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Currently serves as the President of Fine Arts College of Guangxi Normal University, professor, Master student's director, the member of Chinese Book Association, Gungxi Art Association, the Japan Basis Shaping Institute, and Japan Design Association, curator of art museum, the president of Guilin Basis Shaping Research Institute, the centre director of Guilin and Japan's Culture Studying Institute and Culture Exchange Centre, the editor of "Magnificent Spectacle of Fine Art" and Ceramics Art and Science, the Master student director of Guangxi Art Academy, visiting professors of Europe Asia University, Shaoxing Academy, Guilin Engineering College, and Guangxi Occupation Tec.

现为广西师范大学美术学院院长、教授、硕士生导师，中国书协、广西美协，日本基础造型学会、日本设计学会会员，师础坚艺术馆馆长，桂林基础造型学研究会会长，桂林日本文化研究所及桂林研美文化转播交流中心主任，《美术大观》、《陶瓷艺术与科学》编委，广西艺术学院兼职硕士生导师，马来西亚欧亚大学、绍兴文理学院、桂林工学院、广西职业技术学院等客座教授。

In addition, combining some research and application to the art education theory in the course of making the art teaching practice applying the existing art teaching material, she has also expatiated that the hortative teaching has advanced the change of the art education idea and the reformation of the art teaching mode and students' learning from the angle of the course construction.

本文通过对美术教育标准的分析，结合心理学对个体积极性的调动的心理分析，论述了美术教育对学生学习积极性的调动因素、方式、方法、措施等，并结合自己在运用现有的美术教材进行的美术教学实践中，对美术教育理论的一些探索和运用阐述了幼师美术教学从课程建设的角度，运用鼓励教学的方法促进了美术教育观念的转变，促进了美术教学模式和学生学习的变革。

He has participate in many large exhibitions of academic standing, including the research project "The Migration of Asian Contemporary Art and Geo-politics" 2002-2004,"Image Existence" the 5th Shanghai Biennial 2004,"In the Deep of Reality: Contemporary Chinese Art" and "Asian Time: New Media Art" in 2005,"Micrology: Chinese Contemporary Art" and "The Yellow Box: Contemporary Art and Architecture in a Chinese Space".

自2002年起，他参与策划了许多大型学术性展览，包括2002年至2004年的"亚洲当代艺术的迁徙与地缘政治"系列研究计划、2004年的"影像生存：第五届上海双年展"、2005年的"现实深处：中国当代艺术邀请展"和"亚洲时间：新媒体艺术展"、2006年的"显微学：中国当代艺术展"以及"黄盒子：中国空间里的当代艺术与建筑"学术邀请展等。

He has participate in many large exhibitions of academic standing, including the research project "The Migration of Asian Contemporary Art and Geo-politics" 2002-2004,"Techniques of the Visible" the 5th Shanghai Biennial 2004,"In the Depth of Reality: Contemporary Chinese Art" and "Asian Time: New Media Art" in 2005,"Micrology: Micro-politics in Chinese Contemporary Art" and "The Yellow Box: Contemporary Art and Architecture in a Chinese Space".

自2002年起，他参与策划了许多大型学术性展览，包括2002年至2004年的"亚洲当代艺术的迁徙与地缘政治"系列研究计划、2004年的"影像生存：第五届上海双年展"、2005年的"现实深处：中国当代艺术邀请展"和"亚洲时间：新媒体艺术展"、2006年的"显微学：中国当代艺术展"以及"黄盒子：中国空间里的当代艺术与建筑"学术邀请展等。

Secondly, the thesis tries to find out aspects on the works of art that are on the surface of impersonal existence, associated with art and people, and most likely to draw people's attention other than their reality. These aspects are images and forms, especially the using of lines, which is the most living form in my study of Chinese painting. The topic extends from the using and exhibition of lines in the sketching and art creation, further to the intuition, which is the way and measure of obtaining the form of the works of art. Intuition is a nonfigurative emotional activity that melting the sensibility and logos of human being. The thesis discloses that emotion is the momentum of art intuition.

