查询词典 nothingness

But how did the author of Being and Nothingness respond to The Myth of Sisyphus?

那么，《存在与虚无》的作者又是如何回应《西西弗斯神话》的呢？

Thus he shut himself up, he lived there, he was absolutely satisfied with it, leaving on one side the prodigious questions which attract and terrify, the fathomless perspectives of abstraction, the precipices of metaphysics--all those profundities which converge, for the apostle in God, for the atheist in nothingness; destiny, good and evil, the way of being against being, the conscience of man, the thoughtful somnambulism of the animal, the transformation in death, the recapitulation of existences which the tomb contains, the incomprehensible grafting of successive loves on the persistent _I_, the essence, the substance, the Nile, and the Ens, the soul, nature, liberty, necessity; perpendicular problems, sinister obscurities, where lean the gigantic archangels of the human mind; formidable abysses, which Lucretius, Manou, Saint Paul, Dante, contemplate with eyes flashing lightning, which seems by its steady gaze on the infinite to cause stars to blaze forth there.

他自己便隐藏在那里，生活在那里，绝对心满意足，不理睬那些诱人而又骇人的重大问题，如抽象理论的无可揣摹的远景以及形而上学的探渊，所有那些针对同一问题的玄妙理论他都抛在一边，留给上帝的信徒和否定上帝的虚无论者去处理，这些玄论有命运、善恶、生物和生物间的斗争、动物的半睡眠半思想状态、死后的转化、坟墓中的生命总结、宿世的恩情对今生的"我"的那种不可理解的纠缠、元精、实质、色空、灵魂、本性、自由、必然，还有代表人类智慧的巨神们所探索的那些穷高极深的问题，还有卢克莱修①、摩奴②、圣保罗和但丁曾以炬火似的目光，凝神仰望那仿佛能使群星跃出的浩阔天空。

A timeless, spaceless, nothingness.

没有时间，没有空间，虚无。

On probing into the art works of classical literature, we can find a special art experience: deep feeling of grief is outpouring from a lot of potrey and ancient prose, which is about inquilinousness of life, about nothingness of prosperity and splendidness, about interior flux of sadness. At the same time, this outflow is continuous, and manifests a great characteristic of aesthetic experience in Chinese ancient Aesthetics.

直面中国古典文学艺术作品的现实，可以发现一种特殊的艺术经验：即大量诗词和古文中流露出来的人生如寄、韶华不在、"悲从中来"的沉痛之感，并且此一经验脉脉相续，构成了中国古典美学审美经验的一大特色。

In his works, he revealed people's horror towards supernature, nothingness, death, evil and disintegration of personality. He tried to demonstrate that horror originates from our soul.

坡在作品中深刻地揭示出人们本能的对超自然的恐惧，对虚无、死亡的恐惧，对人性本能的恶、对人格分裂的恐惧，他竭力向人们证明"恐怖的源头在于人的心灵"。

Maybelle Merriwether went toward the next booth on the arm of the Zouave, in an apple- green tarlatan so wide that it reduced her waist to nothingness.

梅贝尔 -梅里韦瑟吊在那个义勇兵的膀子上向隔壁那个摊位走来，她身上那件苹果绿薄纱衣裳那样宽松，把她的腰身衬托得纤细极了。

Meditation is to come upon this quality of nothingness, absolute nothing.

冥想发生于这种空无的品质，绝对的无。

A famous line of the Greek tragedian, Sophocles, says that "it were better never to be born," but, having been born, the next best thing that could happen is to return as soon as possible to the nothingness whence we came.

希腊悲剧诗人索福克利斯有句名言：「人最好就是不出生。」但是既然已诞生，次好的就是及早回归到我们来自的虚无世界。

In fact I don't think the birth is a kind of bestowing; life, as it should be, is nothingness and helpless.

是我思想落后了，我以为生命是种必然。我没有想过我们是否有权利去选择。

The people and objects floating through Gao Bo's works are without roots - perhaps they come from a momentary memory or a spark of interest. Looking at Gao Bo's works brings pictorial information stored deep in the mind to light, yet within a second these mind-images fade again, leaving behind a memory of all the images that lie underneath Gao Bo's warm and languid sketching. In Gao Bo's consciousness, these images don't stop at realism or simply exposit like some historical legend - in the end they reach towards the fringes of nothingness.These images can call up rich associations in our minds yet often these are false associations. For example, in "Gray Face" this is not the mystical dog of the god Erlang in Journey to the West; the rickety bridge in "River Bed" is certainly not a reference to a rainbow in Heaven; the story of "Contest" is not about two dogs running and pretending to be in love but a story of race dogs controlled by humans.

散漫在高波作品中的人与物没有根源，也许它们是源于个人瞬间的兴趣和记忆，有关知识的、情感的和在脑子里存储的图象信息随之而来，也可以随之而去，只是在温和缓慢的描绘背后还有一丝对所有形象匆匆停留过后的怀念，它们在高波的意识之中并不是一次停留于现实或者历史神话般司空见惯的陈述，它们的结果最终都是通向虚无的边缘，尽管那些形象似乎可以唤起我们丰富的联想，比如《灰色的脸》，它绝不是西游记中二郎神的天犬，在《河床》中不牢靠的拱桥，肯定不是寓指天堂里的彩虹，《竞赛》讲述的故事并不是两只在假装为爱情奔跑的狗，而是被人为所驱使的赛狗。

What are your goals and strategies for growth?

你的成长目标和策略是什么？

And unto the angel of the church in Sardis write; These things saith he that hath the seven irits of God, and the seven star I know thy works, that thou hast a name that thou livest, and art dead.

3：1 你要写信给撒狄教会的使者，说，那有神的七灵和七星的，说，我知道你的行为，按名你是活的，其实是死的。