查询词典 plastic art

This article starts with a review of the history of the "Expression" conception in the Occident literature tradition,from which to conclude the base connotation of modern "Expression" conception in occident.Relying on this springboard,we analyses the history of the occidental modern plastic arts gradually ,then the naissance and development of the occidental modern plastic arts may boil down to a going-deep course driven by the "Expression" conception:the impressionism which had been pursuing sensual reality brought out a turning point from Representation to expression;Faurism accomplished the consciousness of Expression based on inheriting and criticizing Post-Impressionisme, and resisted the suppressant on Expression by Physical Image; the German Expressionism and Surrealism uplifted Expression at the same time they resisted Physical Image by "Nugatory Physical image"; From the apocalypse of Cubism,Suprematism and De Stijl tended towards Pure Plastic which excluded Physical Image completely,meaning that it had realized absolute Expression in the range of plastic;After WW II,artsists in western detected that Pure Plastic had actually suppressed Expression newly,as a result of Abstract-Expressionism and Mirnirnaliam Art,Expression broke away from Pure Plastic gradually to seek some new possibilities other than plastic.

本文从对西方文艺传统中的"表现"观念的历史考察着手，归纳出西方现代"表现"观念的核心内涵，以此为基点来逐步分析西方现代造型艺术史，进而将西方现代造型艺术的产生与发展归结为在"表现"观念驱动下不断递进的历史进程：印象主义对感觉真实的追求为造型艺术由再现走向表现打开了缺口；野兽派在继承和批判后印象主义的基础上首次实现了表现的自觉，并在艺术中反抗物象对表现的压迫；德国表现主义与超现实主义以不彻底的"否定性物象"来张扬表现反抗物象；至上主义、风格派等则在立体主义的启示下走向完全排斥物象的纯粹造型，在造型的范围内实现彻底的表现；二战后的西方艺术家们察觉到纯粹造型已经掉转头来形成新的对表现的压制；经由抽象表现主义、最低限艺术，表现逐步摆脱了纯粹造型，寻求造型之外的新的表现可能。

Calligraphy art is the plastic arts, the music is sense of hearing art, is time art.

书法艺术是造型艺术，音乐是听觉艺术，是时间艺术。

He thought sketch as the basis of plastic art, which required strict training in the ability of observation, analysis, synthesis and vivid description of objects.

素描的基础最根本的是培训正确地观察、分析、综合对象并把它们生动地表现出来的能力。

One color straw figures, flowers and birds, landscapes, animals, grains and cereals beans plastic art painting and drawing, such as Beijing Opera facial makeup.

其中彩色麦秆人物、花鸟、山水、动物、五谷杂粮豆塑艺术画及京剧脸谱画等。

The plastic art of Shaman refers to the imagery arts in the process of the witchery rite of the minority, including the mask, costume, consecrated god, musical instrument, worship implement, sacrificial altar, oblation, as well as applied symbol-script.

萨满教的造型艺术，是指与萨满巫仪过程中有关的各种形象艺术，包括萨满佩带的面具、身着的服饰、供奉的神偶、使用的乐器、法器以及祭祀方式中的祭坛、祭品、祭器和所应用的符号文字。

The second part makes an innovative study of the soul of traditional Chinese graphics in the respect of "shape","essence", and "implication". The first element to be emphasized is "shape", which is mainly concerned with lineal designs and convolute designs in traditional graphics, the main two ethical factors employed in traditional Chinese design. The "shape" is a relatively complete and minute system. What is included in "essence" is to convey the effect of lucency and artistic conception in traditional plastic art, which embodies traditional Chinese philosophy and its aesthetic taste. The "implication" part makes a detailed analysis of the informative function of the particular ethical graphics from the perspective of disseminative theory. The third part is my application of the three elements in designing.

