查询词典 delicate and touching

This paper therefore examines the development of "the folklore Pai-Chang of Peking opera aria in Tainan city" through literature review depth-interview oral history and participant observation The concept frame is culture organism as the vertical axle and elements of a folklore activity as the transverse axle There are several significant findings about the general picture of this subject: During the late period of Japanese colonial era Tainan local people who played Peguan music learned Peking opera aria and tried to bring Peking opera aria into the folklore Pai-Chang which was one kind performance and traditional custom of Peguan music Some people who came from other places and played Peking opera aria had also known or learned "Pai-Chang" with touching Tainan local amateurs "Pai-Chang" used to be performed by amateurs for worship of god or goddess or for seasoning and wedding celebration without rewards Amateurs volunteered to perform "Pai-Chang" only for their duty temples and fraternity of Peking opera aria The majority of the audience is people who perform or like "Pai-Chang" or who live nearby There is a fixed pattern of the performance including the repertoire and the arrangement of the band The main meaning of this performace is to pray God's blessings therefore the procedure of "Ban-Hsian" is the most essential and ahead of Peking opera aria singing With time goes by the number of the amateurs has dropped; yet the demand for the worship ceremony remains; hence some of the amateurs have been trained to become professional performers Besides although the idea and the meaning of "Pai-Chang" remains the pattern of the performance has become simplified and rigid which is because of the performers' number decreasing and market adapting Nowadays the whole ecosystem of the folklore Pai-Chang of Peking opera aria in Tainan city keep changing which is mainly influenced by the transition of the society(such as the time and space of the industrial and commercial society being compressed and most people's pursuing of specialization and utilitarianism etc ) According to the findings in this paper the phenomenon can be regarded as the subject matter both of Peking opera and folklore studies For the studies of the Taiwanese culture however the subject not only enriches the subject matters of the Taiwanese culture(signifies the localization of Peking opera and a new pattern of Taiwanese folklore) but also reflects the characters of diversification integration adaptation and compromise of Taiwanese culture which used to be influenced by different regimes and the historical contexts Facing such a multicultural context this paper thus suggests researchers should show an open-minded attitude toward the complex of the Taiwanese culture studies and then important phenomenon would not be ignored or misunderstood

代表了什麼意义？对於上述疑惑，查既有研究成果，不消没有论述者，具体提即「京调排场」现象的可说没有，基於此，有必要对台南市及其周边之民俗性京调排场，不管是语汇来由或者其现象本身，做一番研究。本研究透过文献、访谈、口述史、参与观察等方法，以文化有机体之纵的发展概念为经，以民俗表演之横切面各主客要素为纬，试图先对此文化现象调查并推论出一概貌：台南市民俗性京调排场的形成，是在京调传入台南，台南本地北管子弟改习或兼习京调后，结合北管音乐文化所固有的排场表演型态及民俗演出传统，融合而成，形成时间至迟在日治晚期。而一些不同时期的外来京调人士(如原本生长於其他地区、后移住台湾的票友，和中国大陆琴师等等)，也曾透过与当地子弟的接触，而习得或知晓「排场」语汇以及本地京调排场习俗者。此项音乐民俗表演在过往多由业余子弟於神诞或民众婚俗做寿时，对其有义务或交陪的庙宇及子弟间做酬酢性的演出，不收报酬；聆赏者多是京调同好与邻近民众，也有少数路过者；演出模式包括节目安排、乐队编制皆有一定；表演意涵上以「扮仙」祈求神明赐福人间最为重要，因此排仙必不可少，且一定先於京调演唱。随著时间推移，京调排场表演活动的各要素都有变动，惟变迁速度不一，大体而言，业余表演者锐减，人们对酬神娱神节目的需求仍在，因此一些过往的业余表演者遂逐渐转型为职业表演者。此外，虽然表演意涵不变，但在职业表演人员少、又要适应市场的情况下，表演模式亦逐渐流於简化、僵化。目前京调排场整体生态仍在转变的过程中，而这种变化应与工商社会时间空间的被压缩、事事追求专业化与尼Q化等因素有关。再者，据此概貌，在结论部分厘清其意义、定位以及其对台湾文化研究之启示。台南市及其周边之民俗性京调排场现象，可视为京剧研究与民俗研究的一环，然而对於台湾文化研究，除了其题材本身标志了京剧的本土化与台湾民俗活动之新类型，进一步扩充整体台湾文化研究的内容外，更重要的是现象背后所反映的台湾文化的多元融合与妥协适应取向。台湾的海岛地理位置与长期被不同文化背景政权所殖民的历史，其文化自然容易随社会环境改变而弹性适应变迁，呈现多元纷呈、多重覆叠的特色，因此展望未来，从事台湾文化研究应秉除单一观点，保持一定程度之开放与客观胸襟，方不忽视或误识更多重要的文化现象。

