referral board, roll white and coloratura singing, but also created a folk system "training transfer" singing.

特别是受到山西北路梆子及河北梆子的影响后，又进一步吸取了梆子腔板式变化的唱腔及板胡、三弦等伴奏乐器，逐步创造出独具特色的成套的板腔式演唱体系，除有头性、二性、三性、导板、介板、滚白及花腔唱法外，还创造了属民歌体系的"训调"唱腔。

Both complete observation and in-depth interviews were conducted from 3 perspectives: experiences of technology, personal presentation and socialization. Notes taken from 15 university students of different grade, gender and major were analyzed. The findings suggest that in the students singing group, personal showing-off and collective singing of nostalgic songs are complementary. At the same time, karaoke's specific service and its technology provides a new way of socializing, and the creative singing of students also provides incentives for the karaoke industry.

作者选取大学生群体，先进行实地观察，随后选取不同年级、性别、专业的15名参与较多的北大学生，从技术体验、个人展示、社交三方面切入进行深度访谈，从回答中抽离出反复出现的关键词，发现了比较突出的特点：个人的炫耀与群体的回忆演唱互为补充构成认同；行业的服务机制和技术设备提供新的社交方式，学生演唱中的自主创造也影响了行业本身的创新。

First the formation of composing features is explored with reference to the life experiences of Lehar, the social and cultural background of his age and the development of Viennese operetta; secondly, the composing features are analyzed as to rhythm, melody, instruments device, ensemble and play books; Finally, the work is analyzed from the angle of singing. In this part the style of singing is explained specifically in terms of rhythm, timbre, etc. Also a famous Aria "vilja-lied" in this work is explained in detail and a comparison is made between operetta and opera to impress people with the singing style of operetta in a deeper way.

首先，本文从雷哈尔的生活经历、所处时代的社会文化背景、维也纳轻歌剧的发展来分析《风流寡妇》创作特特征的形成；其次，从节奏、旋律、配器、重唱以及剧本这几个方面来分析作品的创作特征；最后，从演唱的角度分析作品，除了从节奏、音色、起句等方面具体的分析作品的演唱风格外，还对其中的一首著名咏叹调维利亚之歌做了详细地分析，并且从演唱的角度把轻歌剧和歌剧做了一个比较，从而使人们能够更深刻的理解轻歌剧演唱的风格。

Kinds of culture in 21st century are becoming compatible and fusional. Vocal art is of no exception. Based on the current situation andtrend, this article applies methods such as Historical-Descriptive,culture perspective and theoretical analysis to the research of singing skills of bel canto and the folk singing in order to analyze the art characteristics and the real possibility of fusion between them. At the same time, successful examples are combined to work out the possible way for the application of bel canto in folk singing and nationalization of bel canto.

二十一世纪的文化是兼容并蓄、融合发展的文化，二十一世纪的声乐艺术亦如此，正是基于这一现状和趋势，本文旨在运用历史描述、文化比较和理论分析等方法，通过对美声唱法和民族唱法歌唱技巧的研究，分析两种唱法的艺术特性和两者融通的现实可能性，同时结合一些成功的实例试图给出民族唱法美声化和美声唱法民族化的可能途径。

Goodbye to you, my trusted friend We've known each other since we're nine or tenTogether we climbed hills or treesLearned of love and ABC'sSkinned our hearts and skinned our kneesGoodbye my friend, it's hard to die When all the birds are singing in the skyNow that the spring is in the air Pretty girls are everywhereWhen you see them I'll be thereWe had joy, we had fun We had seasons in the sun But the hills that we climbedWere just seasons out of time Goodbye, Papa, please pray for meI was the black sheep* of the familyYou tried to teach me right from wrongToo much wine and too much songWonder how I get along Goodbye, Papa, it's hard to die When all the birds are singing in the skyNow that the spring is in the air Little children everywhere When you see them I'll be there We had joy, we had fun We had seasons in the sun But the wine and the song Like the seasons all have gone Goodbye Michelle, my little one You gave me love and helped me find the sunAnd every time that I was down You would always come aroundAnd get my feet back on the groundGoodbye, Michelle, it's hard to die When all the bird are singing in the skyNow that the spring is in the air With the flowers everywhere I wish that we could both be thereWe had joy, we had fun We had seasons in the sunBut the stars we could reachWere just starfishes on the beach.

歌词中文翻译：再见了，我忠实的朋友咱们从九岁或十岁时就认识了我们一起爬山，一起爬树一起学习爱和ABC磨练心性也磨破了膝盖再见了，朋友，道别是如此难以启齿当鸟儿在空中歌唱此刻，春天的气息洋溢到处都是漂亮的女孩当你看见她们，我将随之出现我们曾拥有快乐，拥有欢笑我们曾拥有阳光季节我们爬过的小山坡不曾因时光而变换季节再见，老爸，请为我祈祷我曾是家里的坏小孩你曾试著教我分辨对错太多的美酒与歌怀疑我是怎麼过日子的再见了，老爸，道别是如此难以启齿当鸟儿在空中歌唱此刻，春天的气息洋溢孩童们四处奔跑当你看见他们，我将随之出现我们曾拥有快乐，拥有欢笑我们曾拥有阳光季节但美酒与歌像季节一样消逝无踪再见了，蜜雪儿，我的小情人你给了我爱，帮助我找到阳光每次我意志消沈你总是来到我身边帮助我重新振作起来再见了，蜜雪儿，道别是如此难以启齿当鸟儿在空中歌唱此刻，春天的气息洋溢花儿四处开放愿我俩能在一起我们曾拥有快乐，拥有欢笑

Sodium citrate; calcium carbonate; calcium hydroxide; potassium bicorbonate; magnesium carbonate; ferrous sulphate; Zinc sulphate; copper sulphate; manganese sulphate; potassium iodide; sodium selenite.

柠檬酸钠；碳酸钙；氢氧化钙；碳酸氢钾；碳酸镁；硫酸亚铁；硫酸锌；硫酸铜；硫酸锰；碘化钾；亚硒酸钠。

All this to say that I'm glad filmmaking hasn't become completely ironic. I can enjoy an ironic film as much as the next person, but they usually involve a message of some sort. One that's delivered in a smirkingly clever way that requires little in the way of talent.

所有这些都是说，我很高兴电影制作没有变成完全讽刺艺术，我可以和下一个人一样享受讽刺电影的乐趣，虽然他们经常会被划归到一定级别，技术方面不需要很高的才能。