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A layout information selecting part (304) selects a layout in accordance with the display part as designated by the display designating part (303) from layout information, which includes layouts suitable for the resolutions of the display portions (D1,D2), distributed from a media distributing apparatus. In accordance with the selected layout, a media display control part (306) selects media distributed from the media distributing apparatus, performs a conversion processing, such as scale-up or scale-down, and causes the display part as designated by the display designating part (303) to display the media.

配置信息选择单元(304)从由媒体播发装置播发的包含与显示单元D1和D2的分辨率相应的配置在内的配置信息中，选择与显示指示单元(303)所指定的显示单元相应的配置，并且根据所选择的配置，媒体显示控制单元(306)对由媒体播发装置所播发的媒体进行选择以及进行放大和缩小等变换处理后，将媒体显示在由显示指示单元(303)所指定的显示单元上。

The first part states in a comprehensive way the research on Zhou Zuoren so as to define the purpose, methodology and significance of the dissertation. The second part analyzes the experience of Zhou's self-culture creation from a personal angle-Yue culture in Zhejiang gave Zhou a perceptual knowledge of folklore, while the idea of world folklore gave him a rational cognition of folk' culture. The combination forms a dual folklore. The third part observes Zhou Zuoren's examination of literarure from folklore's perspective as well as its pioneering significance. The fourth part explores in a further way Zhou's perspective of folk culture, and analyzes the method he has established to conduct literary criticism from the angle of folklore as well as his research on Chinese Culture. The fifth part analyzes the impacts folklore theory and folk culture have on the formation of Zhou' literary ideas, focusing more his folklore interpretation and humanism perspective about the origin and hist ory of literature, also his literary aesthetic standards about "ordinary humanism" and "loving amusement" from the position of folklore. The sixth part expounds Zhou's achievement in combining literature and folklore and explores the consistency of their focus on human, thereby presenting a complete picture of Zhou's literature. The last part generalizes the revelation drawing from the research done in this dissertation.

本文分为六章：第一章综述周作人研究的历史与现状，从而确定本文的研究目的、方法及意义；第二章从社会、时代背景、区域文化传统和个人文化选择的角度，阐释周作人选取民俗学视角观照文学的原因，侧重分析周作人自我文化建构的心路历程——浙江越文化传统的浸润给周作人以民俗学的感性认识，而世界民俗学的理念赋予他注重民间文化的理性精神；第三章考察周作人的民俗学研究及先锋意义；第四章进一步探讨周作人的民俗文化观，分析他确立的从民俗文化角度进行文学批评的方法，兼及他从民俗学视角进行的中国文化研究；第五章分析民俗学理论及民俗文化观在周作人文学思想生成中的影响，着重论述周作人关于文学起源和文学发展史的民俗学阐释、文学的民俗人性观，以及从民间立场出发所具有的"平凡的人道"、"有情的滑稽"等文学审美原则；第六章从创作实践方面，探讨周作人文学作品的民俗文化意蕴，进一步论述周作人将文学与民俗结合在一起的实绩，并揭示二者以"人"为核心的内在精神的一致性，从而呈现出周作人较为完整的文学风貌；最后是余论，指出这一研究的启示。

The first part of this paper mainly intends to state the concept of the campus digitization; then the second part makes a simple statement on the present development situation computer network system and function enlargement of the contemporary campus network system; the third part isthe key point of this paper, which surround the practical subject----thedesign and plan of Weihai college network system digitization and study the network development from the angle of the connection between theory and practice; the fourth part states the design and plan of the campus network system digitization building from the application of the new technology and the achievement of the administration function two aspects; the fifth part studies the problem we find and discuss the further innovation and the future campus digitizations development direction according to the campus digitization building; the sixth part is a conclusion forecast the future information building of national education from the campus digitization.

本文第一部分主要针对数字校园的概念进行了阐述；然后在第二部分就计算机网络技术的发展现状以及现阶段校园网功能的拓展做了简单论述；第三部分是本文的重点，围绕威海职业学院数字化校园网络系统的规划设计建设这个实际项目，从理论联系实际的角度出发展开研究；第四部分则主要从新技术的应用以及管理功能的实现两方面对校园数字化建设规划设计进行了探讨；在第五部分，根据校园数字化建设探讨了未来数字校园的发展方向，并从发现的问题入手研究探索数字化校园的进一步发展更新；第六部分是对全文的总结，从校园的数字化展望未来国家教育的信息化建设。

The fourth part from the analysis summary porch space rule, the variation rule obtained, proposed the porch space the principle which should follow in the design.

第四部分从分析总结廊空间的规律、变异规律入手，提出了廊空间在设计中应遵循的原则。

Nowadays the old art has already died, the new has not yet been born; and things have died — we have lost our awareness of the world; we are like a violinist who has ceased to feel the bow and the strings, we have ceased to be artists in everyday life, we do not love our houses and clothes, and easily part from a life of which we are not aware.

如今，古老的艺术已经死了，新的尚未出生，死亡，事情-我们已经失去了对世界的认识，我们就像是一个字符串小提琴手谁已不再感到弓，而且我们已停止艺术家将在每天的生活，我们不爱我们的房子和衣服，并轻松知道从生命的一部分，我们不是。

Hublot's success stems in part from Mr Biver's penchant for rationing his products.

恒宝的成功部分来自于比弗喜欢限量生产的嗜好。

Hublot's success stems in part from Mr Biver's penchant for rationing his products.

Hublot的成功部分是源于Biver先生对于限量产品的偏好。

Other school districts are also trying to address problems they say have stemmed in part from overly strict zero-tolerance policies.

其它学区也试图解决问题，他们说，有部分由于过于严格的零容忍政策。

A part from that it offers modularization of code and changes are immediately affected unlike business components which need to be recompiled and deployed.

其中一部分来自它的代码模块化，数据变更的时候不必像商业组件那样需要重新编译和部署。

China's investment risk is clearly slower than the growth rate of India, but investment is also growing, due in part from the United States should go to the new Chinese venture capital funds, including Accel Partners and Matrix Partners.

对中国的风险投资增速显然慢于印度，但投资也在增长，部分原因应归于来自美国的新的中国风险投资资金，其中有Accel合伙企业和Matrix合伙企业。

What are your goals and strategies for growth?

你的成长目标和策略是什么？

And unto the angel of the church in Sardis write; These things saith he that hath the seven irits of God, and the seven star I know thy works, that thou hast a name that thou livest, and art dead.

3：1 你要写信给撒狄教会的使者，说，那有神的七灵和七星的，说，我知道你的行为，按名你是活的，其实是死的。