查询词典 dispatch writer

So when an early writer shows his familiarity with them, quotes them as authoritative and as evidently well known to his readers, it may be taken as a proof not only of the existence and widespread knowledge of the Epistles, but that the writer took them for what they claim to be, genuine Epistles of St. Paul; and if the writer lived in the time of Apostles, of Apostolic men, of disciples of Apostles, and of Timothy and Titus (as did Ignatius, Polycarp, and Clement) we may be sure that he was correct in doing so.

因此，当早期的作家表明他熟悉他们，他们报价的权威性和明显众所周知，他的读者，可以作为一个证明不仅存在和广泛的知识，书信，但作者把他们的他们声称，真正的书信的圣保罗，如果作者生活在使徒时，男子的使徒的弟子门徒，以及霍震霆和提图斯（伊格内修一样，波利卡普，并克莱门特）我们可以可以肯定，他是正确的这样做。

According to the writer, Li balances literary critics w...ith other artistic categories, and appreciates critical works from the height of aesthetics. From Li's brand-new perspective, critique is not only"independent"but also"artistic", which is of remarkable significance as regards its implication in the revolutionary changes of literary criticism. The 2nd chapter"literary criticism is a form of discovery", literarily refers to Li Jianwu stressed that critic main body consciousness to text permeating, and his claims on critics'subjectivity and capabilities in aesthetic judgments. The writer concludes Li's ideas as the three following aspects:"critique is self-discovery","critique is the discovery of the writer's mind", and"critique is the discovery of humanity in literature", and gives full illustration one by one.

他把文学批评放在了与其他艺术品类平等的位置，并且从审美的高度衡量文学批评，认为批评是&独立的批评&，也是&艺术的批评&，其意义非常深远，具有文学批评革命性的改变这一意味在里面；第二章&文学批评是一种发现&指的是李健吾强调批评家主体意识对文本的渗入，要求发挥批评家的主体作用和审美判断能力，笔者将此概括为：&批评是自我的发现&、&批评是作家心灵的发现&、&批评是作品中人性的发现&三个方面，并一一进行阐释；第三章重点论述李健吾文学批评的模式。

It is the center of this article that how to put the costumes art of china's ethnic groups to good use in the modern character design. The writer expounds and proves the inevitability and necessary of the combination of external works and china's costumes art of traditional ethnic groups, according to which the writer chose several characters from famous classical novel ?The Creation Of Chinese Gods and recreated them with interrelated knowledge. These recreative examples and: Nvwa Sudaji nine-tailed Fox Denchanyu and Longji princess. Their vivid creative images and design prove the superiority of the two combinations. Meanwhile, some good relative suggestions have been put forward and a theory has been concluded in which modern character design is "skeleton", the comprehensive artistic display of the costumes art of china's ethnic groups is "blood and flesh".In addition, the topic is discussed according to higher practical field. Through the tentative analyses of productive economy and social development in china, the writer applies the costumes art of china's ethnic groups to modern character design, which will be good for the development and improvement of products' economic results, the improve and perfect of educational system, the standard of continuing cultural tradition and the resist of foreign culture invasion.

本文围绕中国传统民族服饰艺术在角色设计中的运用这一论题进行论述和研究，通过国外角色作品对中国传统民族服饰艺术的运用，论证了两者结合的必然性和必要性，并以服饰是角色灵魂设计的重点作为切入点，结合了融会贯通的中国传统民族服饰艺术知识进行了对名著《封神演义》人物：女娲、苏妲己、九尾狐、邓蝉玉及龙吉公主的实例创作，以生动的形象和实际设计的演练论证了两者结合的优越性，同时，也为创作提出了相关的建议，并提出了以现代角色设计为&骨骼&，以中国传统民族服饰的综合艺术表现为&血肉&的结论。

The spatial narrative structures in Calvino's fictions can be divided into three types :"the building of two worlds "is the main way in the earlier writing phase of Neorealist and Fairy tale .Dimidiation and mergence is the art feature .It signs that the sense of the world and the creative ideas of the writer start to form;"Synchrony and Juxtaposition "and "Crystal pattern "are the prominent characteristics during his Postmodernism writings phase. The writer takes the complex and diverse form of space art, such as segments、juxtaposition、defamiliarization、crystal's combination and derivatives, ect. to represent the essence of the world, and to exprsee the writer's confusion and efforts to understand and build a sense of it.

卡尔维诺小说的空间叙事结构具有阶段性，可以分为三种不同的类型：&两个世界的构建&是早期新现实主义和童话寓言创作阶段的主要方法，二分和弥合是其艺术特点，标志作家世界感和创作观念开始形成；&共时并置&和&晶体模式&则是后现代主义小说创作时期的突出特征，作家以片断、并置、陌生化、晶体组合衍生等复杂多样的空间化艺术形式来表现世界的本质以及自身理解世界、构建意义的困惑和努力。

The writer cultivates self discipline the question is ancientbut Chang Xin topic, this kind of tutelage the writer cultivated selfdiscipline the creation to us still to have the positive instructionsignificance today, moreover cultivated vital energy to say also willcontinue to the later generation writer to have the influence.