然后试图找到艺术作品这一客观实物上最为表层的、与艺术、与人相关的，除了它的实在以外最容易被关注的部分---形式，尤其是我所学习的中国画中，线这一最具生命感的形式，在花鸟写生和创作中的运用和体现，进而深入到艺术作品的形式获得的途径和方法---直觉，这种人类感性和理性相融合的情感的复杂抽象活动，并揭示出艺术直觉的动因是情感，人们为了满足某种心灵的需要而进行艺术的直觉和积累。

But thedigital art design have got what oneself the magic power's art design of the specialkind manifestation, lack the perfect and emollient theories system of oneself over along period of time, and not set up to adapt to the digital art design characteristicwith the development's idea and thought, not these ideas with thought the guideinto to the digital art design's artistic with enjoy the inside and go to, digital artdesign can't break the mode of the traditional art design with old mt, can't developthe advantage of the arithmetic figure to sink into the mimicry with magic power,It is not difficult with plagiary predicaments.

但数字化艺术设计是有着自身独特性质的魅力的艺术设计表现形式，长期缺乏自己完善有力的理论体系，不树立适应数字化艺术设计特征和发展的观念与思想，不将这些观念和思想引入到数字化艺术设计的创作和欣赏中去，数字化艺术设计就无法突破传统艺术设计的模式和窠臼，无法发挥数字化的优势和魅力，难免陷入模仿和抄袭的困境，无法进一步的前进和深入，这无论是对数字化艺术设计本身还是对整个艺术设计的发展都是不利的。

In the art classification, the art call plastic art, sense of vision art, space art again.

在艺术分类中，美术又称造型艺术、视觉艺术、空间艺术。

The primary character of vulgar sociology is that the art should serve the politics as a propagandistic tool;the research on art is mainly oriented to the relationship between art and society,art and politics,art and classes.

庸俗社会学长时间占据了中国的学术界，其基本特点是强调艺术为政治服务的，艺术简单地充当宣传的工具，对艺术的研究主要围绕艺术与社会、艺术与政治、艺术与阶级的关系。

This self-formed art group tries to build China contemporary art image in the world by using their unique language to express and explain their understanding of the reality and life. They wish to drive China contemporary art forward by their art experiments and to live on art.

这个自发的艺术群体试图通过依靠一种集体的力量来打造中国当代艺术的世界形象，他们试图用独特的艺术语言表达来诠释他们对社会现实及生活的理解，并且希望通过各自的艺术实验来推进中国的当代艺术，同时能够以此养家糊口。

From the very beginning, primitive witchery made art the decisive factor of the fate of their tribes. In the long pre-modern society from then on, art is always the important tool of the various political systems. Hence, religious art and ethical art were the forms of ancient arts that took on the social responsibility of art.

原始巫术自始即将原始艺术置于攸关族群兴衰生死的重大责任位置上，此后漫长的古代文明社会中，艺术始终是不同的政治社会的重要工具，因而，宗教艺术、伦理艺术是古代艺术的社会责任承担形态。

His female bullfighter Lydia gradually Health love, but she was in a vegetative state after the Bulls Zhuangcheng away from her, just because Lydia's ex-boyfriend showed more affectionate than he is like love.

他对女斗牛士莉迪亚渐生爱意，却在她被公牛撞成植物人后离她而去，仅仅因为莉迪亚的前男友表现出好似比他更深情的爱。

I know of none which are not easy to answer, but what I am trying to do now is only by a series of hints to throw some light on the narrow path of legal doctrine, and upon two pitfalls which, as it seems to me, lie perilously near to it.

我不认为有什么难以回答的问题，但我现在要做的仅仅是通过一系列线索，来给法律理论的狭窄路径以及在我看来离它近得危险的两个陷阱提供一些启示。