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madrigals相关的网络例句

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与 madrigals 相关的网络例句 [注:此内容来源于网络,仅供参考]

The great achievements generally ascribed to him are the further development of the recitative , later introduced by Monteverdi, and of infinite importance in the history of dramatic music; the further development of the chamber - cantata , by which Carissimi superseded the concertato madrigals which had themselves replaced the madrigals of the late Renaissance ; and the development of the oratorio , of which he was the first significant composer.

一般归因于他的伟大成就,是在宣叙调,后来介绍了威尔第和无限的重要性,在戏剧音乐史,该商会的进一步发展-大合唱,其中卡里西米取代了 concertato madrigals 了自己的进一步发展取代已故文艺复兴的madrigals,以及清唱剧,其中他是第一个重要的作曲家的发展。

This programme featrues Italian and English madrigals, French chanson and instrumental music in Renaissance.

本集介绍文艺复兴时期意大利及英国牧歌、法国歌曲及乐器。

His madrigals appeared before he was established as choirmaster at Chichester cathedral,where he composed a great deal of music for the Anglican service,including almost fifty anthems.

其音乐生涯的早期就开始写作牧歌,在成为契切斯特大教堂的唱诗班指挥之后,他为圣公会创作了许多歌曲,其中包括大约50首圣歌。

In the late 16th century, as the Renaissance era closed, an extremely manneristic style develops. In secular music, especially in the madrigal, there was a trend towards complexity and even extreme chromaticism(as exemplified in madrigals of Luzzaschi, Marenzio, and Gesualdo).

16世纪晚期,当文艺复兴时期结束后,一种极度精细的风格发展起来,在世俗音乐,尤其是牧歌的发展上,这种风格趋于复杂化甚至极度使用半音体系(比如在Luzzaschi, Marenzio,和 Gesualdo的牧歌创作中)。

The madrigals of Prince Don Carlo Gesualdo reach up toward heaven, but the story of the composers married life reads like a page from Dantes Inferno.

丹·卡洛·比萨杰苏阿尔多王子创作的情歌达到了极高的水平,但这位作曲家的婚姻生活看起来却活像但丁的《炼狱》。

Indeed Predieri who succeeded Caldara as Vice Kapellmeister in 1739 wrote to Padre Martini that the Emperor had highly praised some of his madrigals which astounded everyone, since it was generally believed that, after Caldara, no composer could ever satisfy him .

"事实上普雷迪耶里谁接替副Kapellmeister在1739卡尔达拉写信给帕德雷马提尼,天皇曾高度赞扬他的madrigals"的每个人都感到吃惊,因为这是一些普遍认为,经过卡尔达拉,作曲家也更没有满足他。

Monteverdi was a master of both, producing precisely styled madrigals that extended the forms of Luca Marenzio and Giaches de Wert.

蒙特威尔第同样是一个牧歌创作的大师,他创作出精细风格的牧歌,拓展了Luca Marenzio 和 Giaches de Wert的创作形式。

Other important milestones in the Early Music Revival included the 1933 founding of the Schola Cantorum Basiliensis in Basel , Switzerland by Paul Sacher -together with distinguished musicians including the pioneering specialist in early vocal music Max Meili , who contributed to the extensive L'Anthologie Sonore series of early music recordings and recorded Renaissance lute songs for HMV -and the 1937 presentation and recording of some of Monteverdi's Madrigals by Nadia Boulanger in France.

早期音乐复兴中的里程碑包括: 1933年,保罗-撒切尔在瑞士的巴塞尔成立了柏森音乐学院;出现了一批杰出的音乐家,如早期声乐方面的顶级专家迈克斯-梅尔(录制了 L'Anthologie Sonore 系列早期音乐唱片,为HMV录制了文艺复兴时期的鲁特琴歌曲)和1937年在法国表演与录制了蒙特威尔第的牧歌的纳迪亚-勃朗格。阿诺德-多尔梅奇注:法国出生的英国音乐家和演奏家。师从H。维厄唐(1820~1881学习小提琴后移居英国,开始收集、修理并学着演奏古乐器。他仿制了多把诗琴、击弦键琴、拨弦键琴、竖笛等乐器,最后他和他的妻子、孩子一起表演和传播早期音乐。

Madrigals, Dances, Renaissance instruments, polyphony, St Marks, Mass,Motet

14世纪法国和意大利北部逐渐形成并兴盛至16世纪末的多声或单声,附有伴奏的歌曲

And like his lifestyle, his madrigals were some of the most dynamic and daring of their day.

比萨杰苏阿尔多的情歌作品正如他的生活状态一样,是他最有活力和胆量的岁月的见证。

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