作家修养问题是一个古老而常新的话题，这种修养对我们今天的作家修养创作仍然具有积极的指导意义，而且养气说还将对后世作家继续产生影响。

Morning paper dispatch at present writer of traveler of our country Internet rich already exceeded 40 million person, hopeful of rich customer government will execute a webpage henceforth the name makes the finite fact of real name of faceless, tiring-room.

你会看到这个提示，那是因为你的系统无法识别某栏目的模型信息，或者你新建模型后，没为这个模型设计单独的模板。不同模型的文档浏览页的模板为：article_模型名字标识。htm （更多的信息你可以在频道模型管理的地方查看）。

Morning paper dispatch at present writer of traveler of our country Internet rich already exceeded 40 million person, hopeful of rich customer government will execute a webpage henceforth the name makes the finite fact of real name of faceless, tiring-room.

晨报讯 现在我国互联网博客作者已超过4000万人，今后博客治理有望实行网页匿名、后台实名的有限实名制。

Wherefore writer carries out another iterative computation. In the computation, considering the influence of all of joggle parameter, adopting compound - aitch optimization and intellective distinguish can prevail more reasonable joggle parameter. And using example writer discusses the contract of the methods.

在计算中考虑全部啮合参数对齿轮传动的影响，采用复合形优化方法和智能判别系统可得到更加合理的啮合参数，并用实例论述了这种重复优化的与传统设计和单目标优化的效果对比。

On the poet's choice, mainly be decided by two standards, one is the popularity and influences of works; two is the meaning of the creations development that it create for the whole colony. Owing to above two standards, the writer chooses seven writers to launch the treatise, they are Jidi Maja, Jimu Langge, Luwu Laqi, Ma Deqing, Aku Wuwu , Asu Yuer, Eni-Mushashijia. In discussing the process, the writer used the nationality and Poetics of the poem as the latent clues, emphasized to inquiry into three main roads and three main realms. On the article structure, the full text mainly is divided into two parts, one is the concrete imago analysis to each poet creations, two is upon the analytical foundation the integration of the theories, with this the treatise could be united into an organic whole. In regard to the conclusion, we educe the characteristics of the colony is deep consciousness to the nation culture, also extensive exploration and attention to poetics. The blemish is the inside emotion and sensibility is similar or duplicate and that the creation pattern is narrow. The main develop threads of the colony are upon the female clan culture the diverse poem skill investigation, its nation culture value tropism present the rising spiral type of return- leave- return again.

在研究方法上，本文以意象分析法为贯穿全文的主要方法，通过对意象的具体分析来透视凉山诗群的诗歌世界；在诗人的选择上以其作品的影响力及意义为标准，选择了这一诗群的七位诗人展开论述，他们分别是吉狄马加、吉木狼格、倮伍拉且、马德清、阿库乌雾、阿苏越尔、俄尼·牧莎斯加；在论述过程上，笔者以诗歌的民族性和诗性作为前后贯穿的潜在线索，着重探讨了这一诗群创作的三个主要倾向和三个主要领域，前者详论，后者略述，具体表现在对前三位诗人的论述以诗人论的形式详细展开，探讨他们所代表的凉山诗群发展过程中的三个主要创作倾向，即民族文化的深层开掘、诗艺的实验性探索和艺术哲学的尝试性建构，对后四位诗人的论述则以主题的方式展开，探讨他们所代表的凉山诗群在爱情诗、乡土诗和文化诗三个领域的探索；在文章结构上，全文主要分为两大板块，一是对各位诗人创作的具体意象分析，二是在前文分析的基础上进行理论的整合，以此将前面散珠似的论述贯穿成一个有机整体；在结论上，我们通过整合得出：1、凉山诗人群新时期以来诗歌创作的大致发展脉络：在母族文化的基质之上的多元诗艺探索，其民族文化价值取向呈现为回归—离去—再回归的螺旋式上升形态；2、新时期彝族凉山诗人群汉语诗歌创作的特点，即民族文化意识的深层自觉，对诗性的关注和探索；3、新时期彝族凉山诗人群汉语诗歌创作的缺陷，即情感意蕴的雷同和创作格局的狭小。

Some of my sources are: Mrs. Huang, an amah in my family who has all the ideas that go into the breeding of a good woman in China; a Soochow boat-woman with her profuse use of expletives; a Shanghai street car conductor; my cook's wife; a lion cub in the zoo; a squirrel in Central Park in New York; a deck steward who made one good remark; that writer of a column on astronomy; all news in boxes; and any writer who does not kill our sense of curiosity in life or who had not killed it in himself… how can I enumerate them all?

我的写作素材来源如下：我家保姆"黄阿妈"，一位恪守妇道的中国妇女；粗话连篇的苏州船娘；有轨电车售票员；我家厨子的夫人；动物园里的幼狮；纽约中央公园的松鼠；一度言之有物的甲板服务员；天文专栏作家；信箱里的各路新闻；任何作家，只要他不扼杀我们对生活的好奇心，或他本人的好奇心尚未泯灭……来源之广，何胜枚举？

My father is over 60 years old, and he lifts weights every day.

我爸爸六十多岁了，他每天都练习举重。

Then in a serious tone she declared:"It doesn't pay, dear boy, to look like a ninny with one's wife the first night."

两眼湿润了，她把身子蜷得很小，这样似乎可以更好地闻闻自己。