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As remarked above, the historical superscriptions are worthless for the purpose of fixing the chronology, even if the concession be made that some of these pretendedly historical notes antedate the final compilation of the Psalter and were taken from the historical romances relating the lives of the nation's heroes, in which, according to prevailing ancient literary custom, poetry was introduced to embellish prose comp.

正如上文所述,历史superscriptions毫无价值为目的,订定年表,即使让步,作出一些这些pretendedly历史注意到, antedate最后汇编的psalter ,并采取了从历史传奇有关的生命民族的英雄,在其中,根据现行的古代文学的习俗,诗词介绍了美化的散文

In 2001, with the cooperation of the Second Historical Archives of China and the General Administration of Customs Office, Jinghua Publishing House had published 170-volume " Chinese Maritime Customs historical material: 1859-1948 ", collecting from 1859 to 1948 Chinese old customs historical material, such as Annual Report and Return, Decennial Reports, Report on the foreign trade of Manchoukuo and so on.

2001年,海关总署办公厅与中国第二历史档案馆合作,由京华出版社影印出版了170册的《中国旧海关史料》,这套大型资料汇编汇辑了中国近代海关自1859年至1948年出版发行的年报和十年报告,以及伪满洲国的外国贸易统计。

Gut Wiesenhof is a historical manor house with outbuildings and grounds, for the renovation of which the Hartge brothers have been awarded a prize for the preservation of a historical monument. The house and outbuildings are idyllically situated in 25,000 square metres of parkland close to the borders of Germany, France and Luxembourg. Gut Wiesenhof is first mentioned in the chronicles in 1835. Following the completion of his model farm, the original owner, Baron Constantin von Briesen, began to breedthoroughbred horses. Today, the historical outbuildings house engine test benches, an electronics laboratory and– last but not least – powerful, tuned Mercedes-Benz cars. A multifarious range that stretches from the A to the S Class.

Gut Wiesenhof是一个具有历史的庄园它有着谷仓和场地 Hartge很好的在革新公司的过程中保护好了这些历史遗产也由此获得过褒奖从房子到外屋坐落在了这个25,000平方米的草木区他也靠近了德国法国和卢森堡的交界处 Gut Wiesenhof历史上第一次被提及还是在1835年在房子建成之后房主人Baron Constantin von Briesen开始在这里饲养和训练马匹今天这一个历史性的外屋变成了引擎测试电子实验室和最终但不是最少的具有动力的Mercedes Benz改装车各类车系从A Klass 到S Klass

However, the historical essence and reality cannot do without the experiences of heroes and historical events, and characters in such epical films cannot but pay attention to the environment of such events and the specific historical images in history. Heroes like Napoleon, Peter the Great, Gump, Ivan the Great, Dunbar, Sigfrid, Kriemhild, and etc.

然而,史诗性电影的历史真实,离不开英雄人物生前的经历和历史事件,史诗性电影中的类型化人物也无不注意到这些事件所处的历史环境;无不注意到这历史环境中所产生的各种各样特定的历史群像。

Therefore,his historical philosophy is reflected in the following:1/historical fortuity and agnosticism dominated by individual situation and unconsciousness;2/historical determinism decided by cultural structure and collective unconsciousness;and 3/hist...

因此格非的历史哲学表现在如下方面:一是由个体处境与个体无意识所支配的历史偶然论与不可知论;二是由文化结构与集体无意识所决定的历史宿命论;三是由个体意识结构与记忆方式、语言以及叙事文本的"诗学"特性所决定的历史虚拟论。

In general, this paper includes several parts, shown as the following: The first part summarizes the background and outline of stock index future and introduce briefly its local status and CSI 300 stock index future contract. The second part has a retrospect of the main academic papers of both local or overseas, and also a discussion of relevant hedge strategies and models, to lay a solid theoretical foundation for the empirical analysis and test for the operation process of hedge in latter parts. The third part outlines the principle, key factors and real operation process of hedge. Moreover, it makes a empirical analysis on popular hedge models with HK Hang Seng index. In the end, it test the hedge effect of trading on IF0706, CSI 300 stock index future contract, with CCB select-growth securities fund as present underlying. The fourth and also the last part, explores how to define hedge ratio in china mainland market. It includes the stability test ofβfor local securities portfolio, adjustment of historicalβand best data length for estimation of historicalβ, etc. Also, the thesis makes some beneficial experiments on the definition of best data length for estimation of historicalβ, survey of fashion forβand variation for industryβs. Fortunately, it's got some meaningful results.

