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fugues相关的网络例句

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与 fugues 相关的网络例句 [注:此内容来源于网络,仅供参考]

"I'll have a look at this new organist," he thought,"who can afford to bury his talents at Audley, and play Mendelssohn's finest fugues for a stipend of sixteen pounds a-year."

&我要去瞧瞧这位新的风琴师,&他心中想道,&谁肯为了年俸十六英镑的报酬,把天才埋没在奥德利乡村里,还弹奏门德尔松的最优美的赋格曲呢。&

There was an additional volume with concerto transcriptions, the disputed Eight Short Preludes and Fugues and some separate movements handed down in scattered form.

此外还有一卷其中包括协奏曲的手抄本,富有争议的八首短小的前奏曲和赋格,还有一些手传下来零散的单独乐章。

The passage shown in Ex.43 is in fact a simplified version of the opening of Prelude No.12 from Book II of J.S. Bach's '48 Preludes and Fugues' for keyboard.

通过显示在Ex.43实际上是一个简化版本的12号开幕的前奏从第二册爵士巴赫的前奏曲和赋格曲'48 '的键盘。

Forgetfulness, he wrote,"fugues tongues and balms words".

他曾写道,健忘&令欺侮之语松软淡化,使伤人之辞平复可安&。

There is some variation, however, in the way they are constructed: in the first and last fugues of BuxWV 136 the second voice does not state the subject as in enters during the initial exposition; in BuxWV 153 the second exposition uses the subject in its inverted form, etc.

有一些变化,但是,在它们的制造方式:在BuxWV 136秒的声音第一个和最后赋格曲没有说明这个问题在博览会期间首次进入,在BuxWV 153次博览会的主题使用在其倒等形式赋格曲某前奏科目可能与在弗罗贝格尔's和弗雷斯科巴尔迪氏 ricercars 和 canzonas(BuxWV 150,152等

This thesis attempts to make a profound and thorough analysis on the 24 Preludes and Fugues by Bentzon and summarize its harmonic bases from the following three aspects: mode and tonality; chord structure; and harmonic process.

本文就本特松第一套《二十四首前奏曲与赋格》进行了深入细致的研究,并从以下三方面对其和声基础进行归纳总结:一、调式、调性,二、和弦结构,三、声部进行。

Hailed by Time magazine as "the world's greatest classical marimbist", Mr. Stevens' repertoire ranges from the Preludes and Fugues of J. S. Bach, to original marimba works written expressly for him.

他曾被时代杂志誉为&世界最伟大的古典马林巴打击乐演奏家&,他不仅演奏文艺复兴的音乐,也演奏现代作曲家为他而写的原创作品。

S226; J.S. Bach - Preludes and Fugues from WTC or two three-part inventions

S226;巴赫-《十二平均律》的序曲和赋格或两三部创意曲

Before the 1780s the string quartet had been a relatively light genre, although a wide range of movement types was possible, including strict fugues.

在1780年之前,尽管包括严谨的赋格曲在内的很多曲式都有可能出现在弦乐四重奏中,它还是一种不太受重视的音乐体裁。

The piano music twenty-four preludes and fugues no.9 composed by shostakovich is one of his polyphony works written during the period from 1950 to 1951.the fugue in this work is characteristic in the fields of structural configuration, theme, counter-theme, episode and epilogue.

肖斯塔科维奇的钢琴曲《二十四首前奏曲与赋格》 no.9是作曲家于1950-1951年初创作的一部复调器乐作品中的其中一首,这首作品中的赋格在结构布局、主题、对题、间插段及尾声写作方面别具特色,本文就谈谈其赋格的写作特色。

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