查询词典 diversification

Tianjin Taifuda Corporation, established in 2000 and located at Tianjin Development Area the beautiful coast of Bohai, Taifuda as an interprise which combines manufacture, research and marketing as a whole, main products are hard wood doors, hard woodcarving doors hardwood composite doors, paintless doors, cabinet, door of cabinet, partition wall etc, up to international greenism standard, we strengthen the mode of group management, we are moving towards internationalization, new industrialization and diversification.

天津泰富达集团有限公司，坐落在风景秀丽、经济高速发展的渤海之滨--天津经济技术开发区，集团成立于2000年，主要生产经营实木门、实木复合门、实木雕花门、环保免漆门、壁柜门、橱柜、办公隔断等绿色环保，符合实际购买力的产品，拥有广阔市场前景和发展空间，目前公司正朝着国际化、现代化、多元化的方向迈进。

Tianjin Taifuda Corporation, established in 2000 and located at Tianjin Development Area the beautiful coast of Bohai, Taifuda as an interprise which combines manufacture, research and marketing as a whole, main products are hard wood doors, hard woodcarving doors hardwood composite doors, paintless doors, cabinet, door of cabinet, partition wall etc, up to international greenism standard, we strengthen the mode of group management, we are moving towards internationalization, new industrialization and diversification.

泰富达集团简介天津泰富达集团有限公司，坐落在风景秀丽、经济高速发展的渤海之滨--天津经济技术开发区，集团成立于2000年，主要生产经营实木门、实木复合门、实木雕花门、环保免漆门、壁柜门、橱柜、办公隔断等绿色环保，符合实际购买力的产品，拥有广阔市场前景和发展空间，目前公司正朝着国际化、现代化、多元化的方向迈进。

This paper therefore examines the development of "the folklore Pai-Chang of Peking opera aria in Tainan city" through literature review depth-interview oral history and participant observation The concept frame is culture organism as the vertical axle and elements of a folklore activity as the transverse axle There are several significant findings about the general picture of this subject: During the late period of Japanese colonial era Tainan local people who played Peguan music learned Peking opera aria and tried to bring Peking opera aria into the folklore Pai-Chang which was one kind performance and traditional custom of Peguan music Some people who came from other places and played Peking opera aria had also known or learned "Pai-Chang" with touching Tainan local amateurs "Pai-Chang" used to be performed by amateurs for worship of god or goddess or for seasoning and wedding celebration without rewards Amateurs volunteered to perform "Pai-Chang" only for their duty temples and fraternity of Peking opera aria The majority of the audience is people who perform or like "Pai-Chang" or who live nearby There is a fixed pattern of the performance including the repertoire and the arrangement of the band The main meaning of this performace is to pray God's blessings therefore the procedure of "Ban-Hsian" is the most essential and ahead of Peking opera aria singing With time goes by the number of the amateurs has dropped; yet the demand for the worship ceremony remains; hence some of the amateurs have been trained to become professional performers Besides although the idea and the meaning of "Pai-Chang" remains the pattern of the performance has become simplified and rigid which is because of the performers' number decreasing and market adapting Nowadays the whole ecosystem of the folklore Pai-Chang of Peking opera aria in Tainan city keep changing which is mainly influenced by the transition of the society(such as the time and space of the industrial and commercial society being compressed and most people's pursuing of specialization and utilitarianism etc ) According to the findings in this paper the phenomenon can be regarded as the subject matter both of Peking opera and folklore studies For the studies of the Taiwanese culture however the subject not only enriches the subject matters of the Taiwanese culture(signifies the localization of Peking opera and a new pattern of Taiwanese folklore) but also reflects the characters of diversification integration adaptation and compromise of Taiwanese culture which used to be influenced by different regimes and the historical contexts Facing such a multicultural context this paper thus suggests researchers should show an open-minded attitude toward the complex of the Taiwanese culture studies and then important phenomenon would not be ignored or misunderstood