按照以上研究思路,本论文论述由以下几个部分构成:第一部分,简要概述股指期货产生的背景和基本情况,对国内股指期货进程和沪深300股指期货合约进行简单介绍;第二部分,回顾海内外股指期货避险研究的主要文献,讨论相关避险策略及避险模型,为后面套期保值策略如何有效运用的实证分析和检验提供理论基础和依据;第三部分,对套期保值的原理、关键因素及实际流程进行概述,并采用香港恒生指数对常用的几种避险模型进行实证分析,最后一揽子以建信优选成长股票型基金为现货标的,实际检验以沪深300股指期货模拟交易IF0706产品进行对冲时的套期保值效果;第四部分,探讨国内确定避险比率的过程,包括国内股票组合β值的稳定性检验、历史β值的修正及估计历史β值的最佳数据长度等,通过数据分析,本文在寻找估计β值的最佳数据长度和考察风格、行业β值的差异上做了较为有益的尝试,并得到了有助于现实操作的结果。

And it concludes that the aim of writing the Spring and Autumn Annals is not only to purely save the historical data and historical writings, but also to contain the Rites of the Zhou Dynasty writing the historical incident by the technique of writing the Spring and Autumn Annals on the condition that the writer broke the principle of the ancient historiographer.

初步得出结论如次:《春秋》编写的目的并非纯为保存史料,纯属历史著作,而是作者在明显违反古代史官"君举必书"原则的情况下,用"春秋笔法"在书写历史事件的过程中蕴涵周代礼制的礼学典籍。

Serious interpretation stick by historical fact, construct the scenario with inner historical contradiction, shape the event and historical character. Playful interpretation has a jocosity style and seldom stick by historical fact,(以后现代式无深度戏仿消解历史,并以此形成事件核心和模式化的人物形象;)Dissociated between these two styles is sub-serious interpretation, reconstructure history with fabled drama conflict, and shape the event and dramatized character.

历史正说剧忠于史实、风格严肃,以历史的内在矛盾性构建戏剧,并以此形成事件核心和历史化的人物形象;而历史戏说剧风格戏谑、几无史实,以后现代式无深度戏仿消解历史,并以此形成事件核心和模式化的人物形象;游离于二者之间的过渡类型即是历史亚正说剧,以虚构的戏剧冲突性重构历史,并以此形成事件核心和戏剧化的人物形象。

In Chapter Ⅰ of this volume the writer presented an argument for the issue of combing the different "Historical Books" of Tanach, and referred that we should combine the historical recordation of Torah with "the Former Historical Books" as a whole and regarded the Books of Ezra-Nehemiah as "the Later Historical Books".

第一章说明了《塔纳赫》中不同的&历史书卷&应该如何组合的问题,指出应将《妥拉》部分的历史记载与&前期历史书卷&组合在一起考察,而将《历代志》和《以斯拉—尼希米记》作为&晚期历史书卷&一并加以考察。

This chapter deals with the following points: the origin of the historical plays by actors and their subjects' trends; people's value judgment and actors' historical playwriting; people's aesthetic value and actors' historical playwriting; the extreme growing of stylizing in actors' historical playwriting.

本章主要探讨艺人历史剧源流及其主题倾向;大众价值观念与艺人历史剧创作;大众审美价值与艺人历史剧创作;类型化倾向在艺人历史剧创作中的极端发展。

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