第二部分是本文的创新之处，分别从&形&、&神&、&意&三方面对传统图形的精髓进行探讨，&形&主要提取了传统造型元素中的线和具有中国民族风格的构成形式——回旋形进行着重分析，有较为详细而完整的结构体系；&神&主要结合中国的传统哲学和审美思想对中国传统造型所追求的空灵、意境进行论述，&意&主要从传播学的角度对传统图形所特有的民族信息传达功能进行分析研究。

The sketch teaching in Architecture Department of Repin Academy of Fine Arts in Russia inherits Russian realist tradition of plastic art and takes it as its teaching principle.

列宾美术学院是俄罗斯最古老、最大的美术学府。列宾美术学院建筑系是俄罗斯最老的建筑学派。

The flower arrangement is a great universe scenery to miniatured, gathering arts, such as park cultivation, literature and painting...etc., combining together with each other, dissolving for the comprehensive sex plastic art of integral whole.

盆景是大自然景物的缩影，是集园林栽培、文学、绘画等艺术，互相结合，溶为一体的综合性造型艺术。

Refers to flinty material which with each plastic material (for example gypsum, resin, clay and so on) or may carve, may engrave (for example lumber, stone, metal, jade block, agate, aluminum, glass fiber reinforced plastic, sandstone, copper and so on), creates has the artistic image which certain space visible, may touch, in order to the reflection social life, expresses artist's esthetic feeling, the esthetic emotion, the esthetic ideal art.

指用各种可塑材料或可雕、可刻的硬质材料（如木材、石头、金属、玉块、玛瑙、铝、玻璃钢、砂岩、铜等），创造出具有一定空间的可视、可触的艺术形象，借以反映社会生活、表达艺术家的审美感受、审美情感、审美理想的艺术。

This article starts with a review of the history of the "Expression" conception in the Occident literature tradition,from which to conclude the base connotation of modern "Expression" conception in occident.Relying on this springboard,we analyses the history of the occidental modern plastic arts gradually ,then the naissance and development of the occidental modern plastic arts may boil down to a going-deep course driven by the "Expression" conception:the impressionism which had been pursuing sensual reality brought out a turning point from Representation to expression;Faurism accomplished the consciousness of Expression based on inheriting and criticizing Post-Impressionisme, and resisted the suppressant on Expression by Physical Image; the German Expressionism and Surrealism uplifted Expression at the same time they resisted Physical Image by "Nugatory Physical image"; From the apocalypse of Cubism,Suprematism and De Stijl tended towards Pure Plastic which excluded Physical Image completely,meaning that it had realized absolute Expression in the range of plastic;After WW II,artsists in western detected that Pure Plastic had actually suppressed Expression newly,as a result of Abstract-Expressionism and Mirnirnaliam Art,Expression broke away from Pure Plastic gradually to seek some new possibilities other than plastic.

本文从对西方文艺传统中的&表现&观念的历史考察着手，归纳出西方现代&表现&观念的核心内涵，以此为基点来逐步分析西方现代造型艺术史，进而将西方现代造型艺术的产生与发展归结为在&表现&观念驱动下不断递进的历史进程：印象主义对感觉真实的追求为造型艺术由再现走向表现打开了缺口；野兽派在继承和批判后印象主义的基础上首次实现了表现的自觉，并在艺术中反抗物象对表现的压迫；德国表现主义与超现实主义以不彻底的&否定性物象&来张扬表现反抗物象；至上主义、风格派等则在立体主义的启示下走向完全排斥物象的纯粹造型，在造型的范围内实现彻底的表现；二战后的西方艺术家们察觉到纯粹造型已经掉转头来形成新的对表现的压制；经由抽象表现主义、最低限艺术，表现逐步摆脱了纯粹造型，寻求造型之外的新的表现可能。

If you are unfortunate enough to the lovelorn, please tell me, I will help you out, really, please contact me!

如果你不幸失恋了，请告诉我，我会帮助你摆脱困境，真的，请联系我啦！

China's plan to cut energy intensity by 20 percent and pollutant discharges by 10 percent between 2006 and 2010 is a case in point.

中国计划在2006年到2010间降低20%的能源强度和减少10%的主要污染物排放，就是一个这样的例子。