查询词典 culture

From the pectination and anatomy of the traditional female Muslim of GQN areas by the numbers, the author thinks that the culture of female Hui of GQN areas becomes a synthetic female Hui culture under the particularity of the Muslim culture, Confucian culture and national clime culture because of its complexity and abroad quality of nationality gather.

鬃者通过对甘青宁回族女性传统社会文化的系统梳理与剖析，认为甘青宁回族女性文化因其民族形成历程的复杂性、民族聚居的广泛性，使其文化成为蕴涵了伊斯兰文化、儒家文化及民族地域文化特质下综合的回族女性文化。

At the same time, the Central Plains culture, Indian culture, and culture of Mesopotamia, the Persian culture, and Greek culture, here in Rome and cultural known blend in the use of multilingual text, such as Chinese, Tokharians text, the text in Hetian, Sogdian and others.

同时，中原文化、印度文化、两河流域文化、波斯文化、希腊文化、罗马文化等在这里荟萃、交融出现了多种语言文字的使用，如汉文、吐火罗文、于阗文、粟特文等。

As the longest social ideology until now, primary Goddess worship has deeply rooted in human species memory-----the collective unconsiciousness,flashing original human nature brilliance. Procreative worship is a kind of culture phenomenon in early human society, which formed to Goddess culture is a important content of ancient culture. Associated with the historical evolvement, NǚWa and Goddess absorpt Chinese nation specific culture factors, developt in the inheritance and became the important part of Chinese culture during the fomation of Chinese cultural Pluralistic Integration.

本文在前人文献资料和田野调查的基础之上，以汉族女娲神话和南方少数民族女神神话为比较研究的对象，将两者放在中华民族文化多元一体格局的大系统中进行考察，主要从文化互动的角度，对二者相同、相异以及相互影响的关系进行全面合理的探讨，在此基础上进一步揭示各民族女神神话&互补互渗，相互交融，你影响我，我影响你，你中有我，我中有你&的关系，更加深刻理解中华文化多元一体的格局。

The results show that the duration of the 3 phases during the culture of cell suspension is related to the inoculum size, the initial nutrient concentration, the feeding of nutrients and the culture conditions such as temperature and dissolved oxygen, that the maximum cell yield reaches about 12g/L for batch culture or 35g/L for fed-batch culture in dry weight, that the saponin content of cells quickly increases in the bloom phase and keeps on increasing until the early stage of the declining phase, with a maximum saponin content of about 60~70g/kg in dry weight, that the conductance value of cell suspension decreases from more than 8000μS to less than 600μS with the growth of cells, but increases when the cells autolyze, and that part of cells turns red in the later culture, which has no apparent effect on the saponin content.

结果显示：细胞3个生长时期的持续时间与接种量、初始营养浓度、营养流加情况及培养条件有关；分批培养和流加培养时的最大细胞得率分别为12g/L和35g/L；细胞的皂甙含量在旺盛生长期快速上升，并保持增长至衰退期前期；干细胞中最大的皂甙含量达60~70g/kg；随着细胞的生长，培养液的电导值从8000μS以上下降至600μS以下，细胞自溶后逐渐回升。另外，培养后期部分细胞颜色变红，但没有发现颜色转变对皂甙含量造成影响。

Culture"," culturology" and "the cultural system", are the basic categories in his culturological system. Based on them, there are the definition, category, nature and characteristics of "culture"; the object, mission, the research mode, and the development course of" culturology"; ten "basic types", three "the upper level types", the structure, and the mentality of "the cultural system"; the twin categories of "culture" and "society","culture" and "nature","culture" and "civilization","culturology" and" sociology"," the cultural system" and" natural system"," the cultural system" and" social system, etc.

以它们为中心，涉及到基本内容有：&文化&的定义、分类、性质与特征；文化学的对象、任务、研究模式、发展阶段；&文化体系&的十种&基本类型&、三种&上层类型&、结构与心态；以及成对的范畴&文化&与&社会&、&文化&与&自然&、&文化&与&文明&，&文化学&与&社会学&，&文化体系&与&自然体系&、&文化体系&与&社会体系&，等等。

Pathogen detection was performed, including hemoculture, urine culture, sputum culture, nose swabs culture, throat swab culture, checking clinically important cytomegalovirus, EB-DNA and mycoplasma in blood, acid-fast bacilli and eumycete culture in sputum.

