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equal temperament相关的网络例句

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与 equal temperament 相关的网络例句 [注:此内容来源于网络,仅供参考]

In standard well-tempered tuning or tuning in equal temperament the note C sharp is the enharmonic equivalent of D flat, D sharp of E flat, and so on.

在标准的十二平均律中,升C调等同于降D调,升D调等同于降E调,以此类推。

While in equal temperament scales, enharmonics are notes with identical name but different spellings (e.g. A flat and G sharp), in flamenco, as in unequal temperament scales, there is a microtonal intervalic difference between enharmonic notes.

在等程音阶里,异符同音是音名相同但是记谱不同的音符(例如,降 A 和升 G ),而在弗拉门戈里,就像在不等程音阶里那样,异符同音音符之间存在着微分音程的差别。

In this paper, not only the musical acoustics, twelve-tone equal temperament but also the overtone, the intervals are present. Some effects on the temperament and intonation are analyzed.

详细地介绍了现代钢琴的律制、音乐声学、十二平均律、谐音以及音程中所产生的拍音原理,分析了影响钢琴音律和音准的各种现实因素。

In this study, we try to provide the examples of the application of mathematics to music; the application of golden ratio to musical structure; the calculation and derivation of Pythagoras scale、pure scale and twelve-tone equal temperament scale; the application and analysis of mathematics in fifth-degree co-generation method; and the two-dimension research of the interval and scale. These discussions apparently show the strong correlation of mathematics and music.

本文藉由数学与音乐的多元对话,探讨音乐领域中数学的应用范例;黄金比例在乐曲结构之应用;运用数学推演和计算毕氏音阶、纯律音阶和十二平均律音阶的组成;探讨五度相生律的应用范例与数学的密切关系;归纳和分析音程和音调的数学二元图表,在在都显示出数学与音乐密不可分的关系。

From the micropolyphony in Atmospheres to the mechanical rhythm in Poeme Symphonique for 100 metronomes, from the complex crossing rhythmical structure in Etudes for piano, to the practice going beyond the 12 equal-temperament, all of them embody the typical "Ligetian Style".

从大型管弦乐作品《大气》(Atmosphères)中的微复调到为100只节拍器而作的《交响诗》(Pobmè symphonique)中的机械性节奏运动,从系列钢琴练习曲中复杂的交错节奏结构到《小提琴协奏曲》中超越平均律的实践,无一不体现出典型的&利盖蒂风格&。

"Research on Temperament of Piano Sound" is a systematic description related with aesthetics about mathematics and physics of temperament study of piano art sound in the deep layer, opening out comprehensively the abundant implication of the swing on piano. Piano is not the musical instrument with only twelve-tone-equal temperament, and its structure of sound has three tuning systems in which twelve-tune-equal temperament is as basic frame, and just intonation and circle-of-fifths system are as addition.

&钢琴音响的乐律学研究&是对钢琴艺术音响进行深层系统的数理审美之描述,全面揭示钢琴丰富的音律蕴涵,即钢琴并非是单一的十二平均律乐器,其音响纵横结构是以十二平均律为基本框架,兼有纯律、五度相生律在内的&三律&乐器。

The development from simplex existence of three tuning systems to organic combination of three tuning systems is known as the twelve-tone-equal temperament with multi-frequency flexibility. The harmonious combinations between circle-of-fifths system and rhyme, just intonation and harmonic, and twelve-tone-equal temperament and inflexion, make up a new tuning system which takes full use of advantages of three tuning systems.

从三律的单一存在发展到现代三律的有机结合(即&复频弹性十二平均律&),五度相生律与旋律美相映,纯律与和声美相映,平均律与转调美相映,复频弹性十二平均律综合三律之长,避其之短,构成一个新的律制,使三律融为一个自由变通的统一体,进入相对的自由王国。

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