代表了什麼意义？对於上述疑惑，查既有研究成果，不消没有论述者，具体提即「京调排场」现象的可说没有，基於此，有必要对台南市及其周边之民俗性京调排场，不管是语汇来由或者其现象本身，做一番研究。本研究透过文献、访谈、口述史、参与观察等方法，以文化有机体之纵的发展概念为经，以民俗表演之横切面各主客要素为纬，试图先对此文化现象调查并推论出一概貌：台南市民俗性京调排场的形成，是在京调传入台南，台南本地北管子弟改习或兼习京调后，结合北管音乐文化所固有的排场表演型态及民俗演出传统，融合而成，形成时间至迟在日治晚期。而一些不同时期的外来京调人士(如原本生长於其他地区、后移住台湾的票友，和中国大陆琴师等等)，也曾透过与当地子弟的接触，而习得或知晓「排场」语汇以及本地京调排场习俗者。此项音乐民俗表演在过往多由业余子弟於神诞或民众婚俗做寿时，对其有义务或交陪的庙宇及子弟间做酬酢性的演出，不收报酬；聆赏者多是京调同好与邻近民众，也有少数路过者；演出模式包括节目安排、乐队编制皆有一定；表演意涵上以「扮仙」祈求神明赐福人间最为重要，因此排仙必不可少，且一定先於京调演唱。随著时间推移，京调排场表演活动的各要素都有变动，惟变迁速度不一，大体而言，业余表演者锐减，人们对酬神娱神节目的需求仍在，因此一些过往的业余表演者遂逐渐转型为职业表演者。此外，虽然表演意涵不变，但在职业表演人员少、又要适应市场的情况下，表演模式亦逐渐流於简化、僵化。目前京调排场整体生态仍在转变的过程中，而这种变化应与工商社会时间空间的被压缩、事事追求专业化与尼Q化等因素有关。再者，据此概貌，在结论部分厘清其意义、定位以及其对台湾文化研究之启示。台南市及其周边之民俗性京调排场现象，可视为京剧研究与民俗研究的一环，然而对於台湾文化研究，除了其题材本身标志了京剧的本土化与台湾民俗活动之新类型，进一步扩充整体台湾文化研究的内容外，更重要的是现象背后所反映的台湾文化的多元融合与妥协适应取向。台湾的海岛地理位置与长期被不同文化背景政权所殖民的历史，其文化自然容易随社会环境改变而弹性适应变迁，呈现多元纷呈、多重覆叠的特色，因此展望未来，从事台湾文化研究应秉除单一观点，保持一定程度之开放与客观胸襟，方不忽视或误识更多重要的文化现象。

We then review some of the evidence that diversity of plant utilization has driven the diversification of phytophagous insects and finally discuss whether this suggests a role for plasticity-driven speciation.

作者也在本文中回顾一些植物利用的多样性促使植食性昆虫多样化之实例，最终讨论这是否暗示了一个由可塑性驱动种化的角色。

We find a close conceptual connection between our theory that the diversification of phytophagous insects has been driven by oscillations in host range, and our personal interpretation of the most efficient way in which West-Eberhard's theory could account for plasticity-driven speciation.

作者找到一个作者的理论(植食性昆虫多样化是由寄主范围波动驱使)与作者对West-Eberhard的理论所作最有效率的解释，两者之间紧密的概念连结。

This article firstly describes the survival situation, discussing the concept of "what is the documentary","what is the columnized survival" and the relation between documentary and columnized survival. It narrates the development of documentary with columnized survival from three stages, analyzing the characteristic of current-trend on selected topic, plebification of narrating angle and the diversification of performance.

这篇论文首先描述了中国纪录片栏目化生存的整体状况，对&什么是纪录片&、&什么是栏目化生存&、&纪录片与栏目化生存的关系&这三个问题进行概念界定与理论探讨，并以&节目化生存&、&栏目化生存&以及&走向频道化&三个发展阶段叙述了纪录片栏目化生存的发展历程，分析概括出创作选题主流化、叙述视角平民化、表现手法多元化等生存特征。

The paper puts forwardfour frames of reference of diversification stratagem system, and considers pole-axis and focus radialization loopdevelopment mod

通过分析目前我国企业多元化的现状，提出了多元化战略体系的四种理论模式，并认为其中的极核轴向发展模式和中心辐射圈层发展模式是我国企业实施多元化经营战略应该首选的模式。

The wrong ideas many enterprises have towards the recultivation of the core capability are showed in two aspects: do not want to make any progress and innovation after the core capability is formed; blind diversification weakens the enterprises core capability.

西部很多企业对核心能力的再培育存在误区，主要表现在两个方面：一是核心能力一旦形成就不思进取，缺乏创新。

At present ,company have a series of solar -products,as below:solar-cell,solar-light series,solar-modules series,others application series,client-solar system and The applications of Pv solar power,provide diversification, rivalrous solar products for clients , products is widely used for communication,light、traffic、garden、and remote rural field ect.many productshavebeenexported toJapan、Germany、South korea countries and welcomed by foreign friends.

目前，公司从事的绿色能源产品有太阳能电池片、太阳能电池组件、太阳能灯、太阳能应用产品、太阳能用户发电系统和光伏应用工程，实现了产品的多种化，多样化，为客户提供了性价比高，质量可靠的产品、相关产品已广泛用于通信、广电、交通、照明、园林、电话亭、户外旅游以及偏僻地区的供电、生活等领域，许多产品已出口到日本、韩国、德国等国家，并得到客户信赖。

It analyzes the theoretical source and social foundation of cultural universalism and specialism, reveals one sidedness of their theory. And it also analyzes the subjectine and objec-tine reasons of culture's existence and development to get the conclusion that the tendency of culture's development is the dialectical developing process of diversification and centralization, therefore ratifies the reasonables of human's common behavior criterion in a certain field.

其中分析了文化普遍主义和文化特殊主义的理论来源及社会基础，揭示了它们的理论片面性，并对文化生存和发展的主客观原因进行分析，得出文化发展的趋势是文化一元化与多元化的辩证发展过程这个结论。

Molecular Distillation is a kind of high vacuum distillation method, which is suitable for the separation of high boiling, heat sensitivity and viscidity products.

分子蒸馏技术是一种在高真空条件下进行的连续蒸馏过程，适合于分离高沸点、热敏性及具有生物活性的混合物。

They are to the Noughties what yuppies were to the Eighties .

那在六十年代是时髦的，但在八十年代肯定是过时了