查询词典 in the works

These developments culm in ated in the works of J. Bach and G.

这一时期的种种进展在巴赫和亨德尔时达到了顶峰。

This influence can be seen in the works of Degas,who included large flat areas of drak color in his paintings.

This的影响可以在德加，谁列入题材大型平板领域的杰札色彩在他的家庭喜欢paintings。

The second part would induce culture connotation macroscopically embodied in the works of art. I am going to plan on analyzing advancement and harmoniousness in practical rule and entireness and symmetry in aesthetic pursuing. We can see microcosmic tone of cinemas and TV play series and macroscopical tone of culture how to set off mutually.

下篇对韩国影视剧中所体现的文化内蕴进行宏观上的归纳，分析其在现实层面上进步与和谐的准则，审美层面上整饬与对称的追求，使影视剧的微观语境与文化的宏观语境进行对接，看二者如何互相映衬。

In the works of this genre, viewers may see the subject of a work commit suicide with a gun, be bogged down in a state of faithlessness, lawless and lost in bewildering reality and in the magnetic field of power; and in some corner along the street waiting for the expected as well as the unexpected appearance of 'you'. With one hundred bricks on his back, and luggage in hand, he heads to the railway station, leaving his hometown, fully loaded, for his unknown destiny - an experience we Chinese are most familiar with.

所以，在各种形式的作品中，观众会看到她在失落信仰、缺少权威、迷失于现实的年代，在权力磁场举枪自轰；会在街道某个角落等待意料之外，又在意料之内的你的出现；会看见他背上一百块板砖，手持行李，徒步走向火车站，背负重担离开原居城巿，藉此表达中国人最是熟悉不过的离乡背井，作者以简洁有力的方式与观众分享让人心生哀愁的"国情"……。

In the works of this genre, viewers may see the subject of a work commit suicide with a gun, be bogged down in a state of faithlessness, lawless and lost in bewildering reality and in the magnetic field of power; and in some corner along the street waiting for the expected as well as the unexpected appearance of 'you'. With one hundred bricks on his back, and luggage in hand, he heads to the railway station, leaving his hometown, fully loaded, for his unknown destiny - an experience we Chinese are most familiar with. The sorrowful National Experience is shared in a clinical manner … See the situation in the shoes of the subjects, where everything seems so ridiculous and yet at the same time not without reason - one does not know if one should cry or laugh.

所以，在各种形式的作品中，观众会看到她在失落信仰、缺少权威、迷失于现实的年代，在权力磁场举枪自轰；会在街道某个角落等待意料之外，又在意料之内的你的出现；会看见他背上一百块板砖，手持行李，徒步走向火车站，背负重担离开原居城巿，藉此表达中国人最是熟悉不过的离乡背井，作者以简洁有力的方式与观众分享让人心生哀愁的"国情"……。

As the great Mongol Empire builder, Genghis Khan had been engraved on our mind by his bloody conquest and unsurpassed achievements in war, for this reason, the images in the works of Genghis Khan had been appraised and described widely differently in different periods and districts.

作为烜赫一时的蒙古帝国的创建者，"一代天骄成吉思汗"一直以他绝世的战功和血腥的征服而被世人所铭记，并以此获得了各种差异极大的评价，在不同时期、不同地域的叙事作品中呈现出迥然不同的形象。

Harkin has his own album in the works and plays frequently in London.

现在他在制作自己的专辑并经常在伦敦演唱。？

For example, Babylonian influence is pervasive throughout the Bible and in the works of such Greek poets as Homer and Hesiod, in the geometry of the Greek mathematician Euclid, in astronomy, in astrology, and in heraldry.

例如，巴比伦普遍深入的影响贯穿在整部圣经中，在荷马和赫西奥德（公元前8世纪，希腊诗人）那样的希腊诗人的作品中，在希腊数学家欧几里德的几何学中，在天文学，在占星术，以及在纹章学中。

Secondly, to some extent, Tu Fu"s poem inditement use for reference from the comparison in the works of Qu Yuan,ut his technique has further development more than Qu Yuan"s creation in the tactics of revitalizing in Tu Fus poem .

其次，杜甫的诗歌创作对屈原创作中的比兴手法有所借鉴，但杜甫诗歌中比兴手法的运用较屈原的创作有了更进一步的发展，也更加成熟。

And good pleasure in her friendship, and unfailing riches in the works of her hands, And that in frequenting her society there is prudence, and fair renown in sharing her discourses, I went about seeking to take her for my own.

纯洁的喜乐是在于与智慧为友，无尽的财富是在于智慧手中的工作；明哲是在于与智慧结交，声誉是在于与智慧交谈；因此，我寻遍方法，好能将她娶到手中。

Cynanchum Lingtai apricot production in the average weight 65 grams, the brightly-colored fruit, juicy rich, sweet-sour taste, sweet from the nucleolus, when the late Qing Dynasty famous Shaanxi, Gansu provinces, the Qing imperial court Tongzhi tribute for years.

灵台生产的牛心杏平均单果重65克，果实色泽鲜艳，汁多味浓，甜酸适口，离核仁甜，清末时就驰名陕、甘两省，清同治年间曾为朝廷贡品。

Chenopodium album,Solanum nigrum, and Amaranthus retroflexus were very susceptible to the herbicides. Polygonum persicaria and Abutilon theophrasti were relatively less susceptible to the herbicides, and Lycopersicon esculentum was not susceptible to it. The relationship between reduction rates of weed biomass and PPM values of weed leaves 2,4, and 6 days after treatment was established.

供试的6种杂草对该混剂的敏感性存在显著差异：红心藜Chenopodium album、龙葵Solanum nigrum和反枝苋Amaranthus retroflexus对该混剂最敏感，ED90值分别为47.65、71.67和29.17g/hm2；春蓼Polygonum persicaria和苘麻Abutilon theophrasti敏感，ED90值分别为96.91、114.20g/hm2；而番茄不敏感。