Although the aforesaid sanction should clearly be subject to nullity on many counts, and was supporting and preserving open schism, and therefore it could have been declared to be essentially of no effect, null and invalid, without the need for any preceding formal citation, yet, from a great sense of caution, our same predecessor Julius, by a public edict -- which was to be fixed to the church doors of Milan, Asti and Pavia, since there was then no safe access to France -gave warning and summoned the prelates of France, the chapters of churches and monasteries, the parlements and the layfolk supporting them and making use of the said sanction, and each and all of the rest who were thinking that there was some advantage for them in the foregoing individually or collectively, to appear before him and the said council within a fixed period, which was then clearly stated, and to declare the reasons why the aforesaid sanction, and its corruptive and abusive effect in matters touching on the authority of the Roman church and the sacred canons, and on the violation of ecclesiastical liberty should not be declared null and invalid.

虽然上述制裁显然应受无效在许多方面，并支持和维护开放的分裂，因此，它可以被宣布为基本上没有影响，是完全无效的，而不需要任何前正式引文，但从高度的谨慎，我们同前任朱利，由公共法令-这是将固定在教堂大门米兰，阿斯提和帕维亚，因为当时没有任何安全进入法国了警告，并召见主教的法国，各章的教堂和修道院，在parlements和layfolk支持他们，并利用上述制裁，每个和所有其余谁被认为有一些优势，他们在上述单独或集体，到他面前，并说，安理会在固定期限内，然后明确规定，并宣布了上述原因的制裁，它的腐败和滥用影响的事项涉及的权威和罗马教会的神圣大炮，以及对违反教会自由不应被宣告无效。

The case study found: the boy's play therapy went through 3 phrases, including "knowing the therapeutic conditions well","establishing of therapeutic relationship","developing play therapy evolutionally"; the clues from which to judge relationship included "verbal and nonverbal interaction between therapist and the boy","the boy's dealing with his parents ","his 'first' behavior", the aim of establishing was to form "mother-child unity"; the relationship between therapist and the boy's parents passed through "admitting the facts","opening their feelings" and "detailed guidance"; the development of the boy's play consisted in the larger degree of digging and moving sand(showing that the therapy went deep into the boy's mind and his sense of strength was improving), the increasing of imaginative plays(showing that the boy began to pay attention to others and knew how to play), from playing by himself to cooperating with therapist(showing that he felt the happiness in cooperating and interacting with others and was gaining self-confidence which was favorable to be transferred to his lives and be used to communicating with others), sand and water were very important therapeutic factors for the boy(sand could mobilize his sense of feeling and touching , awakening his energy and regulating it. water could provide relaxed feeling, sense of being contained and satisfied and enlighten his imagination).

研究发现，个案的游戏治疗经历了三个阶段，即&熟悉治疗环境阶段&、&治疗关系建立阶段&和&游戏治疗深入发展阶段&；考察治疗关系建立的指标包括&个案与治疗者之间的言语和非言语互动&、&个案与父母的关系处理&和&个案的'第一次'行为&，建立的目标是&母子一体性&的形成；治疗者与个案父母关系的建立经过了&接纳事实&、&开放情感&和&具体指导&三个阶段；个案在治疗中游戏的发展表现为：动沙的力度增大，说明治疗深入了个案内心，其自我能量感在增强，游戏中的想象性成分不断增多，说明其对周围事物和他人关注了，开始&会&游戏，从单独游戏逐渐向简单合作游戏发展，说明其体验到了合作和互动的快乐，并从中渐渐获得自信，有助于个案将这种体验和自信迁移到日常生活中，尝试与他人互动；沙和水是个案游戏治疗中的重要治疗因素，沙可以调动自闭症幼儿的感触觉，唤醒其潜在能量，调整能量分配，水给自闭症儿童一种轻松感、包容感和满足感，并引发其想象。

The case study found: the boy"s play therapy went through 3 phrases, including "knowing the therapeutic conditions well","establishing of therapeutic relationship","developing play therapy evolutionally"; the clues from which to judge relationship included "verbal and nonverbal interaction between therapist and the boy","the boy"s dealing with his parents ","his "first" behavior", the aim of establishing was to form "mother-child unity"; the relationship between therapist and the boy"s parents passed through "admitting the facts","opening their feelings" and "detailed guidance"; the development of the boy"s play consisted in the larger degree of digging and moving sand(showing that the therapy went deep into the boys mind and his sense of strength was improving), the increasing of imaginative plays(showing that the boy began to pay attention to others and knew how to play), from playing by himself to cooperating with therapist(showing that he felt the happiness in cooperating and interacting with others and was gaining self-confidence which was favorable to be transferred to his lives and be used to communicating with others), sand and water were very important therapeutic factors for the boy(sand could mobilize his sense of feeling and touching , awakening his energy and regulating it. water could provide relaxed feeling, sense of being contained and satisfied andenlighten his imagination).

