查询词典 opera

The sydney opera house is one of the most famous buildings in the world.it is considered to be one of the most recognizable images of the modern world although the building has been open for only about 30 years.the sydney opera house is as representative of australia as the pyramids are of egypt.

悉尼歌剧院是世上最著名的建筑之一。虽然这项建筑之开放了三十年，但是它是被公认的世上最与众不同的现代建筑。悉尼歌剧院是澳大利亚的象征，就像金字塔是埃及的象征一样。

In the thinking of Subject Consciousness we could explore the multi meaning of this opera,including the tragedically purpose of history both from the history itself and Kong's interpretation.The mixing emotion for the rises and falls on history and life sublimed in a particular cultural circumstance and at last the deep-seated intendment of this opera emerged.

从主体意识的角度出发可以探析《桃花扇》的多层面意蕴，它包括历史题材本身的悲剧意义和作家流露出的浓郁历史悲剧感，更包含历史兴亡之感和沧桑人生况味，最后在特定文化情怀中升华出作品的深层意蕴。

Following this context and along different viewpoints of personality-character arrangement and music interpretation for love and death, this research is trying to explore: firstly, comparing the characters of Jago Otello and Desdemona separately in original text with them in opera text, the specific aesthetic viewpoints of conflict and evil in nineteenth century would in this way be clarified. Hence, basing on the ending of the act IV in the opera, the representation of different viewpoints of death in nineteenth century from that in the era of Shakespeare will be musically interpreted.

对此，本研究没要从人物性格的设计以及音乐里如例诠释爱与死的看法两方面进行探讨：首先比较原著与歌剧文本在Jago、Otello、Desdemona三人情格刻划方面的差异，藉此突显属於十九世纪时代的对立冲突性以及恶的美学观；尔后，再以歌剧中第四幕的结束场景为出发点，探究音乐手法如何同样地反映出十九世纪有别於莎士比亚时代的死亡观。

Let us on the one hand, the opera "La Traviata" done to further the knowledge and understanding the other reveals the fury of the Opera performances of the important position, thus the ch...

一方面让我们对歌剧《茶花女》做更进一步的认识和了解，另一方面也揭示了重唱在歌剧表演中的重要地位，从而对歌唱者提出了作为一个歌剧演员所要具备的基本素质。

As a personal recommendation (me being the author of a book entitled "New York's Opera Society") why not substitute a film with a passionate opera such as "La Traviata" or "La Boheme".

作为个人的建议（我是作者的一本书，题为"纽约歌剧社"），为什么不能取代电影的热情，如歌剧"茶花女"或"波希米亚人"。

He subsequently entered the Merola Opera Program of the San Francisco Opera where he performed the role of Alfredo in La Traviata and also participated in master classes with Joan Sutherland.

他到旧金山歌剧院参加了萨瑟兰的大师班，并在那里演唱了《茶花女》中的阿尔弗莱多。1999年，罗兰多·维拉泽恩在多明戈歌剧比赛中获二等奖和萨苏埃拉一等奖。

Yulan magnolia teacher, in this opera lead Wei the Austria Li tower, in rehearses "La Traviata" in the process,started to in this opera Pitiful and difficult sings the skill to fill the interest and the challenge thought, thereupon decided two arias listed as one of graduation concert programs the play in.

由於笔者在接触威尔第这部歌剧后，有幸参加并演出由邱玉兰师所导演，此部歌剧中的主角薇奥丽塔，在排练《茶花女》的过程中，更开始对这部歌剧中的悲情角色及困难的歌唱技巧充满了兴趣及挑战的意念，於是决定将剧中两首咏叹调列为毕业音乐会的曲目之一。

The thesis are divided into four parts: chapter 1 is telling the background of La Traviata and the composer"s mentality; chapter 2 is telling how to perform Violetta on the basis of the musical and dramatic factors; chapter 3 is telling the greatness and tragic of the character Violetta; chapter 4 is telling unitarily the artistic charm of the character Violetta,, and her artistic value to the opera La Traviata and even to Verdi"s other opera works.

全文共分为四大部分：第一章主要交待《茶花女》的创作背景和创作心理；第二章主要从音乐和戏剧两因素分析作曲家如何对薇奥莱塔人物形象进行塑造和演唱者如何进行二度创作；第三章，主要从美学角度分析薇奥莱塔形象的"崇高"和"悲剧性"审美价值；第四章，从"薇奥莱塔"歌剧形象看威尔第歌剧的独特艺术魅力。

In 1986 he was admitted to the Central Opera Theatre and has since performed in operas like Rigoletto, Carmen, La Traviata, Madam butterfly, The Marriage of Figaro, The Taming of the Shrew, and the Chinese opera Marco Polo.

1986年以优异成绩考入中央歌剧院，先后在多部世界著名歌剧中担任主演，如：《弄臣》、《卡门》、《茶花女》、《蝴蝶夫人》、《费加罗的婚礼》、《驯悍记》及中国歌剧《马可·波罗》等。

An opera role's stage image mold, must be established in opera libretto, and profound analysis of music.

歌剧角色的舞台形象塑造的依据。一定是建立在对歌剧剧本，音乐的深刻剖析上的。

The changes of the HAF after liver injury may be related to the volume of blood loss, the intraabdominal pressure and the pneumoperitoneum duration.

肝撞击伤伴失血后肝动脉血流量的变化与失血量、气腹压力以及气腹持续时间等有密切联系。

Reneging on our commitments to the world's poor cannot be an austerity measure, she said.

放弃我们给世界上的穷国的承诺不能成为一种紧缩措施。