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integer representation相关的网络例句

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Finally, the equivalence properties between Boolean matrix representation and algebra representation of attribute reduction are proved.

建立了布尔矩阵与逻辑方程组的解和决策表中的属性集之间的关系;然后在此基础上给出了决策表中的粗糙集理论的布尔矩阵表示;最后证明了属性约简在布尔矩阵和代数两种不同表示下是等价的。

Based on the point that there is something in common between the rules of matrix multiplication and the figure connection in braid multiplication, this paper gave a new representation of braid group called node matrix representation.

利用矩阵乘法规则与辫子乘法中图形的上下对应连接有类似之处这一特点,提出一种用结点矩阵表示辫子的方法。

B Consider the thermodynamic potential using the particle-hole oscillator representation. We are going to check if it gives the same result as the canonical Fermi representation.

利用粒子-空穴振荡表象考虑热力学势,我们要检验它是否能给出正则费米表象一样的结果。

Based on the theory of graph representation, the canonical graph representation of the continous 3R oblique non-spherical wrist is setup, and links of the wrist are divided into carriers and carried links.

中空结构有利于保护从中穿过的油漆管、溶剂管、成型空气管和测速光纤等,而且在手腕转动过程中不会引起内部管路打结或折断。

This essay focuses on the discussion of landscape representation in Robert Louis Stevenson's three travel writings: An Inland Voyage (1878), Travels with a Donkey in the Cevennes (1879), and In the South Seas (1896). Three questions are analyzed in the landscape representation of the three travel writings: first, how the traveller's cultural discourses are embodied in the travel writings; second, how the travelling self interacts with the Other; and thirdly, how the traveller constructs his self.

中文摘要/本论文主要讨论史蒂文生三部旅行书写——《内河航行记》(An Inland voyage, 1878)、《赛凡斯山偕驴同行》(Travels with a Donkey in the Cevennes, 1879)、与《南太平洋记行》(In the South Seas, 1896),以这三部旅行书写中的地景再现来讨论旅行文本中的地景描绘如何呈现旅行者既有的文化论述、旅行者与他者的互动、以及旅行者的自我建构。

Not only Henri Matisse discovered the applications of complanation, decroativeness and solid color, the particular forms of representation and the simple, imagery, relaxing shaping models, but he also had an intensive study of the harmonious relation of object and self, the reality of likeness and unlikeness, pursuit of representation and hence put them into his works.

马蒂斯不但从东方绘画中发现了平面化的、装饰性的、纯色彩的运用形式,在构图上对空间、透视和空白的特殊表现形式,以及简约、意象、轻松的造型特征,而且对中国绘画的物我相融关系、"似与不似"的真实观、"追求表现"等观念有着深入的研究,并且将之融入自己的绘画中。

The paper aims at the difficulty of preference representation, according to the concept of preference number and structure and compound rule, builds the model for aggregating group preference, and denotes preference structure with model of neural network, then gives out a methodology that preference is denoted by interval number, builds the model based on neural network and group preference, so preference representation is nonlinear, self-adapting, relearning.

针对决策偏好表示和集结的难点,在给出偏好由数量描述和结构描述的概念基础上,根据群体决策复合准则,建立了群体决策偏好集结的模型,并将神经网络模型用于表示决策者的偏好结构。提出用区间数表示决策者偏好的方法,建立群体偏好表示的神经网络模型,使得偏好的表示具有非线性,自适应及可学习的特点。

This article takes the teaching of conic sections as an example. By designing worksheets, teachers can introduce the historical material about conic sections to students. By way of using Apollonius' definition of parabola, ellipse and hyperbola, teachers can introduce the geometric aspect of "conic section" to students. By using the concept of " latus rectum " in Conics , we can connect "conic sections"-- representation of geometrical aspect, with "the equation of conic sections"-- representation of algebraic aspect to improving insufficiency of text books.

同时本文也试著从历史文本中寻找材料,简单举例说明数学教师可以如何应用这些史料在几何单元教学上,例如三角函数的正余弦定理,最后再以圆锥曲线的正焦弦为例,说明如何利用数学史料於此单元的教学,尤其是阿波罗尼斯的《锥线论》中对圆锥曲线的3个命题,将此3个命题的内容与意涵,尤其是正焦弦在圆锥曲线的几何意义上所扮演的角色,将其适当地融入教学中,将可使学生真正学习圆锥曲线的几何知识,而不再只是代数形式的几何知识。

In order to recognize the 2D shapes, we proposed a set of perspective invariants of a pair of coplanar conics in this paper, we suggest a perspective invariant representation of general planar curve based on ellipse, and give an algorithm using the invariants and the representation to recognize 2D shapes.

为了实现二维形状的透视投影不变性识别,本文推导出了一种共面二次曲线对的透视投影不变量,提出了一种基于椭圆的平面曲线的透视不变性表示方法,并且给出了用该不变量和不变性表示方法实现二维形状识别的算法。

Here I may add that the concept of alteration, and with it the concept of motion, as alteration of place, is possible only through and in the representation of time; and that if this representation were not an a priori intuition, no concept, no matter what it might be, could render comprehensible the possibility of an alteration, that is, of a combination of contradictorily opposed predicates in one and the same object, for instance, the being and the not-being of one and the same thing in one and the same place.

它是那样的""它在这里,它在那里(这是运动在没有时间表达下的论述,显然是无意义的)。

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