研究发现，个案的游戏治疗经历了三个阶段，即&熟悉治疗环境阶段&、&治疗关系建立阶段&和&游戏治疗深入发展阶段&；考察治疗关系建立的指标包括&个案与治疗者之间的言语和非言语互动&、&个案与父母的关系处理&和&个案的'第一次'行为&，建立的目标是&母子一体性&的形成；治疗者与个案父母关系的建立经过了&接纳事实&、&开放情感&和&具体指导&三个阶段；个案在治疗中游戏的发展表现为：动沙的力度增大，说明治疗深入了个案内心，其自我能量感在增强，游戏中的想象性成分不断增多，说明其对周围事物和他人关注了，开始&会&游戏，从单独游戏逐渐向简单合作游戏发展，说明其体验到了合作和互动的快乐，并从中渐渐获得自信，有助于个案将这种体验和自信迁移到日常生活中，尝试与他人互动；沙和水是个案游戏治疗中的重要治疗因素，沙可以调动自闭症幼儿的感触觉，唤醒其潜在能量，调整能量分配，水给自闭症儿童一种轻松感、包容感和满足感，并引发其想象。

To begin with the review of human's understanding on the brain, we will explain the brain formation and working principles in simple terms. How the complex and ingenious structure of brain is formed? Why can we see the colorful world? Why can we hear the sweet warble of the bird and touching music? Why do we have intelligence and thoughts? Why do we have pleasure, anger, sorrow and joy? How can we acquire information and form consolidated memory, and what can affect the learning and memory? Why do we need sleep, and what determine the biorhythm? How do we control our movement, thinking and emotion? How do Alzheimer's disease, stroke, depression, anxiety, schizophrenia, and drug addiction happen? Can adult neuron regenerate?

从回顾人类对脑的认识过程开始，我们将一步步深入浅出的告诉你大脑形成和工作的原理：大脑复杂而精妙的结构是如何形成的；我们为什么能看到色彩缤纷、千姿百态的世界；为什么能听到悦耳动听的鸟的啼啭和动人心弦的音乐旋律；我们为什么有智力、能思维；为什么有喜怒哀乐；我们如何获取信息并形成牢固的记忆，哪些因素影响学习记忆的过程；我们为什么需要睡眠，是什么决定了我们的生物节律；我们如何控制自己的运动、思维和情绪；老年痴呆、中风、抑郁、焦虑、精神分裂症、药物成瘾是如何产生的；成年脑神经细胞能再生吗？

When changing diaphragms in most drivers the new diaphragm may not be 100 % concentric to the old one, and the only way to align it in the magnetic gap is by removing the iron pole from the driver and loosening the screws holding the center pole piece, then and only then the diaphragm can be aligned with the center pole piece and rubbing or touching of the voice coil with the pole pieces in the gap is avoided, this may happen at certain frequencies only, producing a very harsh sound, even passing a static or a dc diaphragm test , therefore the claim that the diaphragms are replaceable in the field is not in many cases true, only when the driver has adjustable screw and dowel locating pin the alignment is possible without getting inside the driver and when alignment of the diaphragm is needed, the plate holding the pole pieces and assembly needs removal, by doing so the pole piece may be well set and aligned but the magnetic field will weaken significantly by such a procedure and solving one problem leads to another one, in this case the driver needs to be re magnetized in order to perform well.

当改变隔膜在大多数司机的新膜片不得100 ％同心旧的，只有这样，才能使其在磁场的差距是通过消除铁柱从司机和松动的螺丝中心柱举行一块，然后才是膈肌可配合中心极片和摩擦或触摸的音圈与极片的差距是可以避免的，可能会遇到这种情况只有在特定的频率，产生了非常严厉的声音，甚至通过一个静态或直流隔膜测试，因此声称隔膜的更换在外地不是在许多情况下，真实的，只有当该名司机已可调螺丝和销子定位销调整是有可能没有得到内部的驱动器和调整时，膈肌是必要的，举行的板极件和大会需要搬迁，这样做极可能是一块很好设置和调整，但磁场将削弱显着这样的程序和解决的一个问题导致另一次，在这种情况下，司机必须重新磁化，以表现良好。

He took all his pain and what was left of his strength and his long gone pride and he put it against the fish's agony and the fish came over onto his side and swam gently on his side, his bill almost touching the planking of the skiff and started to pass the boat, long, deep, wide, silver and barred with purple and interminable in the water.