行病原学检测，包括血、尿、痰、鼻拭子、咽拭子培养，痰涂片+培养查真菌，抽血查CMV、EB-DNA及支原体，痰查抗酸杆菌。

This paper therefore examines the development of "the folklore Pai-Chang of Peking opera aria in Tainan city" through literature review depth-interview oral history and participant observation The concept frame is culture organism as the vertical axle and elements of a folklore activity as the transverse axle There are several significant findings about the general picture of this subject: During the late period of Japanese colonial era Tainan local people who played Peguan music learned Peking opera aria and tried to bring Peking opera aria into the folklore Pai-Chang which was one kind performance and traditional custom of Peguan music Some people who came from other places and played Peking opera aria had also known or learned "Pai-Chang" with touching Tainan local amateurs "Pai-Chang" used to be performed by amateurs for worship of god or goddess or for seasoning and wedding celebration without rewards Amateurs volunteered to perform "Pai-Chang" only for their duty temples and fraternity of Peking opera aria The majority of the audience is people who perform or like "Pai-Chang" or who live nearby There is a fixed pattern of the performance including the repertoire and the arrangement of the band The main meaning of this performace is to pray God's blessings therefore the procedure of "Ban-Hsian" is the most essential and ahead of Peking opera aria singing With time goes by the number of the amateurs has dropped; yet the demand for the worship ceremony remains; hence some of the amateurs have been trained to become professional performers Besides although the idea and the meaning of "Pai-Chang" remains the pattern of the performance has become simplified and rigid which is because of the performers' number decreasing and market adapting Nowadays the whole ecosystem of the folklore Pai-Chang of Peking opera aria in Tainan city keep changing which is mainly influenced by the transition of the society(such as the time and space of the industrial and commercial society being compressed and most people's pursuing of specialization and utilitarianism etc ) According to the findings in this paper the phenomenon can be regarded as the subject matter both of Peking opera and folklore studies For the studies of the Taiwanese culture however the subject not only enriches the subject matters of the Taiwanese culture(signifies the localization of Peking opera and a new pattern of Taiwanese folklore) but also reflects the characters of diversification integration adaptation and compromise of Taiwanese culture which used to be influenced by different regimes and the historical contexts Facing such a multicultural context this paper thus suggests researchers should show an open-minded attitude toward the complex of the Taiwanese culture studies and then important phenomenon would not be ignored or misunderstood

代表了什麼意义？对於上述疑惑，查既有研究成果，不消没有论述者，具体提即「京调排场」现象的可说没有，基於此，有必要对台南市及其周边之民俗性京调排场，不管是语汇来由或者其现象本身，做一番研究。本研究透过文献、访谈、口述史、参与观察等方法，以文化有机体之纵的发展概念为经，以民俗表演之横切面各主客要素为纬，试图先对此文化现象调查并推论出一概貌：台南市民俗性京调排场的形成，是在京调传入台南，台南本地北管子弟改习或兼习京调后，结合北管音乐文化所固有的排场表演型态及民俗演出传统，融合而成，形成时间至迟在日治晚期。而一些不同时期的外来京调人士(如原本生长於其他地区、后移住台湾的票友，和中国大陆琴师等等)，也曾透过与当地子弟的接触，而习得或知晓「排场」语汇以及本地京调排场习俗者。此项音乐民俗表演在过往多由业余子弟於神诞或民众婚俗做寿时，对其有义务或交陪的庙宇及子弟间做酬酢性的演出，不收报酬；聆赏者多是京调同好与邻近民众，也有少数路过者；演出模式包括节目安排、乐队编制皆有一定；表演意涵上以「扮仙」祈求神明赐福人间最为重要，因此排仙必不可少，且一定先於京调演唱。随著时间推移，京调排场表演活动的各要素都有变动，惟变迁速度不一，大体而言，业余表演者锐减，人们对酬神娱神节目的需求仍在，因此一些过往的业余表演者遂逐渐转型为职业表演者。此外，虽然表演意涵不变，但在职业表演人员少、又要适应市场的情况下，表演模式亦逐渐流於简化、僵化。目前京调排场整体生态仍在转变的过程中，而这种变化应与工商社会时间空间的被压缩、事事追求专业化与尼Q化等因素有关。再者，据此概貌，在结论部分厘清其意义、定位以及其对台湾文化研究之启示。台南市及其周边之民俗性京调排场现象，可视为京剧研究与民俗研究的一环，然而对於台湾文化研究，除了其题材本身标志了京剧的本土化与台湾民俗活动之新类型，进一步扩充整体台湾文化研究的内容外，更重要的是现象背后所反映的台湾文化的多元融合与妥协适应取向。台湾的海岛地理位置与长期被不同文化背景政权所殖民的历史，其文化自然容易随社会环境改变而弹性适应变迁，呈现多元纷呈、多重覆叠的特色，因此展望未来，从事台湾文化研究应秉除单一观点，保持一定程度之开放与客观胸襟，方不忽视或误识更多重要的文化现象。