他忍住所有痛苦，使尽仅存的力量和长久来已消磨殆尽的骄傲，来和这条鱼的痛苦相互抗衡，鱼终于被他拉近船边，慢慢游向他身边，鱼的尖嘴几乎碰到船板。它开始靠着船边游，它的身影长长的、又深又宽，银色的身躯外裹着紫色的条纹，无止尽地在水中游动。

I have been first, the most wretched of men, and then the most unhappy, and I have traversed sixty years of life on my knees, I have suffered everything that man can suffer, I have grown old without having been young, I have lived without a family, without relatives, without friends, without life, without children, I have left my blood on every stone, on every bramble, on every mile-post, along every wall, I have been gentle, though others have been hard to me, and kind, although others have been malicious, I have become an honest man once more, in spite of everything, I have repented of the evil that I have done and have forgiven the evil that has been done to me, and at the moment when I receive my recompense, at the moment when it is all over, at the moment when I am just touching the goal, at the moment when I have what I desire, it is well, it is good, I have paid, I have earned it, all this is to take flight, all this will vanish, and I shall lose Cosette, and I shall lose my life, my joy, my soul, because it has pleased a great booby to come and lounge at the Luxembourg.

为生活，我用膝头爬了六十年，我受尽了人能受的一切痛苦，我不曾有过青春便已老了，我一辈子没有家，没有父母，没有朋友，没有女人，没有孩子，我把我的血洒在所有的石头上，所有的荆棘上，所有的路碑上，所有的墙边，我向对我刻薄的人低声下气，向虐待我的人讨好，我不顾一切，还是去改邪归正，我为自己所作的恶忏悔，也原谅别人对我所作的恶，而正当我快要得到好报，正当那一切都已结束，正当我快达到目的，正当我快要实现我的心愿时，好，好得很，我付出了代价，我收到了果实，但一切又要完蛋，一切又要落空，我还要丢掉珂赛特，丢掉我的生命、我的欢乐、我的灵魂，因为这使一个到卢森堡公园来游荡的大傻子感到有乐趣！

And there our old friend was committed to the earth ,amid the contending shouts of the football players,and then we all clapped our hats on our heads with firmness(as he would have wished us to do long before),and returned to the town to drink tea in an ancient hostelry,and exchange memories,auaint,and humorous,and touching,and beautiful of the dead.

这样，在那些对阵的足球队员的呐喊声中，我们的老朋友就算入土为安了。于是，我们大家一起把帽子由戴到头上，（恐怕他早就盼望我们免礼了），回到城里，在一家古色古香的旅馆里，一边喝茶，一边交谈着关于死者的种种离奇，幽默，动人，美好的回忆。

All summer I wandered the fields that were thickening every morning, every rainfall, with weeds and blossoms, with the long loops of the shimmering, and the extravagant- pale as flames they rose and fell back, replete and beautiful- that was all there was- and I too once or twice, at least, felt myself rising, my boots touching suddenly the tops of the weeds, the blue and silky air- listen, passion did it, called me forth, addled me, stripped me clean then covered me with the cloth of happiness- I think there is no other prize, only rapture the gleaming, rapture the illogical the weightless- whether it be for the perfect shapeliness of something you love- like an old German song- or of someone- or the dark floss of the earth itself, heavy and electric.

整个夏天，我漫步于田野，在每个清晨，每一场雨中，田野变得深邃，充满种子和花，以及闪烁不定的耀眼的光环——如同苍白的火焰，它们升起又熄灭，丰盈而美——这就是田野的全部——而我至少有一两次，感到自己飞起来了，我的鞋子突然碰到种子的顶端，丝绸一般柔滑的蓝色空气——听，它热情地召唤我，使我迷茫，剥去我的外壳，再为我穿上欢乐的衣裳——我不再需要什么，只是沉迷于这闪亮的一刻，沉迷于这不合逻辑的失重——它是否是你所爱之物的完美形式——属于一首古老的德国歌曲——或者某个人——或者就是地球自身的黑色丝线，沉重，带电。

I want to be a big fish in a small pond.

我要做一条在小池塘里的大鱼。

While the software functioned well, we did not feel the same about their customer support!

虽然该软件运行良好，我们没有同样的感觉他们的客户支持！