Finally, the paper summarizes the meaningful experience and gives us a lot of enlightenments that we can learn from characteristic management philosophy and corporate culture of Haier Group. That is to say, corporate culture construction, is neither a simple "transplant" from western corporate culture, nor a "colon" of traditional culture, but a "genie reforger" with modern culture.

最后，从海尔企业文化鲜明而极具个性的经营哲学和文化气质中概括其现实的理论价值和实践指导意义，并分析了当前我国企业文化建设中存在的诸多问题和解决对策。

Clash between them are the following: on the one hand, there is certain contradiction between "enlightenment" of elite culture and "secularly" of common culture; On the other hand, as to taste interest, there is also clash between elite culture's pursuit of elegance and common culture's pursuit of popularity.(3) It is possible for them to form combination, including three aspects: control of mainstream culture, relationship with each other coexisted and transformed, the development of modern media technology.

两者之间的冲突具体表现在：一方面，精英文化的&启蒙&性与大众文化的&世俗&性之间存在着一定的矛盾；另一方面，在审美趣味上，精英文化的高雅追求与大众文化的通俗追求也存在冲突。

17Th century, the European immigrates when the new continent inputs North America, and had found the broad development space in the North America mainland, thereupon, puritanism culture then disassimilation for US'S Caucasian culture This kind of culture played the vital role in the America nationality forming process, the American mainstream values origin has all been possible to go upstream to North America colonizes a time series world the puritanism belief Based on the puritanism culture, the American while successfully has created new continent, constructed constructs uniquely its has filled the vitality the American culture, in which is seeping 创业者 going all out, optimistic was upward and the attenion actual effect spirit, this was "the American spirit".

17世纪，欧洲人移民新大陆时输入北美，并在北美大陆找到了广阔的发展空间，于是，清教文化便异化为美国的白人文化。这种文化在美利坚民族形成过程中起了重要作用，美国人主流价值观的渊源都可上溯到北美殖民时代一统天下的清教信仰。依据清教文化，美国人在成功地创造了一个新大陆的同时，建构了其独特的充满生机的美国文化，其中渗透着创业者的锐意进取，乐观向上和注重实效的精神，这就是&美国精神&。

I use an example quoted by Hu Jiaqi:"It is reported that America separates the DNA of a kind of virus by making use of genetic technology and combines it with another kind of DNA. Finally, they get a kind of virulent biological agent called a "pyrotoxin". Someone discloses in private that 20 grams of such a kind of biological agent could result in the global death of 6 billion people due to infection."

我在这里例举胡家奇所引用过的例子："据报道，美国利用转基因技术，将一种病毒的DNA分离出来，与另外一种DNA进行结合，拼结成一种剧毒的"热毒素"生物战剂，且私下有人透露，这种生物战剂只需20克，就可以导致全球60亿人全部感染死亡。"

Waiting, for the queers and the coons and the Reds and the Jews.

等待着疯子和黑人还有红色共产主义者还有犹太人